African American Fiction Magic

Wayétu Moore’s powerful debut novel, She Would Be King, reimagines the dramatic story of Liberia’s early years through three unforgettable characters who share an uncommon bond. Gbessa, exiled from the West African village of Lai, is starved, bitten by a viper, and left for dead, but still she survives. June Dey, raised on a plantation in Virginia, hides his unusual strength until a confrontation with the overseer forces him to flee. Norman Aragon, the child of a white British colonizer and a Maroon slave from Jamaica, can fade from sight when the earth calls him.

In this glittering triptych novel, Suzette, Maple and Agnes, three Black women with albinism, call Shreveport, Louisiana home. At the bustling crossroads of the American South and Southwest, these three women find themselves at the crossroads of their own lives. A searing meditation on grief, female strength, and self‑discovery, Nobody's Magic is a testament to the power of family—the ones you're born into and the ones you choose. And in these three narratives, among the yearning and loss, each of these women may find a seed of hope for the future.

"We'd had to be cut free of our mother's womb. Abby and I were fused, you see. But here's the real kicker; Abby had the magic, I didn't." Now adults, Makeda and Abby still share their childhood home. The surgery to separate the two girls left Makeda with what feels like an even worse deformity: no mojo. The daughters of a celestial demigod and a human woman, Makeda and Abby were raised by their magical father. Today, Makeda has decided it's high time to move out and make her own life.

At the center: a young woman who calls herself Bride, whose stunning blue-black skin is only one element of her beauty, her boldness and confidence, her success in life, but which caused her light-skinned mother to deny her even the simplest forms of love. There is Booker, the man Bride loves, and loses to anger.

Black Girl Magic continues and deepens the work of the first BreakBeat Poets anthology by focusing on some of the most exciting Black women writing today. This anthology breaks up the myth of hip-hop as a boys’ club and asserts the truth that the cypher is a feminine form.

From Vanessa Brantley-Newton, the author of Grandma's Purse, comes a collection of poetry filled with engaging mini-stories about girls of all kinds: girls who feel happy, sad, scared, powerful; girls who love their bodies and girls who don't; country girls, city girls; girls who love their mother and girls who wish they had a father. This book invites listeners to find themselves and each other within.

Nathaniel is a well-intentioned, if naive, British cleric feeling blessed to educate a West African village about the benevolent power of God. But as slavers encroach, Nathaniel’s endeavor is daunted by the realities unfolding on the beautiful homeland of his congregation. It seems the Devil has power too. What follows for Nathaniel is a profound spiritual upheaval as he questions his purpose and even his humanity.

When the windshield of his Chevy Impala shatters in a dark diner parking lot in Alabama, Melvin moves without thinking. A split-second reaction marrows in his bones from the days of war, but this time it is the safety of his fiancé, Bernadette, at stake. Impulse keeps them alive, and yet they flee with blood on their hands. What is life like now that they are fugitives? Pack passports. Empty bank accounts. Set their old life on fire. The couple disguise themselves as a pastor and a reluctant pastor’s wife who’s hiding a secret from her fiancé.

Jacqueline Woodson's first middle-grade novel since National Book Award winner Brown Girl Dreaming celebrates the healing that can occur when a group of students share their stories. It all starts when six kids have to meet for a weekly chat—by themselves, with no adults to listen in. There, in the room they soon dub the ARTT Room (short for "A Room to Talk"), they discover it's safe to talk about what's bothering them—everything from Esteban's father's deportation and Haley's father's incarceration to Amari's fears of racial profiling and Ashton's adjustment to his changing family fortunes.

Eddie Asher arrives at Hudson Valley Psychiatric Hospital panicked that he may have murdered his brother’s fiancée, Lucy, with whom he shared a profound kinship. He can’t imagine doing such a terrible thing, but Eddie hasn’t been himself lately. Eddie’s anxiety is nothing new to Pär, the one Eddie calls his Other, who protects Eddie from truths he’s too sensitive to face. Or so Pär says. Troubled by Pär’s increasing sway over his life, Eddie seeks out Dr. Richard Montgomery, a specialist in dissociative identities.

