African American Science

Originally published forty years ago, Alice Walker’s first collection of nonfiction is a dazzling compendium that remains both timely and relevant. In these thirty-six essays, Walker contemplates her own work and that of other writers, considers the civil rights movement of the 1960s and the anti-nuclear movement of the 1980s, and writes vividly and courageously about a scarring childhood injury.

J.A., Roger's novel, first published in 1917 is a polemic against the ignorance behind racism. The plot is based around a debate between a Pullman porter and a racist politician. The author deals with racism and bigotry in an exemplary way.

To live in a body both fat and Black is to exist at the margins of a society that creates the conditions for anti-fatness as anti-Blackness. Hyper-policed by state and society, passed over for housing and jobs, and derided and misdiagnosed by medical professionals, fat Black people in the United States are subject to socio-politically sanctioned discrimination, abuse, condescension, and trauma.

Uncovering a cold-blooded execution at the hands of a conspiring police force, this engaging account relentlessly pursues the murderers of Black Panther Fred Hampton. Documenting the entire 14-year process of bringing the killers to justice, this chronicle also depicts the 18-month court trial in detail. Revealing Hampton himself in a new light, this examination presents him as a dynamic community leader whose dedication to his people and to the truth inspired the young lawyers of the People's Law Office.

Run a Google search for “black girls” - what will you find? “Big Booty” and other sexually explicit terms are likely to come up as top search terms. But, if you type in “white girls”, the results are radically different. The suggested porn sites and un-moderated discussions about “why black women are so sassy” or “why black women are so angry” presents a disturbing portrait of black womanhood in modern society. In Algorithms of Oppression, Safiya Umoja Noble challenges the idea that search engines like Google offer an equal playing field for all forms of ideas, identities, and activities.

When the Emancipation Proclamation was signed in 1863, the black community owned less than one percent of the United States' total wealth. More than 150 years later, that number has barely budged. The Color of Money pursues the persistence of this racial wealth gap by focusing on the generators of wealth in the black community: black banks. The catch-22 of black banking is that the very institutions needed to help communities escape the deep poverty caused by discrimination and segregation inevitably became victims of that same poverty.

Tommy J. Curry’s provocative audiobook The Man-Not is a justification for Black male studies. He posits that we should conceptualize the Black male as a victim oppressed by his sex. The Man-Not, therefore, is a corrective of sorts, offering a concept of Black males that could challenge the existing accounts of Black men and boys desiring the power of white men who oppress them that has been proliferated throughout academic research across disciplines.

Black vernacular doesn’t often get its due—despite its enormous influence on mainstream culture—but Historically Black Phrases is here to give Black language its flowers. A celebration of more than two hundred staples of Black conversation—from church sayings and units of measure to compliments and reprimands—this sharp and witty guide explores the unique importance of Black expression and communication.

Most people assume that racism grows from a perception of human difference: the fact of race gives rise to the practice of racism. Sociologist Karen E. Fields and historian Barbara J. Fields argue otherwise: the practice of racism produces the illusion of race, through what they call “racecraft.” And this phenomenon is intimately entwined with other forms of inequality in American life. So pervasive are the devices of racecraft in American history, economic doctrine, politics, and everyday thinking that the presence of racecraft itself goes unnoticed.

Activists, pundits, politicians, and the press frequently proclaim today's digitally mediated racial justice activism the new civil rights movement. As Charlton D. McIlwain shows in this book, the story of racial justice movement organizing online is much longer and varied than most people know. Beginning with the simultaneous rise of civil rights and computer revolutions in the 1960s, McIlwain, for the first time, chronicles the long relationship between African Americans, computing technology, and the Internet.

In Punished for Dreaming Dr. Bettina Love argues forcefully that Reagan’s presidency ushered in a War on Black Children, pathologizing and penalizing them in concert with the War on Drugs. New policies punished schools with policing, closure, and loss of funding in the name of reform, as white savior, egalitarian efforts increasingly allowed private interests to infiltrate the system. These changes implicated children of color, and Black children in particular, as low performing, making it all too easy to turn a blind eye to their disproportionate conviction and incarceration.

Due to a series of man-made radiological catastrophes, the non-Black population of the planet becomes susceptible to a highly virulent form of melanoma and has to choose between becoming Black (phenotypically and genetically), or almost certain death. MELANIN: A NOVEL examines a world where Black people are realizing they are once again truly free. What does it mean for Black people to be back in their rightful place, after centuries of subjugation, marginalization and terror? What does it mean for Black people to no longer be under the boot of a system put (and kept) in place to use and ...

Activist and abolitionist Frederick Douglass is one of the most famous anti-slavery writers in American history. Following 20 years of enslavement in Maryland, Douglass made a daring bid for freedom in 1838, travelling north via the "underground railroad" before arriving in New Bedford, Massachusetts, where he would settle. It was not long before Douglass took up the cause of black Americans, risking his freedom through writing and lecturing, and travelling the globe to spread his message.

George Washington Carver wasn't just an inventor. He was also a botanist, a farmer, and a professor. Young listeners will discover how this teacher not only improved the way people farmed, but introduced the world to more than 300 uses for the peanut.

The notion that everyone wants sex—and that we all have to have it—is false. It’s intertwined with our ideas about capitalism, race, gender, and queerness. And it impacts the most marginalized among us. For asexual folks, it means that ace and A-spec identity is often defined by a queerness that’s not queer enough, seen through a lens of perceived lack: lack of pleasure, connection, joy, maturity, and even humanity. In this exploration of what it means to be Black and asexual in America today, Sherronda J. Brown offers new perspectives on asexuality.

Why does race seem to color almost every feature of our moral and political universe? Why does a perpetual cycle of slavery - in all its political, intellectual, and cultural forms - continue to define the Black experience? And why is anti-Black violence such a predominant feature not only in the United States but around the world? These are just some of the compelling questions that animate Afropessimism, Frank B. Wilderson III’s seminal work on the philosophy of Blackness.

The twin acts of singing and fighting for freedom have been inseparable in African American history. May We Forever Stand tells an essential part of that story. With lyrics penned by James Weldon Johnson and music composed by his brother Rosamond, "Lift Every Voice and Sing" was embraced almost immediately as an anthem that captured the story and the aspirations of black Americans. Since the song's creation, it has been adopted by the NAACP and performed by countless artists in times of both crisis and celebration, cementing its place in African American life.

Best-selling author Rick Riordan presents Kwame Mbalia's epic fantasy, a middle grade American Gods set in a richly-imagined world populated with African American folk heroes and West African gods. Tristan is dreading the month he's going to spend on his grandparents' farm in Alabama, where he's being sent to heal from a tragedy. But on his first night there, he accidentally ripps open a chasm into the MidPass, a volatile place with a burning sea, haunted bone ships, and iron monsters that are hunting the inhabitants of this world.

On April 23, 1967, Prisoner #416J, an inmate at the notorious Missouri State Penitentiary, escaped in a breadbox. Fashioning himself Eric Galt, this nondescript thief and con man - whose real name was James Earl Ray -drifted through the South, into Mexico, and then Los Angeles, where he was galvanized by George Wallace's racist presidential campaign. With relentless storytelling drive, Sides follows Galt and King as they crisscross the country, one stalking the other, until the crushing moment at the Lorraine Motel.

In 1921, Tulsa’s Greenwood District - known then as the nation’s “Black Wall Street” - was one of the most prosperous African American communities in the United States. But on May 31 of that year, a white mob, inflamed by rumors that a young black man had attempted to rape a white teenage girl, invaded Greenwood. By the end of the following day, thousands of homes and businesses lay in ashes, and perhaps, as many as 300 people were dead.