Artist Architect

Virtually everyone would agree that Leonardo da Vinci was the most important artist of the High Renaissance. It was Leonardo who singlehandedly created the defining features of Western art: a realism based on subtle shading; depth using atmospheric effects; and dramatic contrasts between light and dark.

Born to a Jewish family in Estonia in 1901 and brought to America in 1906, the architect Louis Kahn grew up in poverty in Philadelphia; by the time of his death in 1974, he was widely recognized as one of the greatest architects of his era. Yet this enormous reputation was based on only a handful of masterpieces, all built during the last 15 years of his life.

Van Gogh is a vivid portrait of the great Impressionist painter that traces his life from the Netherlands, where he was born into a family of art dealers, through his years in England, the Hague, and Paris, to his final home in Arles, where he discovered the luminous style of his late paintings before his suicide at the age of thirty-seven.

Phoebe Hoban, author of definitive biographies of Jean-Michel Basquiat and Alice Neel, now turns her attention to Lucian Freud, the grandson of Sigmund and one of the greatest painters England has produced. Lucian Freud: Eyes Wide Open is the first biography to assess Freud’s work and life, showing how the two converge.

In this engaging, cradle-to-grave biography, award-winning author Todd James Pierce explores the life of Ward Kimball, a lead Disney animator who worked on characters such as Mickey Mouse, Donald Duck, Jiminy Cricket, and the Mad Hatter. Through unpublished excerpts from Kimball's personal writing, material from unpublished interviews, and new information based on interviews conducted by the author, Pierce defines the life of perhaps the most influential animator of the 20th century.

He was the original 20th-century enfant terrible with the looks of a Greek god who blazed like a comet across the worlds of art, photography, and fame. The scion of several old WASP fortunes, he was by instinct an adventurer, and the more dangerous the escapade, the better. Journalist and author Graham Boynton was a friend for more than 30 years, spending time with Beard at his bush camp in Africa, in London, and at his Long Island home. From hundreds of Boynton’s interviews with Beard’s closest friends, former lovers, and fellow artists comes this intimate portrait.

G. Eric Kuskey, former colleague of Thomas Kinkade and close friend until the artist's death in 2012, tells Kinkade's story for the first time, from his art's humble beginnings on a sidewalk in Carmel, California, to his five-house compound in Monte Sereno. It's a tale of addiction and grief, of losing control, and ultimately, of the price of our dreams.

In freewheeling 1920s Paris, Kiki de Montparnasse was once the symbol of bohemian Paris. But if she is remembered today, it is only for posing for several now-celebrated male artists, including Amedeo Modigliani and Alexander Calder, and especially photographer Man Ray. Kiki and Man Ray met in 1921 during a chance encounter at a cafe. What followed was an explosive decade-long connection, both professional and romantic, during which the couple grew and experimented as artists, competed for fame, and created many of the shocking images that cemented Man Ray's reputation.

Harry Truman and Pablo Picasso were contemporaries and were both shaped by and shapers of the great events of the twentieth century—the man who painted Guernica and the man who authorized the use of atomic bombs against civilians. But in most ways, they couldn’t have been more different. Picasso was a communist, and probably the only thing Truman hated more than communists was modern art. Picasso was an indifferent father, a womanizer, and a millionaire. Truman was utterly devoted to his family. How did they come to be shaking hands in front of Picasso’s studio in the south of France?

Orlandito "Dito" Montiel grew up wild in the streets of Astoria, Queens, pulling pranks for Greek and Italian gangsters and confessing at the church of the Immaculate Conception, gobbling hits of purple mescaline and Old English, sneaking into Times Square whore houses, and at times getting near much graver trouble. Entering adulthood in the 80s, he escapes into the underground and punk cultures of Manhattan.

Vivienne Westwood is one of the icons of our age. Fashion designer, activist, cocreator of punk, global brand, and grandmother--a true living legend. Her career has successfully spanned five decades, and her work has influenced millions of people across the world. For the first and only time, Vivienne Westwood has written a personal memoir, collaborating with award-winning biographer Ian Kelly, to describe the events, people, and ideas that have shaped her extraordinary life.

Taimak was only 19 years old when he starred in The Last Dragon. He was already a champion martial artist, a bouncer at New York City's famous clubs, and a budding ladies' man. Over the next 30 years, he had many more adventures. He learned lessons, fell in love, made countless new fans, and discovered the spiritual strength inside himself.

In 1958, Riva is one of the first children born with spina bifida to survive. Her parents and doctors are determined to "fix" her, sending the message over and over again that she is broken. That she will never have a job, a romantic relationship, or an independent life. Enduring countless medical interventions, Riva tries her best to be a good girl and a good patient in the quest to be cured. Everything changes when, as an adult, Riva is invited to join a group of artists, writers, and performers who are building Disability Culture.

An unprecedented, intimate portrait of Frank Gehry, one of the world's most influential architects. Drawing on the most candid, revealing, and entertaining conversations she has had with Gehry over the last 20 years, Barbara Isenberg provides new and fascinating insights into the man and his work. Gehry's subjects range from his childhood - when he first built cities with wooden blocks on the floor of his grandmother's kitchen - to his relationships with clients and his definition of a "great" client.

Socialist, philosopher, and poet William Morris (1834 - 1896) was at the center of the design renaissance of the 1880s, not only because of his celebrated hostility to aspects of machine culture, but because of his success as a designer and businessman whose work had enormous influence on the next generation of artists, craftsmen, and designers.

Vincent van Gogh’s paintings look utterly unique - his vivid palette and boldly interpretive portraits are unmistakably his. Yet however revolutionary his style may have been, it was actually built on a strong foundation of paintings by other artists, both his contemporaries and those who came before him. Now, drawing on Van Gogh’s own thoughtful and often profound comments about the painters he venerated, Steven Naifeh gives a gripping account of the artist’s deep engagement with their work.

Man Ray (1890-1976), a founding father of Dada and a key player in French Surrealism, is one of the central artists of the 20th century. He is also one of the most elusive. In this new biography, journalist and critic Arthur Lubow uses Man Ray’s Jewish background as one filter to understand his life and art.

Here is Jon Krakauer's portrait of the iconoclastic architect Christopher Alexander, whose revolutionary human-centered approach has shaken the foundations of modern architecture. Krakauer delves into Alexander's life and career, from his theories on a timeless "pattern language" that could be used to create buildings and towns that were simultaneously more livable and more beautiful, to his belief that architecture is correctly viewed as a powerful social instrument; from his on-site drafting techniques to his design process that, like a cocoon, shapes a building from the inside out.

Berna González Harbour firma una deslumbrante narración biográfica sobre el artista que mejor supo retratar nuestro país: Francisco de Goya.

'Thoughts On Art and Life' by Leonardo Da Vinci is a fascinating collection of writings from the great polymath of the Italian Renaissance. There are sections covering the great man's thoughts on life, art, and science. The translator, Maurice Baring trawled the available manuscripts to distil da Vinci's writings on these subjects into a single, accessible tome, which will be of interest to students of da Vinci, the Renaissance, and the history of both art and science.