J. Sutter is a bonafide junketeer - a freelance writer, travelling from city to city, hungry for free meals and the discarded sales receipts of others to claim on his expense account. Travelling into the backwoods of West Virginia to write a piece on the unveiling of the new John Henry postage stamp and the ensuing John Henry Days festival, J. continues his nearly record-setting, three-month junket binge.

Alicia has been out of grad school for months. She has no career prospects and lives with her mom, who won’t stop texting her macabre news stories and reminders to pick up items from the grocery store. Then, one evening, the Jamaican water deity River Mumma appears to Alicia, telling her that she has twenty-four hours to scour the city for her missing comb. Alicia doesn’t understand why River Mumma would choose her. She can’t remember all the legends her relatives told her, unlike her retail co-worker Heaven, who can reel off Jamaican folklore by heart.

In the early 1900s an important ship sinks into the Caribbean Sea, just as the Virgin Islands are transferred from Danish to American rule. Orphaned by the sunk vessel are two sisters and their half-brother, now faced with an uncertain identity and future. Each of them is unusually beautiful, and each is in possession of a particular magic that will either sink or save them. Chronicling three generations of an island family from 1916 to the 1970s, Land of Love and Drowning is a novel of love and magic.

THE HIGH HEIR IS FOUND... But is she fit to rule? Grief stricken, suffering from shock, her power at half-strength, the Heir must return home to all the political intrigue that awaits her which is as dangerous as the rigors of the wilds. THE ENEMIES ARE MIGHTY... Mightier than any had thought, creatures of legend that are said to rival the power of the Goddesses Themselves. HER HEART’S OTHER IS CAPTURED... And as much a source of strength, he is also a point of weakness, a way of access to the High Heir from the back end of her soul. And someone has him, and has the will and viciousness ...

In a post-apocalyptic world, 4,000 years from the present, Captain Senaya is the first of the Jaru forces to arrive at the far northern temple of the imposter deity, Queen Nouei. The Queen’s forces have been soundly defeated and she is now vulnerable. Senaya’s sole task is to secure a weak and defenseless queen until reinforcements arrive. But Senaya wants more. She wants to be the one who forces the queen to recant her false claims to divinity. Senaya is a seasoned warrior and this is her moment of glory. She has everything all planned, that is until she meets the queen.

Gone Like Yesterday follows two Black women—Zahra, a listless college prep coach, and Sammie, a teenage girl and budding activist soon off to college—who are drawn to each other through the songs of gypsy moths. Gypsy moths have been singing the songs of Zahra’s ancestors to her for years, so when Zahra realizes that Sammie might be a moth person too, their paths become intertwined. Then, the unthinkable happens: Zahra’s brother, Derrick, goes missing.

This freewheeling black comedy features a bizarre cast of characters, including a Japanese man with a ball floating six inches in front of his head, an American CEO with three arms, and a Brazilian peasant who discovers the art of healing by tickling one’s earlobe with a feather. By the end of this hilarious tale, they each have risen to the heights of wealth and fame, before arriving at disasters—both personal and ecological— that destroy the rain forest and all birds of Brazil.

A Ghanaian journalist based in the US returns to Ghana with a few friends for the holidays in December 2019. That month is meant to be the climax of the Ghanaian government’s year-long "Year of Return" initiative, commemorating 400 years since the first slaves from West Africa arrived in Virginia. "The Year of Return" takes on a whole new meaning when large numbers of ghosts—formerly enslaved Africans who drowned during the Middle Passage—emerge from the Atlantic Ocean, leading to months of global pandemonium, and concluding with a series of vengeful homicides.

Sabiduría familiar sigue a las Marte a través de este período liminal, mientras se preparan para el velorio de Flor y lo que vendrá después. Con excepcional maestría, y su inconfundible y deslumbrante voz poética, Elizabeth Acevedo teje la epopeya de las Marte: una familia sinigual que, como cualquier otra, deberá romper el conjuro del silencio para empezar a escribir su futuro.

When twelve-year-old Rory applies for a job at a spooky old mansion in his gloomy seaside town, he finds the owner, Lord Foxglove, odd and unpleasant. But he and his mom need the money, so he takes the job anyway. Rory soon finds out that his new boss is not just strange, he’s not even human—and he’s trying to steal the townspeople’s shadows.