Artist Architect

Berna González Harbour firma una deslumbrante narración biográfica sobre el artista que mejor supo retratar nuestro país: Francisco de Goya.

Leonardo da Vinci has long been celebrated for his consummate genius. He was the painter who gave us the Mona Lisa and The Last Supper, and the inventor who anticipated the advent of airplanes, hot air balloons, and other technological marvels. But what was the connection between Leonardo the painter and Leonardo the scientist?

In questo ritratto, racconteremo la vita di Van Gogh a partire dai primi anni, dalla nascita a un anno esatto dalla morte del fratello maggiore suo omonimo. Conosceremo la famiglia Van Gogh, una famiglia patriarcale, molto religiosa e chiusa. All'interno di questo contesto, Vincent sviluppò una forte propensione verso la missione religiosa fino a decidere di dedicare la sua vita a Dio. Contemporaneamente, durante il periodo di fervore mistico, nel giovane Vincent comparvero i tratti della ribellione e i primi malesseri psichici.

Renowned art conservator Rosa Lowinger spent a difficult childhood in Miami among people whose losses in the Cuban revolution, and earlier by the decimation of family in the Holocaust, clouded all family life. After moving away to escape the “cloying exile’s nostalgia,” Lowinger discovered the unique field of art conservation, which led her to work in Tel Aviv, Philadelphia, Rome, Los Angeles, Honolulu, Charleston, Marfa, South Dakota, and Port-Au-Prince.

Lucian Freud (1922-2011) is one of the most influential figurative painters of the 20th century. His paintings are in every major museum and many private collections here and abroad. William Feaver's daily calls from 1973 until Freud died in 2011, as well as interviews with Freud's family and friends, were crucial sources. Freud's circle was broad, including not just other well-known artists but writers, bluebloods, royals in England and Europe, drag queens, fashion models, gamblers, bookies, and gangsters like the Kray twins.

In his acclaimed portraits, Richard Avedon captured the iconic figures of the twentieth century in his starkly bold, intimately minimal, and forensic visual style. What Becomes a Legend Most is the first definitive biography of this luminary—an intensely driven man who endured personal and professional prejudice, struggled with deep insecurities, and mounted an existential lifelong battle to be recognized as an artist. Philip Gefter builds on archival research and exclusive interviews with those closest to Avedon to chronicle his story.

Flower is a book of realistic admissions, likes, dislikes, memories and no-brainer observations, treating personal truth as unavailable – something that must be made up and convincing. Taking cues from confessional literature, his daughter’s improvised games, poor internet writing and shitty AI, Ed Atkins, in his first work of non-fiction, equivocates between inanity and divinity, ease and pain, sentimentality and sterility.

An intimate biography of Richard Avedon, the legendary fashion and portrait photographer who “helped define America’s image of style, beauty and culture” (The New York Times) by his longtime collaborator and business partner Norma Stevens and award-winning author Steven M. L. Aronson.

Is love a force akin to gravity? A kind of invisible fabric which enables communications through space and time? Artist Harry Dodge finds himself contemplating such questions as his father declines from dementia and he rekindles a bewildering but powerful relationship with his birth mother. A meteorite Dodge orders on eBay becomes a mysterious catalyst for a reckoning with the vital forces of matter, the nature of consciousness, and the bafflements of belonging.

Here is Jon Krakauer's portrait of the iconoclastic architect Christopher Alexander, whose revolutionary human-centered approach has shaken the foundations of modern architecture. Krakauer delves into Alexander's life and career, from his theories on a timeless "pattern language" that could be used to create buildings and towns that were simultaneously more livable and more beautiful, to his belief that architecture is correctly viewed as a powerful social instrument; from his on-site drafting techniques to his design process that, like a cocoon, shapes a building from the inside out.

Before Picasso became Picasso—the iconic artist now celebrated as one of France's leading figures—he was constantly surveilled by the police. Amidst political tensions in the spring of 1901, he was flagged as an anarchist by the security services. Though he soon became the leader of the cubist avant-garde, and became increasingly wealthy as his reputation grew worldwide, Picasso's art was largely excluded from public collections in France for the next four decades.

Born to a Jewish family in Estonia in 1901 and brought to America in 1906, the architect Louis Kahn grew up in poverty in Philadelphia; by the time of his death in 1974, he was widely recognized as one of the greatest architects of his era. Yet this enormous reputation was based on only a handful of masterpieces, all built during the last 15 years of his life.

In Let’s Go Exploring, Michael Hingston mines the strip and traces the story of Calvin’s reclusive creator to demonstrate how imagination―its possibilities, its opportunities, and ultimately its limitations―helped make Calvin and Hobbes North America’s last great comic strip.

He looked down at her and issued his challenge: Tell me you don't want me to make love to you. Tell me you're afraid to find out what I'll do next. Tell me, and I'll stop. She wanted to tell him to leave her alone. She didn't care if he found out the truth--that she was a woman who was afraid of her own sexuality. But things had gone too far. And now she wanted it all.

Over more than five decades, legendary architect Moshe Safdie has built some of the world's most influential and memorable structures. Safdie always refers to the "silent client" an architect must ultimately serve: the people who live in, work in, or experience a building. If Walls Could Speak takes listeners behind the veil of an essential yet mysterious profession to explain through Safdie's own experiences how an architect thinks and works.

The ingenious artist we know as Michelangelo lived during the Renaissance in Northern Italy, and you could say that he was indeed a Renaissance man - he was a painter, sculptor, poet, and engineer all rolled up into one. Even though it has been some 450 years since his passing, his legacy remains one of the strongest on record. If the burgeoning art student of today wishes to learn from the best, he takes his notes directly from Michelangelo.

Alessandro Barbero segue Dante nella sua adolescenza di figlio d'un usuraio che sogna di appartenere al mondo dei nobili e dei letterati; nei corridoi oscuri della politica, dove gli ideali si infrangono davanti alla realtà meschina degli odi di partito e della corruzione dilagante; nei vagabondaggi dell'esiliato che scopre l'incredibile varietà dell'Italia del Trecento, fra metropoli commerciali e corti cavalleresche.

Elizabeth Bishop's friend James Merrill once observed that "Elizabeth had more talent for life - and for poetry - than anyone else I've known." This new biography reveals just how she learned to marry her talent for life with her talent for writing in order to create a brilliant array of poems, prose, and letters - a remarkable body of work that would make her one of America's most beloved and celebrated poets. In Love Unknown, Thomas Travisano, founding president of the Elizabeth Bishop Society, tells the story of the famous poet and traveler's life.

In 1945, Edith Farnsworth asked the German architect Mies van der Rohe, already renowned for his avant-garde buildings, to design a weekend home for her outside of Chicago. Edith was a woman ahead of her time—unmarried, she was a distinguished medical researcher, as well as an accomplished violinist, translator, and poet. The two quickly began spending weekends together, talking philosophy, Catholic mysticism, and, of course, architecture over wine-soaked picnic lunches.

In this engaging, cradle-to-grave biography, award-winning author Todd James Pierce explores the life of Ward Kimball, a lead Disney animator who worked on characters such as Mickey Mouse, Donald Duck, Jiminy Cricket, and the Mad Hatter. Through unpublished excerpts from Kimball's personal writing, material from unpublished interviews, and new information based on interviews conducted by the author, Pierce defines the life of perhaps the most influential animator of the 20th century.