Absurdist Fiction

Between life and death, dreaming and waking, at the train stop beyond the end of the world is the city of Palimpsest. To get there is a miracle, a mystery, a gift, and a curse - a voyage permitted only to those who’ve always believed there’s another world than the one that meets the eye. Those fated to make the passage are marked forever by a map of that wondrous city tattooed on their flesh after a single orgasmic night. To this kingdom of ghost trains, lion-priests, living kanji, and cream-filled canals come four travelers.

Evoking such classics as Elmer Gantry and The Day of the Locust, William Giraldi's About Face boldly transfers the perennial literary themes of celebrity, ambition, and obsession to twenty-first-century Boston. There we meet Val Face, a charismatic self-help guru who captivates multitudes with his uncanny ability to heal adherents using only the power of his words, the mysterious touch of his hands, and the transcendent beauty of his face.

When a dispute over her parents’ will grows bitter, Bergljot is drawn back into the orbit of the family she fled 20 years before. Her mother and father have decided to leave two island summer houses to her sisters, disinheriting the two eldest siblings from the most meaningful part of the estate. To outsiders, it is a quarrel about property and favoritism. But Bergljot, who has borne a horrible secret since childhood, understands the gesture as something very different - a final attempt to suppress the truth and a cruel insult to the grievously injured.

Una novela crítica, divertida y reflexiva sobre la adicción, el consumismo y la soledad de la sociedad norteamericana, desde una perspectiva de gran sabiduría y sentido del humor.

On the outskirts of Buenos Aires in 1907, Doctor Quintana pines for head nurse Menéndez while he and his colleagues embark on a grisly series of experiments to investigate the line between life and death. One hundred years later, a celebrated artist goes to extremes in search of aesthetic transformation, turning himself into an art object. How far are we willing to go, Larraquy asks, in pursuit of transcendence?

Awarded a three-month stipend to travel and work, a Swedish writer flies to Madrid, where in a bar she meets a man with an extraordinary story to tell. In exchange for somewhere to sleep and to hide out for a few days, he is willing to tell her the whole astonishing tale. What follows is an account of fantastic proportions and ingredients: the existence of a shadowy Internet TV show with a certain morality clause, a threat to the storyteller's life, a diabolical nun, and the story of a girl with a missing left thumb.

Can fiction shape reality—or is it the other way around? Howard Protheroe’s life is thrown into disarray when he meets the unpredictable Evie Nickelbite. At round about the same time, would-be writer George W. Durant buys an antique Remington typewriter that seems to have a will of its own. As Howard and Evie’s lives become increasingly action-packed and fraught with danger, they start to feel like characters in a badly written novel. What is going on, and what does it have to do with George’s Remington? By turns surreal, funny and romantic, The Typewriter navigates the mysterious ...

Imagine a world where your position in society depended on what bit of the colour spectrum you could see. This is the world inhabited by Eddie Russett (red, middle-level) and Jane Grey (monochromatic, lowest in society). Eddie and Jane must negotiate the delicate Chromatic politics of society to find out what the 'Something that Happened' actually was, how society got to be this way, and crucially, is there Somewhere Else beyond their borders?

In Temporary, a young woman’s workplace is the size of the world. She fills increasingly bizarre placements in search of steadiness, connection, and something, at last, to call her own. Whether it’s shining an endless closet of shoes, swabbing the deck of a pirate ship, assisting an assassin, or filling in for the Chairman of the Board, for the mythical Temporary, “there is nothing more personal than doing your job.”

A nameless narrator awakens to the muddle of middle age, no longer certain who or what he is. He finds himself at a party talking to a woman he doesn't know who proves to be his wife. Soon separated but still living in the same apartment, he is threatened by a litigious dachshund and saddled with a stubborn case of erectile dysfunction in a world that seems held together by increasingly mercurial laws and elusive boundaries.

There is another 1985, somewhere in the could-have-been, where the Crimean war still rages, dodos are regenerated in home-cloning kits and everyone is deeply disappointed by the ending of 'Jane Eyre'.

