Mostrando resultados por autor "Plato Plato" en Todas las categorías

The Charmides is a dialogue of Plato, in which Socrates engages a handsome and popular boy named Charmides in a conversation about the meaning of sophrosyne, a Greek word usually translated into English as "temperance," "self-control," or "restraint." When the boy is unable to satisfy him with an answer, he next turns to the boy's mentor Critias. In the dialogue, Charmides and then later Critias champion that Temperance is "doing one's own work" but Socrates derides this as vague.

Socrates, perhaps the most famous philosopher of the ancient world, left no writings. The method of philosophical investigation for which he is celebrated has come down to us in the form of dialogues, composed by his student, Plato. The four dialogues in this collection are known by the names of the chief characters in each: Lysis, Charmides, Laches, and Euthyphro. As they fall into a more or less natural group due to the fact that each one deals with a single ethical abstract—friendship, temperance, courage, and piety, respectively—they have been renamed based on their subjects.

Plato’s Critias is the foundational source of one of the most enduring mysteries in human history: the lost civilization of Atlantis. In this unfinished dialogue, Plato unveils a majestic tale passed down through Solon from ancient Egyptian priests—of a powerful empire beyond the Pillars of Heracles, rich in technology, beauty, and ambition.

The Allegory of the Cave, or Plato's Cave, was presented by the Greek philosopher Plato to compare "[T]he effect of education and the lack of it on our nature". It is written as a dialogue between Plato's brother Glaucon and his mentor, Socrates, narrated by the latter.

Alfred North Whitehead once noted: "the safest general characterization of the European philosophical tradition is that it consists of a series of footnotes to Plato." Plato is indeed considered the most pivotal figure in the development of philosophy, along with his teacher, Socrates, and his student, Aristotle. But his writings are often light, fresh and funny; it was Plato who invented the dialogue in philosophy, which makes a point very easy to follow and the occasion of various scenic arrangements.

Life, Death, and Immortality: Exploring the Eternal Journey of the Soul. Phaedo by Plato is one of the philosopher’s most important dialogues, exploring profound themes such as the nature of the soul, immortality, and the afterlife.

Socrates is on trial for his life. He is charged with impiety and corrupting young people. He presents his own defense, explaining why he has devoted his life to challenging the most powerful and important people in the Greek world. The reason is that rich and famous politicians, priests, poets, and a host of others pretend to know what is good, true, holy, and beautiful, but when Socrates questions them they are shown to be foolish rather than wise.

Hippias of Elis travels throughout the Greek world practicing and teaching the art of making beautiful speeches. On a rare visit to Athens, he meets Socrates who questions him about the nature of his art. Socrates is especially curious about how Hippias would define beauty. They agree that "beauty makes all beautiful things beautiful," but when Socrates presses him to say precisely what he means, Hippias is unable to deliver such a definition. The more Socrates probes, the more absurd the responses from Hippias become.

Laches, a general in the Athenian army, saw Socrates fight bravely in the battle of Delium. When he and Nicias, another general, are asked to explain the idea of courage, they are at a loss and words fail them. How does courage differ from thoughtless and reckless audacity? Can a lion be said to be courageous? What about small children who have little idea of the dangers they face? Should we call people courageous who do not know whether their bravery will produce good or bad consequences?

The Apology of Socrates was written by Plato. In fact, it's a defensive speech of Socrates that he said in a court noted down by Plato. The main subject of the speech is a problem of the evil. Socrates insists that neither death nor death sentence is evil. We shouldn't be afraid of the death because we don't know anything about it. Socrates proved that the death shouldn't be taken as the evil with the following dilemma: the death is either a peace or a transit from this life to the next. Both can't be called evil. Consequently, the death shouldn't be treated as evil.

"The Republic" by Plato is a cornerstone of Western philosophy, discussing justice, politics, and the ideal society. This podcast delves into Plato’s vision of the philosopher-king, the nature of justice, and the structure of the ideal city-state, providing timeless reflections on governance and morality.

Presented in the form of a dialogue between Socrates and three different interlocutors, this classic text is an enquiry into the notion of a perfect community and the ideal individual within it. With remarkable lucidity and deft use of allegory, Plato arrives at a depiction of a state bound by harmony and ruled by philosopher kings.

Delve into the philosophical dialogue of Plato's "Phaedrus." This podcast explores themes of love, rhetoric, and the nature of the soul through the engaging conversations between Socrates and Phaedrus. Essential for those interested in ancient philosophy and classic literature.

Socrates questions Ion, an actor who just won a major prize, about his ability to interpret the epic poetry of Homer. How does an actor, a poet, or any other artist create? Is it by knowing? Is it by inspiration? As the dialogue proceeds, the nature of human creativity emerges as a mysterious process and an unsolved puzzle. Plato lived in Athens, Greece. He wrote approximately two-dozen dialogues that explore core topics that are essential to all human beings.

Familiarícese con las figuras esenciales de la filosofía idealista, desde Platón a Arthur Schopenhauer y a Immanuel Kant. Su trabajo ha dado forma a la totalidad de la filosofía occidental; profundice en sus obras y pensamientos con una selección de las citas esenciales que introducen sus principales ideas y delinean la estructura de su trabajo con claridad.

Euthyphro by Plato is a Socratic dialogue whose events occur in the weeks before the trial of Socrates (399 BC), between Socrates and Euthyphro. The dialogue covers subjects such as the meaning of piety and justice. As is common with Plato's earliest dialogues, it ends in aporia. In this dialogue, Socrates meets Euthyphro at the porch of the archon basileus (the 'king magistrate') at that time. Socrates tells him that he is preparing to go to court against the charges of Meletus on the grounds of impiety.

Take a seat in the court of ancient Athens as Socrates goeson trial for his life. Hear the philosopher face his accusers with histrademark wit, his cutting logic, and the courage of his ideals. Consider hisarguments on virtue, justice, politics, civic duty, love of life, and hope indeath, and make your own judgment. Think. Question. Change.

Plato, Aristotle, Marcus Aurelius, and Cicero are some of the famous names whose wit and wisdom are included in this audiobook, "700 Quotations from Ancient Philosophy". This group of Greek philosophers, Roman Statesmen and Emperors is responsible for some of the world's best-known quotes, including "It is the mark of an educated mind to be able to entertain a thought without accepting it." and "Be kind, for everyone you meet is fighting a harder battle.

The Symposium is a Socratic dialogue by Plato, dated c. 385 – 370 BC. It depicts a friendly contest of extemporaneous speeches given by a group of notable Athenian men attending a banquet. The men include the philosopher Socrates, the general and statesman Alcibiades, and the comic playwright Aristophanes. The panegyrics are to be given in praise of Eros, the god of love and sex. In the Symposium, Eros is recognized both as erotic lover and as a phenomenon capable of inspiring courage, valor, great deeds and works, and vanquishing man's natural fear of death.

Laws is Plato's last and longest dialogue. It is generally agreed that Plato wrote this dialogue as an older man, having failed in his effort in Syracuse on the island of Sicily to guide a tyrant's rule, instead having been thrown in prison.