Art Essays

Fun, bright, and playful, Power Pop is a sometimes adored, sometimes maligned, often misunderstood genre of music. From its heyday in the '70s and '80s to its resurgence in the '90s and '00s, Power Pop has meant many things to many people. In Go Further, editors Paul Myers and S. W. Lauden have a whole new crop of writers going deep on what certain Power Pop bands and songs mean and have meant to them. Whether they love or hate it, Go Further is a dive into the Beatles-inspired pop rock of the last five decades.

An essay from Things I've Learned From the Women Who've Dumped Me.

Whether writing about the genesis of his plays, such as Aunt Dan and Lemon; discussing how the privileged world of arts and letters takes for granted the work of the “unobtrusives”, the people who serve our food and deliver our mail; or describing his upbringing in the sheltered world of Manhattan’s cultural elite, Shawn reveals a unique ability to step back from the appearance of things to explore their deeper social meanings.

De Joseph Conrad a Julio Ramón Ribeyro, de las verdaderas razones para lanzar la bomba atómica a una vehemente defensa del cuento como género, delos malentendidos alrededor del Quijote a una nueva manera de leer Cien años de soledad. En El arte de la distorsión vemos a un narrador inmerso en un combate cuerpo a cuerpo con sus lecturas.

Gregory Pardlo's father was a brilliant and charismatic man - a leading labor organizer who presided over a happy suburban family of four. But when he loses his job following the famous air traffic controllers' strike of 1981, he succumbs to addiction and exhausts the family's money on more and more ostentatious whims. In the face of this troubling model and disillusioned presence in the household, young Gregory rebels.

'Any story that starts will also end.' As a writer, Ann Patchett knows what the outcome of her fiction will be. Life, however, often takes turns we do not see coming. Patchett ponders this truth as she explores family, friendship, marriage, failure, success and what it all means. Ranging from the personal to the sublime, each essay transforms the particular into the universal, letting us all see our own worlds anew.

A essay about the work of actress Megan Ward from Dark Skies, Tick Tock, General Hospital, and much more. James J. Caterino is the author of over one-hundred published novels, essays, and short stories including Escape to Nowhere, The Art of Listening to Music, My Encounter with the Partridge Family, Method Acting. Cool Stuff, True Stories, I Want to Believe, Romance Stories, and much more.

Un delicioso recorrido por la obra y los lugares más emblemáticos de ocho escritores fundamentales. El regreso de Savater a su faceta más divulgativa. En Aquí viven leones, Fernando Savater vuelve a una de sus facetas favoritas, la de divulgador de la literatura y el pensamiento. A través de ocho viajes inolvidables, ilustrados magníficamente por Anapurna, nos presenta la obra y la vida de Shakespeare, Valle Inclán, Poe, Leopardi, Agatha Christie, Reyes, Flaubert y Zweig.

My Year as a Rookie: How I almost became a cop, is the entertaining, insightful, true, real-life story of how writer James J. Caterino, well, almost became a cop. James J. Caterino is the author of True Stories, My Encounter with The Partridge Family, Cool Stuff, Laura and Laurie, and much more.

This audiobook includes unabridged recordings of Leo Tolstoy's 4 greatest works of non-fiction in one audiobook. The essays included here are: What is Art?, The Inevitable Revolution, The Kingdom of God Is Within You, A Confession.

Sarah Polley's work as an actor, screenwriter and director is celebrated for its honesty, complexity and deep humanity. She brings all those qualities, along with her exquisite storytelling chops, to these six essays. Each one captures a piece of Polley's life as she remembers it, while at the same time examining the fallibility of memory, the mutability of reality in the mind, and the possibility of experiencing the past anew, as the person she is now but was not then. As Polley writes, the past and present are in a “reciprocal pressure dance”.

En el año 1974, la artista serbia Marina Abramovic colocó alrededor de su cuerpo setenta y dos objetos divididos en dos categorías: objetos de placer y objetos de dolor. Luego invitó al público a que los usase sobre sucuerpo, transformándose, de esta manera, en otro objeto más. El fin era observar el comportamiento humano ante la indefensión. Cuentan que Abramovic estuvo a punto de perder la vida. Al fin y al cabo, lo fácil siempre fue hacer daño. Al fin y al cabo, lo difícil siempre es amar.

Joan Didion has always kept notebooks: of overheard dialogue, observations, interviews, drafts of essays and articles. Here is one such draft that traces a road trip she took with her husband, John Gregory Dunne, in June 1970, through Louisiana, Mississippi and Alabama. She interviews prominent local figures, describes motels, diners, a deserted reptile farm, a visit with Walker Percy, a ladies' brunch at the Mississippi Broadcasters' Convention.

A group of notable writers - including UK poet laureate Simon Armitage, Julian Barnes, Margaret MacMillan, and Jenny Uglow - celebrate our fascination with the houses of famous literary figures, artists, composers, and politicians of the past.

Life on the Mississippi expresses the full range of Twain's literary personality. It remains the most vivid, boisterous, and provocative account of the cultural and societal history of the Mississippi Valley, from 'the golden age' of steamboating to the violence wrought by the Civil War.

Funny Weather brings together a career’s worth of Laing’s writing about art and culture, examining its role in our political and emotional lives. She profiles Jean-Michel Basquiat and Georgia O’Keefe, interviews Hilary Mantel and Ali Smith, writes love letters to David Bowie and Freddie Mercury, and explores loneliness and technology, women and alcohol, sex and the body.

Chapters from My Autobiography is a collection of twenty-five pieces of autobiographical work published by American author Mark Twain in the North American Review between September 1906 and December 1907. Rather than following the standard form of an autobiography, they comprise a typically Twain-esque collection of rambling anecdotes and ruminations.

Trost finden. In einer Welt, die so überwältigend, ängstigend, fordernd sein kann. Trost finden im Empfinden von Schönheit, weil das, so Gabriele von Arnim, nicht weniger ist als Selbsterhalt. "Ich brauche Schönheit. Den Trost der Schönheit. Denn wenn ich Schönheit sehe, höre, lese, spüre, dann glaube ich an Möglichkeiten. An Wege, Räume, Purzelbäume." "Der Trost der Schönheit" ist eine schillernde Verbindung aus autobiografischem und essayistischem Erzählen: keine Kulturgeschichte, die ihren Gegenstand mit Theorie einhegen will, sondern eine literarische Spurensuche.

An endlessly entertaining collection of wayward autobiographical tales about a search for a richer life thwarted at every turn by beagles, bureaucrats, and ill-advised love affairs. The unlikely story of how a failed dishwasher, tour guide, cabinet maker, bus driver, bookseller and literary journal publisher became one of Australia's hottest humor essayists.

In Mad, Bad, Dangerous to Know, Colm Tóibín turns his incisive gaze to three of Ireland's greatest writers, Oscar Wilde, W. B. Yeats and James Joyce, and their earliest influences: their fathers.