Artist Architect

Jean Renoir's career almost spans the history years of cinema - from the early silent movies, to the naturalism of the talkies, committed cinema, film noir, Hollywood studio productions, the Technicolor-period comedies and fast television techniques. His film The Grand Illusion remains one of the greatest movies about the effects of war.

Salvador Dalí was a master of the surreal. His paintings are known as “dream photographs”: snapshots of nightmarish scenes brought to life in stunning detail. Dalí was a technical virtuoso, but unlike the grand masters he admired - like Johannes Vermeer and Diego Velázquez - he chose to use his skill to depict the unreal and the absurd. Anyone who has seen his famous painting of the melting watches The Persistence of Memory knows that his paintings are as confusing as they are striking.

In Montparnasse begins on the eve of the First World War and ends with the 1936 unveiling of Dalí’s Lobster Telephone. As those extraordinary years unfolded, the Surrealists found ever more innovative ways of exploring the interior life, and asking new questions about how to define art. In Montparnasse recounts how this artistic revolution came to be amidst the salons and cafés of that vibrant neighborhood.

Basándose en las miles de páginas de los cuadernos manuscritos de Leonardo y nuevos descubrimientos sobre su vida y su obra, Walter Isaacson teje una narración que conecta el arte de Da Vinci con sus investigaciones científicas, y nos muestra cómo el genio del hombre más visionario de la historia nació de habilidades que todos poseemos y podemos estimular, tales como la curiosidad incansable, la observación cuidadosa y la imaginación juguetona. Su creatividad, como la de todo gran innovador, resultó de la intersección entre la tecnología y las humanidades.

Modern Man is a penetrating psychological portrait of a true genius and constant self-inventor, as well as a sweeping tale filled with exotic locales, sex and celebrity (he was a lover of Josephine Baker), and high-stakes projects. In Flint's telling, Corbusier isn't just the grandfather of modern architecture but a man who sought to remake the world according to his vision, dispelling the Victorian style and replacing it with something never seen before.

From the Pulitzer Prize-winning historian Richard Rhodes comes the first major biography of John James Audubon in forty years and the first to illuminate fully the private and family life of the master illustrator of the natural world.

Pierre-August Renoir, leader of the 19th-century Impressionist movement, spent his entire life perfecting his style. Rejected for decades, he depended on friends for a place to stay and money for painting supplies. Renoir lived in poverty until his 40's, and when he was finally discovered and hailed as a great artist, his health began to fail him. Still, Renoir never gave up his passion for painting. His need to create beauty was the driving force of his life, and throughout rejections and deteriorating health, Renoir retained an optimism that is reflected in his paintings.

Revered as much for her fierce spirit as she is for her art, Frida Kahlo stands today as a brazen symbol of daring creativity. She was a woman ahead of her time whose paintings have earned her generations of admirers around the globe. But perhaps her greatest work of art was her own life. What Would Frida Do? explores the feminist icon's signature style, outspoken politics, and boldness in love and art, even in the face of pain and heartbreak.

G. Eric Kuskey, former colleague of Thomas Kinkade and close friend until the artist's death in 2012, tells Kinkade's story for the first time, from his art's humble beginnings on a sidewalk in Carmel, California, to his five-house compound in Monte Sereno. It's a tale of addiction and grief, of losing control, and ultimately, of the price of our dreams.

Hans Holbein the Younger is chiefly celebrated for his beautiful and precisely realized portraiture, which includes representations of Henry VIII, his advisors Thomas More and Thomas Cromwell, his wives Jane Seymour and Anne of Cleves, and an array of the Tudor lords and ladies encountered during the course of two sojourns in England. But beyond these familiar images, which have come to define our perception of the age, Holbein was a multifaceted genius: a humanist, satirist, and political propagandist, and a deft man whose work was rich in layers of symbolism and allusion.

Creativity is in our bones. It is found in our very DNA, something not known to Leonardo da Vinci or anyone else who lived in his day and time. All he did was to uncover the hidden genius which lay within himself, and he used that inner genius to the very best of his abilities. Leonardo da Vinci is best known for some of the world's most masterful paintings, but he was so much more than merely another artist with paints and brushes. Born to a peasant woman in 1452, Leonardo would go on to astound the world he lived in with his artistry and his inventions.

Extraordinary new nonfiction, a gripping blend of history and memoir, by the author of the award-winning and best-selling international sensation The Hare with the Amber Eyes. In The White Road, best-selling author and artist Edmund de Waal gives us an intimate narrative history of his lifelong obsession with porcelain, or "white gold".

Virtually everyone would agree that Leonardo da Vinci was the most important artist of the High Renaissance. It was Leonardo who singlehandedly created the defining features of Western art: a realism based on subtle shading; depth using atmospheric effects; and dramatic contrasts between light and dark.

All my life, I have been looking for a man who has discovered the universal law which lies back of the Sermon on the Mount, and who consciously uses that law with full awareness of its meaning and full obedience to its principles. Walter Russel Clark found this man.

Ten years ago, an FBI investigation was about to expose a scandal in the art world that would have been front-page news in New York and London. After a trail of fake paintings of astonishing quality led federal agents to art dealers, experts, and major auction houses, the investigation inexplicably ended, despite an abundance of evidence. The case was closed and the FBI file was marked “exempt from public disclosure”. Now that the statute of limitations on these crimes has expired and the case appears hermetically sealed shut by the FBI, this audiobook, Caveat Emptor, is that artist, Ken Perenyi’s, confession.

Los Angeles in the 1960s: riots in Watts and on the Sunset Strip, wild weekends in Malibu, late nights at The Daisy discotheque, openings at the Ferus Gallery, and the convergence of pop art, rock and roll, and the New Hollywood. At the center of it all, one inspired, improbable, and highly combustible couple—Dennis Hopper and Brooke Hayward—lived out the emblematic love story of ’60s L.A.

We have all seen, whether live, in photographs or on postcards, some of Claude Monet's legendary water lily paintings. They are in museums all over the world and are among the most beloved works of art of the past century. Yet, ironically, these soothing images were created amid terrible personal turmoil and sadness.

Master Italian sculptor, goldsmith, and writer Benvenuto Cellini is best remembered for his magnificent autobiography. In this work, which was actually begun in 1558 but not published until 1730, Cellini beautifully chronicles his flamboyant times. He tells of his adventures in Italy and France, and his relations with popes, kings, and fellow artists.

Michael Peppiatt met Francis Bacon in June 1963 in Soho's French House to request an interview for a student magazine he was editing. Bacon invited him to lunch, and over oysters and Chablis they began a friendship and a no-holds-barred conversation that would continue until Bacon's death 30 years later. Fascinated by the artist's brilliance and charisma, Peppiatt accompanied him on his nightly round of prodigious drinking from grand hotel to louche club and casino, seeing all aspects of Bacon's 'gilded gutter life' and meeting everybody around him.

Orlandito "Dito" Montiel grew up wild in the streets of Astoria, Queens, pulling pranks for Greek and Italian gangsters and confessing at the church of the Immaculate Conception, gobbling hits of purple mescaline and Old English, sneaking into Times Square whore houses, and at times getting near much graver trouble. Entering adulthood in the 80s, he escapes into the underground and punk cultures of Manhattan.