American Film

I walked into an auditorium to find a group of artist perform, "la danse des sauvages," or simply the dance of the savages, with a dozen few people watching them from the benches, I asked for what purpose were they doing it for, was it a performance of sorts? When a director replied instantly claiming that he wanted to show the world how savage we are, any form of entertainment that promotes violence, encourages civil disobedience and harden people's hearts is savage, however peacefully it may be presented, what matters most is the outcome.

Melanin in Movies examines how Hollywood shapes the perception of Black Americans. This book challenges the idea that Hollywood is just about entertainment, exploring how the film industry actively influences society's view of Black people. By analyzing key examples and trends in Black representation, Melanin in Movies reveals how film can be both a tool for liberation and a means of oppression.

Week after week, SNL has produced unforgettable sketches and provocative political satire, adapting to changing times while staying true to its original vision of performing timely topical humor. With essays that address issues ranging from race and gender to authorship and comedic performance, Saturday Night Live and American TV follows the history of this 36-time Emmy-winning show and its place in the shifting social and media landscape of American television.

While many film fans may not be familiar with Bill Duke's name, they most certainly recognize his face. Dating back to the 1970s, Duke has appeared in a number of popular films, including Car Wash, American Gigolo, Commando, Predator, and X-Men: The Last Stand. Fewer still might be aware of Duke's extraordinary accomplishments off-screen as a talented director, producer, entrepreneur, and humanitarian. Bill Duke is the memoir of a Hollywood original.

Bruce Lee was a Chinese American action film star, martial arts instructor, filmmaker, and philosopher. His Hong Kong- and Hollywood-produced films elevated the traditional martial arts film to a new level of popularity and acclaim. Through such films as Way of the Dragon and Enter the Dragon, Lee helped to change the way Asians were presented in American films, and in the process he became an iconic figure known throughout the world.

In Chasing the Light Oliver Stone talks about his rarefied New York childhood, volunteering for combat and his struggles and triumphs making such films as Platoon, Midnight Express and Scarface. Stone, now 73, recounts those formative years with vivid details of the high and low moments.

This book is the first anthology to explore the connection between race and the suburbs in American cinema from the end of World War II to the present. It builds upon the explosion of interest in the suburbs in film, television, and fiction in the last fifteen years, concentrating exclusively on the relationship of race to the built environment. Race and the Suburbs in American Film is a stimulating resource for considering the manner in which race is foundational to architecture and urban geography, which is reflected, promoted, and challenged in cinematic representations.

A man truly lives on even after his death if he leaves a legacy that survives him for years to come. Albert Einstein, Harriet Tubman, Karl Marx, Mozart, Marie Curie, Van Gogh, Marsha Johnson - there are so many examples of men and women whose deeds revolutionized history and paved the way for future generations to thrive. One name that stands out in this regard in the world of entertainment is that of Walt Disney.

Is theater really dead? Does the theater, as its champions insist, really provide a more intimate experience than film? If so, how have changes in cinematic techniques and technologies altered the relationship between stage and film? What are the inherent limitations of representing three-dimensional spaces in a two-dimensional one, and vice versa? American Drama in the Age of Film examines the strengths and weaknesses of both the dramatic and cinematic arts to confront the standard arguments in the film-versus-theater debate.

Super Black places the appearance of black superheroes alongside broad and sweeping cultural trends in American politics and pop culture, which reveals how black superheroes are not disposable pop products, but rather a fascinating racial phenomenon through which futuristic expressions and fantastic visions of black racial identity and symbolic political meaning are presented.

No simple tell-all, American Prince chronicles Hollywood during its heyday. Tony Curtis revisits his immense body of work - including the unforgettable classics Houdini, Spartacus, and Some Like It Hot - and regales listeners with stories of his associations with Frank Sinatra, Laurence Olivier, director Billy Wilder, and film industry heavyweight Lew Wasserman, as well as paramours Natalie Wood and Marilyn Monroe, among others.

An examination of African American imagery and participation in American movies includes a timeline of important African American events in film history and discusses the achievements of noted celebrities.

George Arliss was an actor, author, playwright, and filmmaker who was active from 1887 to his retirement in 1939. This genial gentleman spent much of his life in the Victorian Era, and in many respects, he was a child of his times. However, as the 20th century advanced, Arliss realized that times had changed. By the 1910s a contraption called “motion pictures” was competing with his domain of the legitimate theater in which he was one of its most popular stars. Arliss realized that films could no longer be ignored when he received several persistent offers to star in them. When he began...

This book examines important themes about American politics the film Citizen Kane provokes. Citizen Kane is widely believed by many critics to be the greatest movie of all time. What about the film resonates so deeply with those who can appreciate great art and film? And also for this book, what does Citizen Kane say about American politics, power, and who gains influence in America?

The American World War II film depicted a united America, a mythic America in which the average guy, the girl next door, the 4-F patriot, and the grieving mother were suddenly transformed into heroes and heroines, warriors and goddesses. The Star-Spangled Screen examines the historical accuracy—or lack thereof—of films about the Third Reich, the Resistance, and major military campaigns.

A smart, funny, and heartfelt middle grade novel about Lily Hong’s attempts to save her parents’ Chinese school and the town’s community center using all the resources she has—devoted friends, ingenuity, a passion for filmmaking, mediocre dance moves (at best), and perhaps even her archnemesis.

Dennis Hopper has been described as a rebel, an icon, an addict plagued by demons, and one of the most important champions of the pop-art movement. Friend to Warhol, muse to David Lynch, mentor to Sean Penn, champion of Ice-T, Dennis Hopper built a career that was a half-century of rebellion waged at the edge of American popular culture. Tom Folsom's Hopper is a wild ride through Dennis's many lives. Featuring hundreds of interviews with Hopper's fellow actors, artists, musicians, and residents of Taos, New Mexico.

Updated and expanded for the third edition, this volume combines scholarship with movie lore to present a comprehensive account of the development and influence of the American screenwriter. The text is written in an informal style and includes anecdotes and stories that spotlight the writers' creative work and their struggle to achieve recognition.

The first comprehensive history of Hollywood's high-flying career women during the studio era, Nobody's Girl Friday covers the impact of the executives, producers, editors, writers, agents, designers, directors, and actresses who shaped Hollywood film production and style, led their unions, climbed to the top during the war, and fought the blacklist. Based on a decade of archival research, author J. E. Smyth uncovers a formidable generation working within the American film industry and brings their voices back into the history of Hollywood.

As studio bosses, directors, and actors, Jews have been heavily involved in film history and vitally involved in all aspects of film production. Yet Jewish characters have been represented onscreen in stereotypical and disturbing ways, while Jews have also helped to produce some of the most troubling stereotypes of people of color in Hollywood film history. In Hollywood's Chosen People, leading scholars consider the complex relationship between Jews and the film industry.