1923 in Midland, Texas, and Miss Dara falls in love with her best friend - who also happens to be a girl. Terrified, Miss Dara takes a job at Sugar Land Prison for men, hoping to keep her secret attractions under lock and key. Once there, she befriends inmate and soon-to-be legendary blues singer Leadbelly, who sings his way out (true story) - but only after he makes her promise to free herself from her own prison. Sugar Land is a triumphant, beautiful debut novel about the heart’s refusal to be denied what the heart wants.

La novela comienza con el arresto de Joseph K., un joven empleado de un banco, que se despierta en la pensión donde reside con la extraña visita de unos hombres que le informan que está detenido. Acusado por alguien de un crimen del que sabe poco y nada, K., aún en libertad, se adentra en una auténtica y enigmática pesadilla. Así comienza un proceso laberíntico en el que se ve inmerso y lo lleva a tomar conciencia de sí mismo y reflexionar sobre su propia existencia, sobre la pérdida de la inocencia y la aparición de la muerte.

Exposing his father’s transgressions in a tell-all was the ethical, righteous--and profitable--thing to do. What’s left but to slink back home for a humbling face-to-face with the man whose secrets he sold? He was a notorious government whistle-blower. Depending on whom you ask, he’s a treasonous felon, a folk hero, a validated patriot, or a national disgrace. To his son, Michael, he’s the father who threw his family into upheaval. Now, having moved back home at the age of thirty-four, Michael is getting to know him as a man.

Edicion en audio conmemorativa del IV centenario de su primera publicacion (1605). En 1955 el mundo de habla espanola se preparaba para conmemorar los 350 anos de la primera edicion de esa obra maxima de la literatura universal que es "Don Quijote" de Cervantes.

Asa’s husband is transferring jobs, and his new office is located near his family’s home in the countryside. During an exceptionally hot summer, the young married couple move in, and Asa does her best to quickly adjust to their new rural lives, to their remoteness, to the constant presence of her in-laws, and the incessant buzz of cicadas. While her husband is consumed with his job, Asa is left to explore her surroundings on her own: She makes trips to the supermarket, halfheartedly looks for work, and tries to find interesting ways of killing time.

Philip Horkman is a happy man - the owner of a pet store called The Wine Shop, and on Sundays a referee for kids' soccer. Jeffrey Peckerman is the sole sane person in a world filled with goddamned jerks and morons, and he's having a really bad day. The two of them are about to collide in a swiftly escalating series of events that will send them running for their lives, pursued by the police, soldiers, terrorists, subversives, bears, and a man dressed as Chuck E. Cheese.

In his first novel, A Happy Death, written when he was in his early 20s and retrieved from his private papers following his death in 1960, Albert Camus laid the foundation for The Stranger, focusing in both works on an Algerian clerk who kills a man in cold blood. But he also revealed himself to an extent that he never would in his later fiction. For if A Happy Death is the study of a rule-bound being shattering the fetters of his existence, it is also a remarkably candid portrait of its author as a young man.

Penny Rush has problems. Her marriage is over; she’s quit her job. Her mother and stepfather went missing in the Australian outback five years ago; her mentally unbalanced father provokes her; her grandmother Dr. Pincer keeps experiments in the refrigerator and something worse in the woodshed. But Penny is a virtuoso at what’s possible when all else fails. Elizabeth McKenzie, the National Book Award–nominated author of The Portable Veblen, follows Penny on her quest for a fresh start.

It constitutes a series of anecdotal snippets and short stories including 'The Picnic', a laugh-out-loud account of an ill-fated Durrell family excursion, which should have been a relaxing, jolly affair. But with the Durrells things are seldom straightforward and on this occasion all that could go wrong did go wrong – except Gerald Durrell's sense of humour in recounting the tale. Other hilarious and surreal Roald Dahlesque stories ensue, including the critically acclaimed Gothic horror story 'The Entrance'.