African American Fiction Magic

Jacqueline Woodson's first middle-grade novel since National Book Award winner Brown Girl Dreaming celebrates the healing that can occur when a group of students share their stories. It all starts when six kids have to meet for a weekly chat—by themselves, with no adults to listen in. There, in the room they soon dub the ARTT Room (short for "A Room to Talk"), they discover it's safe to talk about what's bothering them—everything from Esteban's father's deportation and Haley's father's incarceration to Amari's fears of racial profiling and Ashton's adjustment to his changing family fortunes.

In the wake of her mother's passing, Layla Hurley unexpectedly reconnects with her mother's sisters, women she hasn't been allowed to speak to, or of, in years. Her aunts reveal to Layla that a Gullah-Geechee island off the shore of South Carolina now belongs to her. As Layla digs deeper into her mother’s past and the mysterious island’s history, she discovers that the terrifying nightmares that have plagued her throughout her life and tainted her relationship with her mother and all of her family, is actually a power passed down through generations of her Gullah ancestors.

Nola is a city full of wonders. A place of sky trolleys and dead cabs, where haints dance the night away and Wise Women help keep the order. To those from Away, Nola might seem strange. To Perilous Graves, it’s simply home. Perry knows Nola’s rhythm as intimately as his own heartbeat. So when the city’s Great Magician starts appearing in odd places and essential songs are forgotten, Perry knows trouble is afoot.

It’s not easy being a Remarkable in the Unremarkable world. Some things are cool—like getting a pet hellhound for your twelfth birthday. Others, not so much—like not being trusted to learn magic because you might use it to take revenge on an annoying neighbor. All Nic Blake wants is to be a powerful Manifestor like her dad. But before she has a chance to convince him to teach her the gift, a series of shocking revelations and terrifying events launch Nic and two friends on a hunt for a powerful magic tool she’s never heard of...

From Vanessa Brantley-Newton, the author of Grandma's Purse, comes a collection of poetry filled with engaging mini-stories about girls of all kinds: girls who feel happy, sad, scared, powerful; girls who love their bodies and girls who don't; country girls, city girls; girls who love their mother and girls who wish they had a father. This book invites listeners to find themselves and each other within.

"We'd had to be cut free of our mother's womb. Abby and I were fused, you see. But here's the real kicker; Abby had the magic, I didn't." Now adults, Makeda and Abby still share their childhood home. The surgery to separate the two girls left Makeda with what feels like an even worse deformity: no mojo. The daughters of a celestial demigod and a human woman, Makeda and Abby were raised by their magical father. Today, Makeda has decided it's high time to move out and make her own life.

When the windshield of his Chevy Impala shatters in a dark diner parking lot in Alabama, Melvin moves without thinking. A split-second reaction marrows in his bones from the days of war, but this time it is the safety of his fiancé, Bernadette, at stake. Impulse keeps them alive, and yet they flee with blood on their hands. What is life like now that they are fugitives? Pack passports. Empty bank accounts. Set their old life on fire. The couple disguise themselves as a pastor and a reluctant pastor’s wife who’s hiding a secret from her fiancé.

In this glittering triptych novel, Suzette, Maple and Agnes, three Black women with albinism, call Shreveport, Louisiana home. At the bustling crossroads of the American South and Southwest, these three women find themselves at the crossroads of their own lives. A searing meditation on grief, female strength, and self‑discovery, Nobody's Magic is a testament to the power of family—the ones you're born into and the ones you choose. And in these three narratives, among the yearning and loss, each of these women may find a seed of hope for the future.

Sabiduría familiar sigue a las Marte a través de este período liminal, mientras se preparan para el velorio de Flor y lo que vendrá después. Con excepcional maestría, y su inconfundible y deslumbrante voz poética, Elizabeth Acevedo teje la epopeya de las Marte: una familia sinigual que, como cualquier otra, deberá romper el conjuro del silencio para empezar a escribir su futuro.

In this anthology, everybody is Black. Filled with epic battles, complicated families, soft kisses, and sharpened blades, Magic in the Melanin is an adult fantasy anthology that showcases Black authors who write magical stories of all kinds.

