Artist Architect

È l'alba del XVI secolo. L'Italia è divisa in una miriade di regni litigiosi e incapaci di opporsi alle mire delle grandi potenze. Tra quelle corti soggette ai capricci della guerra si aggira un personaggio bizzarro e affascinante, che sembra uscito dalla penna di uno scrittore. È un pittore e scultore che come nessun altro riesce a catturare l'anima di ciò che raffigura. È un inventore in grado di concepire monumenti di prodigiosa bellezza, architetture così ardite da superare ogni immaginazione, macchine belliche che sembrano provenire da un futuro lontano.

Bacon concealed many important aspects of his life. He described himself as an asthmatic child in Ireland with foxhunting parents and a tyrannical father, but he was also rescued by a series of formidable women—women who in this biography emerge in their own right. He was never just a dissolute young man but was also a passionate reader, largely self-taught. Early on, influenced by Eileen Gray, he became a hard-working and ambitious designer, a brief career explored here in detail for the first time. He dreamed of remaking the modern room.

Chris Rush was born into a prosperous, fiercely Roman Catholic New Jersey family. But underneath the gleaming mid-century house, the flawless hostess mom, and the thriving businessman dad ran an unspoken tension that, amid the upheaval of the late 1960s, was destined to fracture their precarious facade. His older sister, Donna, introduces him to the charismatic Valentine, who places a tab of acid on 12-year-old Rush’s tongue, proclaiming: “This is sacrament. You are one of us now.”

Today's high-flying, high-rolling conglomarateurs and corporate raiders are a tame lot compared to their immediate predecessors. The most notorious of these is Robert Vesco, the Kingfish himself, who in 1973 fled the United States accused of looting $250 million from Investors Overseas Services. Now, in this riveting account, noted author Arthur Herzog tells the astounding story of this high school dropout from Detroit, who parlayed cunning, ambition, a brilliant mind, and above all, other people's gullibility and money into a vast financial empire.

In Five Days Gone, Laura Cumming brilliantly unspools the tale of her mother’s life and unravels the multiple mysteries at its core. Using photographs from the time, historical documents, and works of art, Cumming investigates this case of stolen identity with the tool set of a detective and the unique intimacy of a daughter trying to understand her family’s past and its legacies. Compulsive, vivid, and profoundly touching, Five Days Gone is a masterful blend of memoir and history, an extraordinary personal narrative unlike any other.

Summer in Paris, 1783. The Louvre steps, too hot and no breeze, the air electric with the heady anticipation of a coming storm: the year's Royal Salon. Men and women of every estate are united under art: to love it, to despise it, to gossip endlessly about it. Exhibiting at the Royal Salon was not for the faint of heart, and it was never intended for women. Enter Adélaïde Labille-Guiard . . . Born in Paris in 1749, Adélaïde Labille-Guiard rose from shopkeeper's daughter to an official portraitist of the royal court—only to have her achievements reduced to ash by the French Revolution

Dutch painter and printmaker Rembrandt Harmenszoon van Rijn is considered one of the greatest artists of all time. As a painter, he never considered glamorizing what he saw, and he was a master of creating extraordinary scenes with light and shadows. His paintings were unique for their ability to depict action and moods. Sadly, having a mistress and spending recklessly went far to ruin his reputation during his lifetime. Rembrandt died penniless and was buried in a pauper’s grave.

This intimate account offers a new, unexpected understanding of the artist’s work and of the vibrant 1930s surrealist scene.

Twenty-first-century scientist Matt Miller has become a wealthy businessman and politician with a beautiful wife and family. Yet, despite his every effort, Matt’s world is crumbling around him.

On the surface, my new boyfriend is a stiff, buttoned-up architect. He plans every detail of his life while carefully maintaining the walls he’s built around his heart. But when the biggest project of his career pulls him away, Clay’s solution is both temporary and unconventional. It even comes with a name—Travis. This handsome stranger is sweet and thoughtful. He’s only meant to be a stand-in, to fulfill my needs under Clay’s watchful direction, yet these two men couldn’t be more different. The one thing they share? Well, I guess that would be me.

