Artist Architect

From Life tells the story of the greatest portrait photographer of the Victorian age, Julia Margaret Cameron. Born in Calcutta in 1815, she married and settled down to the life of a typical Victorian colonial matron; but, beneath this conventional exterior, she was increasingly interested in photography. After moving to England, Cameron acquired her first camera in 1863, ultimately emerging as the leading portrait photographer of the Victorian art world.

Anne Neilson believes that each of us begins our life as a blank canvas: clean and fresh and ready to find texture in our experiences. Each trial, each joy, each heartache, and each hope leaves an explosion of color and sweeping brushstrokes that shape us. When we allow God to take over as the Master artist, we will find that He carefully adds dimension and highlights to create a beautiful masterpiece in us. Often, though, it's hard to find the beauty when we are wading through mess. Anne shares personal stories about why her faith is so important to her and resonates in all her work.

Art dealer Stan Lauryssens made millions in modern art, but he sold only one name: Salvador Dalí. The surrealist painter's work was a hot commodity for the newly rich, investors, and businessmen looking to launder their black-market cash. Lauryssens didn't mind looking the other way; he just hoped the buyers would look the other way as well.

Le età della vita di Leonardo furono marcate da ricerche e spostamenti, sia attraverso luoghi fisici sia - soprattutto - attraverso le discipline che egli studiò e intrecciò in un continuo avanzamento. La sua fu una vita affascinante, tanto che da secoli viene studiata, catturando la curiosità di tutti, dagli storici dell'arte ai critici, dai filosofi agli psicologi, fino a ciascuno di noi.

John James Audubon's The Birds of America stands as an unparalleled achievement in American art. With that work, Audubon became one of the most adulated artists of his time, and America's first celebrity scientist. A self-made man incessantly striving to secure his place in American society, Audubon made himself into a skilled painter, a successful entrepreneur, and a prolific writer, whose words went well beyond birds and scientific description.

The McLaughlin twins were trailblazing female photographers, celebrated in their time as stars in their respective fields, but have largely been forgotten since. Here, in Double Click, Carol Kino brings these two brilliant women and their remarkable accomplishments to vivid life.

A cultural storm swept through the 1960s—Pop Art, Bob Dylan, psychedelia, underground movies—and at its center sat a bemused young artist with silver hair: Andy Warhol. Andy knew everybody (from the cultural commissioner of New York to drug-driven drag queens) and everybody knew Andy.

Lucelle Raad is an artist whose original paintings and prints decorate countless walls of homes in the United States and Europe, as well as in other locations throughout the world. The majority of her subjects are children, as well they should be, for children are the most innocent, unassuming people there are to paint. She wasn’t always an artist, however. In fact, she never intended to be anything but a happy, well-adjusted adult - the goal of all children, whether they realize it or not. How she came to be an artist is quite another story altogether.

Mary fought for a place as a professional artist without having to live as a tragic heroine. She married George Reid, Canadian muralist, and while their relationship was more equal than most, this was still the Edwardian age. How do you find time to paint when you need to get to the market to buy a chicken for dinner?

Rembrandt's life has always been an enigma. How did a miller's son from a provincial Dutch town become the greatest artist in the world? To find out, Onno Blom immersed himself in the world, the country, the city, and the house in which Rembrandt was born in 1606 and where he spent the first 25 years of his life. The result is a fascinating portrait of the artist as a young man, rich in local and biographical detail, and restless in its efforts to seek out the roots of his genius.

A distilled, crystal-like companion to H is for Hawk, Birds Art Life celebrates the particular madness of chasing after birds in the urban environment and explores what happens when the core lessons of birding are applied to other aspects of art and life. Moving with ease between the granular and the grand, peering into the inner landscape as much as the outer one, this is a deeply personal year-long inquiry into big themes: love, waiting, regrets, endings.

Weegee not only captured the gritty underbelly of New York City in his explosive photographs, but he lived it as well. This long out-of-print autobiography, brought back with complete and unabridged text by Devault-Graves Digital Editions, was written toward the end of Weegee's life before he was the photographic legend he is today.

Eye Contact is the story of a photographer's decade-long journey in search of meaning and manhood. An experienced freelancer with the New York Times, author Luke Sharrett treats listeners to a behind-the-scenes look at covering the White House and flying aboard Air Force One. Despite achieving professional success at a young age, he is haunted by a feeling that he simply doesn't belong. He can't seem to outrun a nagging fear that he doesn't have what it takes to succeed in life. As he navigates his career, he begins searching for answers. Who am I? Where do I belong?

Before Instagram was an art form, fashion photographers were pop culture royalty. From the postwar covers of Vogue until the triumph of the digital image, the fashion photographer sold not only clothes but ideals of beauty and fantasies of perfect lives. Even when they succumbed to temptation and excess, the very few photographers who rose to the top were artists above all.

Many recognize Stan Lee as the face of Marvel. Yet Jack Kirby is the one who did a lot of the hard work in creating such heroes as Captain America, Iron Man, Thor, The Incredible Hulk, and Ant-Man. While Lee was the public face for what became the multimedia brand, Kirby’s legacy is relegated to the shadows. Much like Bill Finger of Batman and Gene L. Coon of Star Trek, this man doesn’t get enough credit. A man who gave everything to the comic book industry. This book hopes to shed some light on his life and career.

Jackson Pollock was without a doubt one of the twentieth century’s most controversial painters. He started out painting abstracts in the style of Pablo Picasso but soon branched out, establishing the “drip” method, which entails dripping or flinging paint directly onto the canvas. For this, he was both praised and demonized; still, he persisted on his own chosen path.

Arthur Fellig’s ability to arrive at a crime scene just as the cops did was so uncanny that he renamed himself “Weegee”, claiming that he functioned as a human Ouija board. Weegee documented better than any other photographer the crime, grit, and complex humanity of midcentury New York City. In Flash, we get a portrait not only of the man (both flawed and deeply talented, with generous appetites for publicity, women, and hot pastrami) but also of the fascinating time and place that he occupied....

David Sipress, a dreamer and obsessive drawer living with his Upper West Side family in the age of JFK and Sputnik, goes hazy when it comes to the ceaselessly imparted lessons-on-life from his meticulous father and the angsty expectations of his migraine-prone mother.

With lips slightly parted and eyes fixed on a point in the distance, a breathtaking marble portrait of Costanza Piccolomini appears alive. Carved by Gianlorenzo Bernini in 1636 - 37 for his own pleasure, the portrait of Costanza is one of his most captivating works, but until now little has been known about its subject. For centuries Costanza was identified only as Bernini's mistress, who later incited his rage by betraying him for his brother. Author Sarah McPhee corrects and expands this story in her remarkable biography of a sculpture and its subject.

A mediados del siglo XIX, la Cataluña española experimentó una profunda transformación cuando fue empujada no en una, sino en dos épocas doradas: la Renaixença y la Revolución Industrial. Fue durante este período explosivo de creatividad, prosperidad floreciente y patriotismo vigorizado que nació un icono inconformista y fascinantemente excéntrico, uno que estaba a punto de asaltar Cataluña con su brillante ojo para el arte no ortodoxo y sus ideas legendarias -o como algunos dirían, notoriamente- descabelladas.