Black Girl Magic continues and deepens the work of the first BreakBeat Poets anthology by focusing on some of the most exciting Black women writing today. This anthology breaks up the myth of hip-hop as a boys’ club and asserts the truth that the cypher is a feminine form.

Alicia has been out of grad school for months. She has no career prospects and lives with her mom, who won’t stop texting her macabre news stories and reminders to pick up items from the grocery store. Then, one evening, the Jamaican water deity River Mumma appears to Alicia, telling her that she has twenty-four hours to scour the city for her missing comb. Alicia doesn’t understand why River Mumma would choose her. She can’t remember all the legends her relatives told her, unlike her retail co-worker Heaven, who can reel off Jamaican folklore by heart.

THE HIGH HEIR IS FOUND... But is she fit to rule? Grief stricken, suffering from shock, her power at half-strength, the Heir must return home to all the political intrigue that awaits her which is as dangerous as the rigors of the wilds. THE ENEMIES ARE MIGHTY... Mightier than any had thought, creatures of legend that are said to rival the power of the Goddesses Themselves. HER HEART’S OTHER IS CAPTURED... And as much a source of strength, he is also a point of weakness, a way of access to the High Heir from the back end of her soul. And someone has him, and has the will and viciousness ...

Nathaniel is a well-intentioned, if naive, British cleric feeling blessed to educate a West African village about the benevolent power of God. But as slavers encroach, Nathaniel’s endeavor is daunted by the realities unfolding on the beautiful homeland of his congregation. It seems the Devil has power too. What follows for Nathaniel is a profound spiritual upheaval as he questions his purpose and even his humanity.

2021 Next Generation Indie Book Awards Finalist - Historical Fiction Seeking to pursue his dream in music, and harboring a grave secret, young Gerard Rougeaux leaves his native Montreal for New York City in 1909, embarking on a journey that then takes him to Paris at the height of the Jazz Age. There, years later, Gerard becomes haunted by strange dreams of a boy falling through space, as his story entwines with the family he has left behind-his half-sister Jeannette and her two children, struggling to make their way in New York after the economic crash of 1929. Continuing the family epic ...

If he loves her, he loves her – career woman or addict – despite what they say about her value. They can’t speak for black women. They can’t speak for the man who has found his one. No man ever fell in love with a table; he doesn’t much look at that table if his heart is full. This black love, romantic thriller is a testing ground for the statements above, as its plot applies pressure from all sides. Lulu, a depressed, kept-wife disappears. When she returns to her husband, Russ, back to the confines of their mansion and their cold-war marriage, the scare of her disappearance leads...

Gone Like Yesterday follows two Black women—Zahra, a listless college prep coach, and Sammie, a teenage girl and budding activist soon off to college—who are drawn to each other through the songs of gypsy moths. Gypsy moths have been singing the songs of Zahra’s ancestors to her for years, so when Zahra realizes that Sammie might be a moth person too, their paths become intertwined. Then, the unthinkable happens: Zahra’s brother, Derrick, goes missing.

J. Sutter is a bonafide junketeer - a freelance writer, travelling from city to city, hungry for free meals and the discarded sales receipts of others to claim on his expense account. Travelling into the backwoods of West Virginia to write a piece on the unveiling of the new John Henry postage stamp and the ensuing John Henry Days festival, J. continues his nearly record-setting, three-month junket binge.

This freewheeling black comedy features a bizarre cast of characters, including a Japanese man with a ball floating six inches in front of his head, an American CEO with three arms, and a Brazilian peasant who discovers the art of healing by tickling one’s earlobe with a feather. By the end of this hilarious tale, they each have risen to the heights of wealth and fame, before arriving at disasters—both personal and ecological— that destroy the rain forest and all birds of Brazil.

For Talib Ware, the past is simply what happened yesterday. Talib “Kalim” spent centuries falling in love with the same woman, Hagar. Life after life, crossing continents and dynasties, he and Hagar, despite them changing name and form, have been drawn together. And he remembers it all. Talib has “the memory”. The ability to recall past lives and recognize souls of those he's previously known. It is a gift and a curse. For all the times he and Hagar have been drawn together throughout history, she's found some way to break his heart, tearing them painfully and sometimes fatally ...