Mostrando resultados por autor "Guy de Maupassant" en Todas las categorías

Murder comes in two familiar forms. Whether as a crime of passion with high emotions or a cold dispassionate plot to take life in order to gain in some way, the act strikes us all as somehow inhuman. Beneath us as civilised beings. But however we cloak our animal instincts the need to remove a human being and gain relief from abuse or gain from money, the term is just the same – MURDER. Robert Louis Stevenson, Arthur Conan Doyle, J M Barrie, W W Jacobs and many others bring their literary heft to bear in as calculating a way as any killer could.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that are difficult to achieve elsewhere. The City of Lights may be one of the glories of the world but for those whose three score and ten have passed it is the final resting place for some of the very finest of literary talents.

Henry René Albert Guy de Maupassant nació en Dieppe, Francia, el 5 de agosto de 1850. Maupassant fue admirador y amigo de Gustave Flaubert al que conoció en 1867. Flaubert lo tomó bajo su protección, le abrió la puerta de algunos periódicos y le presentó a Iván Turgénev y Émile Zola. El escritor viajó a París tras la derrota francesa en la Guerra Franco-Prusiana de 1870 y trabajó como funcionario en varios ministerios, hasta que publicó en 1880 su primera gran obra, Bola de Sebo.

Guy de Maupassant is considered one of the fathers of the modern short story. His narratives are characterized by an economy of style and the efficient way in which the various threads are neatly resolved. In "The False Jewels", a man who dotes on his wife is crushed by her unexpected death and then astounded by a revelation about her costume jewelry.

Guy de Maupassant is considered one of the fathers of the modern short story. In this Useless Beauty ( L'Inutile Beauté ) a woman who is being kept at home by a jealous husband as a "trophy," finally reaches her limit to the astonishment of her husband.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that are difficult to achieve elsewhere. The Gothic short story is one of the most enduring of genres. In this volume we explore works by classic authors from all corners of Europe as they explore and exploit narratives with their undeniable talents.

Maupassant is hailed as one of the greatest masters of the short story. This collection focuses upon the land he knew and loved so well - Normandy. Its people and its countryside are portrayed here in vivid color and with great warmth.

A treasure trove of short classic stories by some of the greatest storytellers in the world: 1.Mademoiselle Fifi by Guy de Maupassant 2.The Test by W. W. Jacobs 3.Miss Brill by Katharine Mansfield 4.England, my England by D. H. Lawrence 5.The Dead Hand by Wilkie Collins 6.The Stalled Ox by Saki 7.Red Hanrahan by W. B. Yeats 8.My Uncle Jules by Guy de Maupassant 9.A Love Knot by W. W. Jacobs 10.The Odour of Chrysanthemums by D. H. Lawrence 11.Ligeia by Edgar Allan Poe

“The Piece of String” by Guy de Maupassant is a timeless short story from 1883 that captures the tension between appearance and truth in a small French village. With sharp irony and emotional depth, Maupassant explores how pride, suspicion, and social perception can shape a man’s fate. Originally published in the collection Miss Harriet, this classic work of French literature is a compelling reflection on human nature, reputation, and the power of rumor.

In this series we explore the many facets of love through literary talents that span both time and country. There are times when love is not a revelation and a calling from one soul to another but a carefully navigated path, or maybe a badly chosen path that decimates happiness. Which way will our literary leviathans take us? Inevitably it will be more than one.

Le narrateur est invité dans une petite ville de province chez un ami, Simon Radevin, qui lui fut autrefois cher. Les deux amis se sont cependant perdus de vue depuis quinze ans. "Puis il s'était marié. Il avait épousé tout à coup une fillette de province venue à Paris pour chercher un fiancé. Comment cette petite blondasse, maigre, aux mains niaises, aux yeux clairs et vides, à la voix fraîche et bête, pareille à cent mille poupées à marier, avait-elle cueilli ce garçon intelligent et fin ? Peut-on comprendre ces choses-là ?"

La famille Dufour décide de passer une journée à la campagne, dans les environs de Bezons. Sur les berges de la Seine, la famille croise deux jeunes canotiers, qui ne laisseront pas indifférents Pétronille, la mère de famille, ni Henriette, la fille de la famille... Cette nouvelle de Maupassant a fait l'objet d'une adaptation cinématographique de Jean Renoir.

Guy de Maupassant war ein brillanter Erzähler, weil er so gut beobachtete. Er schaute dem Volk aufs Maul, er sah die kleinen Dinge, die so viel bedeuten. Und schrieb sie auf, fieberhaft. 50 seiner schönsten Geschichten werden in dieser Sammlung präsentiert - fünfzig mal zeitlose Einsichten, gekleidet in Geschichten, wie sie nur Maupassant erzählen konnte! Mit dabei: Ein Idyll, Der Horla, Fettklößchen, Das Haus Tellier, Der Ertrunkene, Die Maske, Marroca, Kirchhofsliebe, Zwei Freunde, Mondschein, Fräulein Fifi - und viele mehr.

A Vendetta is a dark short story that shows a grieving old woman's determination to get revenge for her slain son. She wishes that there were either a cousin, father, or brother to carry on this vendetta, but since there’s no one, the mother pursues it. With her living in rage, she has no time to rest and only focuses on the idea of killing the murderer. She trains her dog, doing harsh starvation training to prepare for the day. After the deed is done, she can relax again.

Die Titelnovelle "Die nutzlose Schönheit" berichtet von der schönen Gräfin Mascaret und ihrer Ehe mit dem eifersüchtigen Gatten. Alle Geschichten schildern Menschen, die von ihrer Vergangenheit, von jugendlichen Wirren und Fehltritten eingeholt werden, berichten von erotischen Dreiecksbeziehungen, gescheiterten Ehen und fehlgeleiteten Trieben. Die letzten und schönsten Erzählungen des großen französischen Realisten.

Loss in any form seems to burden us with more weight than anything that can possibly be gained or learnt from. The loss of a person, a loved one, is often overwhelming. Lives so interwoven that the severing or loss of one life leaves the other weakened, unable to function for some time. Recovery comes in a myriad of forms but is usually debilitating, slow and, in the end, we are not as whole as we once were.It is a subject that authors return to again and again.

"On allait là, chaque soir, vers onze heures, comme au café, simplement. Ils s'y retrouvaient à six ou huit, toujours les mêmes, non pas des noceurs, mais des hommes honorables, des commerçants, des jeunes gens de la ville ; et l'on prenait sa chartreuse en lutinant quelque peu les filles, ou bien on causait sérieusement avec Madame, que tout le monde respectait. Puis on rentrait se coucher avant minuit. Les jeunes gens quelquefois restaient."

Ги де Мопассан—крупнейший французский новеллист, мастер рассказа с неожиданной концовкой.

"Mme Oreille était économe. Elle savait la valeur d'un sou et possédait un arsenal de principes sévères sur la multiplication de l'argent. Sa bonne, assurément, avait grand mal à faire danser l'anse du panier ; et M. Oreille n'obtenait sa monnaie de poche qu'avec une extrême difficulté. Ils étaient à leur aise pourtant, et sans enfants ; mais Mme Oreille éprouvait une vraie douleur à voir les pièces blanches sortir de chez elle."

"Amo la noche con pasión. La amo como uno ama a su país o a su amante, con un amor instintivo, profundo, invencible...". Así comienza Maupassant su agitado paseo nocturno por los bulevares de París, que Toño Benavides iluminará para seguir al protagonista sin nombre de este fantástico relato, uno de los mejores de su autor.