The second half of William Feaver's Baillie Gifford Prize-shortlisted work of biography: the definitive story of the epic life of one of the 20th century's most important artists. William Feaver, Lucian Freud’s collaborator, curator and close friend, knew the unknowable artist better than most. Over many years, Freud narrated to him the story of his life, ‘our novel’. Fame follows Freud at the height of his powers, painting the most iconic works of his career in a constant and dissatisfied pursuit of perfection, just outrunning his gambling debts and tailor’s bills.

The enthralling biography of the shepherd boy who changed the world with his revolutionary engineering and whose genius we still benefit from today. Thomas Telford's name is familiar, his story less so. Thomas was born in 1757 in the Scottish Borders; his father died in Thomas' infancy, plunging the family into poverty. Telford's life soared to span almost eight decades of gloriously obsessive, prodigiously productive energy. Few people have done more to shape our nation.

For nearly a decade, Palley has been on the frontline of fire. He has witnessed homeowners on the worst day of their lives. He’s seen puddles of aluminum where cars were once parked. He’s watched as 150-foot walls of flame cascaded down mountainsides and crashed into the Pacific Ocean. And he’s captured, time and again, the tireless commitment of firefighters as they work to save lives and homes, in terrain where fire always seems to have the upper hand.

Man Ray (1890-1976), a founding father of Dada and a key player in French Surrealism, is one of the central artists of the 20th century. He is also one of the most elusive. In this new biography, journalist and critic Arthur Lubow uses Man Ray’s Jewish background as one filter to understand his life and art.

To get a sense of the kind of prestige that Claude Monet enjoys within the art world, one need only learn that his Le Bassin Aux Nympheás (1919) - from his series of paintings featuring water lilies - sold for the equivalent of more than $70 million. This is a staggering price, especially considering that early in his life, Monet had been so poor and debt-ridden that some of his paintings were taken from him by creditors.

Many recognize Stan Lee as the face of Marvel. Yet Jack Kirby is the one who did a lot of the hard work in creating such heroes as Captain America, Iron Man, Thor, The Incredible Hulk, and Ant-Man. While Lee was the public face for what became the multimedia brand, Kirby’s legacy is relegated to the shadows. Much like Bill Finger of Batman and Gene L. Coon of Star Trek, this man doesn’t get enough credit. A man who gave everything to the comic book industry. This book hopes to shed some light on his life and career.

Jackson Pollock was without a doubt one of the twentieth century’s most controversial painters. He started out painting abstracts in the style of Pablo Picasso but soon branched out, establishing the “drip” method, which entails dripping or flinging paint directly onto the canvas. For this, he was both praised and demonized; still, he persisted on his own chosen path.

Le età della vita di Leonardo furono marcate da ricerche e spostamenti, sia attraverso luoghi fisici sia - soprattutto - attraverso le discipline che egli studiò e intrecciò in un continuo avanzamento. La sua fu una vita affascinante, tanto che da secoli viene studiata, catturando la curiosità di tutti, dagli storici dell'arte ai critici, dai filosofi agli psicologi, fino a ciascuno di noi.

The name Giotto di Bondone may not be as well-known as Leonardo da Vinci, but it was Giotto who made da Vinci and his contemporaries of the Renaissance possible. Giotto, born in the late 13th century, was the first painter to escape the artistic chains of the Dark Ages and revive the natural art of Ancient Greece. Instead of creating flat, expressionless figures, as was the custom of the Middle Ages, Giotto painted characters with personalities and emotions.

The son of one of the greatest writers of our time - Nobel Prize winner and internationally best-selling icon Gabriel García Márquez - remembers his beloved father and mother in this tender memoir about love and loss.