Artist Architect

Frank Lloyd Wright has long been known as a rank egotist who held in contempt almost everything aside from his own genius. Harder to detect, but no less real, is a Wright who fully understood, and suffered from, the choices he made. This is the Wright whom Paul Hendrickson reveals in this masterful biography: the Wright who was haunted by his father, about whom he told the greatest lie of his life.

Master Italian sculptor, goldsmith, and writer Benvenuto Cellini is best remembered for his magnificent autobiography. In this work, which was actually begun in 1558 but not published until 1730, Cellini beautifully chronicles his flamboyant times. He tells of his adventures in Italy and France, and his relations with popes, kings, and fellow artists.

An intimate biography of Richard Avedon, the legendary fashion and portrait photographer who “helped define America’s image of style, beauty and culture” (The New York Times) by his longtime collaborator and business partner Norma Stevens and award-winning author Steven M. L. Aronson.

Mexican artist Frida Kahlo adored adventure. In November, 1930, she was thrilled to realize her dream of traveling to the United States to live in San Francisco, Detroit, and New York. Still, leaving her family and her country for the first time was monumental. Only 23 and newly married to the already world-famous 43-year-old Diego Rivera, she was at a crossroads in her life and this new place, one filled with magnificent beauty, horrific poverty, racial tension, anti-Semitism, ethnic diversity, bland Midwestern food, and a thriving music scene, pushed Frida in unexpected directions.

Orlandito "Dito" Montiel grew up wild in the streets of Astoria, Queens, pulling pranks for Greek and Italian gangsters and confessing at the church of the Immaculate Conception, gobbling hits of purple mescaline and Old English, sneaking into Times Square whore houses, and at times getting near much graver trouble. Entering adulthood in the 80s, he escapes into the underground and punk cultures of Manhattan.

Revered as much for her fierce spirit as she is for her art, Frida Kahlo stands today as a brazen symbol of daring creativity. She was a woman ahead of her time whose paintings have earned her generations of admirers around the globe. But perhaps her greatest work of art was her own life. What Would Frida Do? explores the feminist icon's signature style, outspoken politics, and boldness in love and art, even in the face of pain and heartbreak.

Ten years ago, an FBI investigation was about to expose a scandal in the art world that would have been front-page news in New York and London. After a trail of fake paintings of astonishing quality led federal agents to art dealers, experts, and major auction houses, the investigation inexplicably ended, despite an abundance of evidence. The case was closed and the FBI file was marked “exempt from public disclosure”. Now that the statute of limitations on these crimes has expired and the case appears hermetically sealed shut by the FBI, this audiobook, Caveat Emptor, is that artist, Ken Perenyi’s, confession.

Keith Haring is synonymous with the downtown New York art scene of the 1980s. His artwork - with its simple, bold lines and dynamic figures in motion - filtered in to the world's consciousness and is still instantly recognizable, 20 years after his death.

Hans Holbein the Younger is chiefly celebrated for his beautiful and precisely realized portraiture, which includes representations of Henry VIII, his advisors Thomas More and Thomas Cromwell, his wives Jane Seymour and Anne of Cleves, and an array of the Tudor lords and ladies encountered during the course of two sojourns in England. But beyond these familiar images, which have come to define our perception of the age, Holbein was a multifaceted genius: a humanist, satirist, and political propagandist, and a deft man whose work was rich in layers of symbolism and allusion.

Before Picasso became Picasso—the iconic artist now celebrated as one of France's leading figures—he was constantly surveilled by the police. Amidst political tensions in the spring of 1901, he was flagged as an anarchist by the security services. Though he soon became the leader of the cubist avant-garde, and became increasingly wealthy as his reputation grew worldwide, Picasso's art was largely excluded from public collections in France for the next four decades.

With unprecedented access to newly discovered sources, Donna M. Lucey illuminates the lives of four extraordinary women painted by the iconic high-society portraitist John Singer Sargent. With uncanny clairvoyance, Sargent's portraits hint at the mysteries, passions, and tragedies that unfolded in his subjects' lives.

Fiona MacCarthy challenges the image of Gropius as a doctrinaire architectural rationalist, bringing out the visionary philosophy and courage that carried him through a politically hostile age. Pilloried by Tom Wolfe as inventor of the monolithic high-rise, Gropius is better remembered as inventor of a form of art education that influenced schools worldwide. He viewed argument as intrinsic to creativity. Unusually for one in his position, Gropius encouraged women's artistic endeavors and sought equal romantic partners.

Scritta tra il 1943 e il 1944, durante la sua militanza nel Comitato di Liberazione Nazionale, viene pubblicata nel 1945, a guerra ormai conclusa...

"Welcome to Rockwell Land," writes Deborah Solomon in the introduction to this spirited and authoritative biography of the painter who provided 20th-century America with a defining image of itself. As the star illustrator of The Saturday Evening Post for nearly half a century, Norman Rockwell mingled fact and fiction in paintings that reflected the we-the-people, communitarian ideals of American democracy. But who was this man who served as our unofficial "artist in chief" and bolstered our country's national identity?

In The Last of His Kind, renowned adventure writer David Roberts gives readers a spellbinding history of mountain climbing in the twentieth century as told through the biography of Brad Washburn, legendary mountaineering pioneer and photographer. Jon Krakauer, author of Into Thin Air, has praised David Roberts, saying, “Nobody alive writes better about mountaineering” - and nowhere is that truth more evident than in this breathtaking account of the life and exploits of America’s greatest mountain climber.

In 1945, Edith Farnsworth asked the German architect Mies van der Rohe, already renowned for his avant-garde buildings, to design a weekend home for her outside of Chicago. Edith was a woman ahead of her time—unmarried, she was a distinguished medical researcher, as well as an accomplished violinist, translator, and poet. The two quickly began spending weekends together, talking philosophy, Catholic mysticism, and, of course, architecture over wine-soaked picnic lunches.

Lucian Freud (1922-2011) is one of the most influential figurative painters of the 20th century. His paintings are in every major museum and many private collections here and abroad. William Feaver's daily calls from 1973 until Freud died in 2011, as well as interviews with family and friends, were crucial sources for this book. Freud had ferocious energy, worked day and night, but his circle was broad, including not just other well-known artists but writers, bluebloods, royals in England and Europe, drag queens, fashion models gamblers, bookies, and gangsters like the Kray twins.

Alessandro Barbero segue Dante nella sua adolescenza di figlio d'un usuraio che sogna di appartenere al mondo dei nobili e dei letterati; nei corridoi oscuri della politica, dove gli ideali si infrangono davanti alla realtà meschina degli odi di partito e della corruzione dilagante; nei vagabondaggi dell'esiliato che scopre l'incredibile varietà dell'Italia del Trecento, fra metropoli commerciali e corti cavalleresche.

Leonardo da Vinci (1452-1519) never signed a painting, and none of his supposed self-portraits can be securely ascribed to his hand. He revealed next to nothing about his life in his extensive writings, yet countless pages have been written about him that assign him an identity: genius, entrepreneur, celebrity artist, outsider. Addressing the ethical stakes involved in studying past lives, Stephen J. Campbell shows how this invented Leonardo has invited speculation from figures ranging from art dealers and curators to scholars, scientists, and biographers.

One of the nation’s top art critics shows how six great artists made old age a time of triumph by producing some of the greatest work of their long careers—and, in some cases, changing the course of art history. Though these six artists differed in many respects, they shared one thing: a determination to go on creating, driven not by the bounding energies of youth but by the ticking clock that would inspire them to produce some of their greatest masterpieces.