British Police Procedural

D.I. Graves is back on the case to face his toughest challenge yet: a case with no motive and no suspect, nothing at all that could explain why someone would kill innocent people and then take parts from the bodies. Then the next victims are discovered: another pair of bodies, new body parts taken, and again in their own home. Someone is breaking into houses across the city at night, leaving horror in their wake. It seems to Graves that this could be two serial killers, working together. But how are they choosing their victims? Is any house in London a target? Is anyone safe?

When Detective Mark Turpin is assigned the task of investigating the death of a local businessman, the case is first thought to be one of accidental drowning. Until a bullet hole is found where the victim fell into the River Thames. Then a number of graves are unearthed at a disused airfield site being redeveloped by the dead man, exposing a horrific secret and plunging Mark into one of the darkest investigations of his career. After two more bodies are discovered amongst the burnt-out ruins of a building on a nearby industrial estate, Mark realises that a serial killer is at large.

When DCI Anna Tate is called to the gruesome discovery of a dead woman found on Barnes Common, she is plunged into a high‐profile investigation involving a prominent MP. London is baying for blood - but is there more to Holly’s death than at first meets the eye? Meanwhile, the hunt is on for Anna’s missing daughter Chloe, who vanished 10 years ago when her ex‐husband kidnapped her. The case has been cold for what feels like forever - but a phone call brings a brand-new lead....

CASE FILE #18–June 2008. Katherine Alford was found dead in her car at a local beauty spot. The devoted mother had received an urgent phone call late in the evening, and asked a neighbor to babysit for ten minutes. She never returned. Gus Freeman and his team uncover failings in the initial police investigation, but every eyewitness they re-interview can’t offer fresh clues, they only add to the mystery. Who did Katherine dash out of the house to meet?

In England's shadowy corners, from misty woods to ancient university halls, criminal psychologist and head of the Ritualistic Behavioural Crime unit Dr Harrison Lane, confronts the country’s most challenging crimes. A boy's body with cryptic messages. A man pinned down by horseshoes. A student etched with strange symbols. Each scene is a piece of a terrifying puzzle only Harrison can solve. As he unravels these ritualistic killings, Harrison digs up long-buried secrets that shake quiet towns to their core. But the deeper he delves, the more his own past threatens to engulf him.

A young woman sits quietly compliant at a sea-front bus-stop as a police officer takes a bloody knife from her hand. ‘I’m safe now,’ she says. But safe from whom? Who is she, whose blood is on the blade and where has she come from? These are just a few of the questions DS Pete Gayle must answer in the latest book in this top-selling series.

A group of children play. Not far away, in the ditch on the other side of the farmyard, the body of a young woman. The nearby village hides as many secrets as the community at the farm, a disparate group of people looking for an alternative to their previous torturous lives. Their leader, idealistic and benevolent, espouses love and kindness, and somebody's not following his dictate. The second death, an old woman, seems unrelated to the first, but is it? Is it part of the tangled web that connects the farm to the village?

Who hung the headmaster in the playground on the night of the school Halloween Party? Almost everyone in Heppleburn either hated or feared the viper-tongued Harold Medburn. Inspector Ramsay is convinced it was the headmaster’s enigmatic wife but Jack Robson, school governor and caretaker, is determined to prove her innocence. With the help of his restless daughter Patty, Jack digs into the secrets of Heppleburn, and uncovers a cesspit of lies, adultery, blackmail and madness.

While attending a crime scene on the outskirts of Maidstone, DI Kay Hunter makes a shocking discovery. The victim has been brutally cut to pieces, his identity unknown. When more body parts start turning up in the Kentish countryside, Kay realizes the disturbing truth–a serial killer is at large and must be stopped at all costs. With no motive for the murders and a killer who has gone undetected until now, Kay and her team of detectives must work fast to calm a terrified local population and a scornful media. When a third victim is found, her investigation grows even more complicated.

A gruesome murder with a strange twist. Supermarket shelf stacker Regina Steps has been strangled, stripped to her underwear, her body found straddling one of the cannons of Derry’s city walls. And why has the killer done that with her thumb? For seasoned DI Liam McLaughlin and the ragtag officers of the Major Investigation Team, it’s a homicide they’ve never seen the likes of before. Middle-aged Regina might have kept herself to herself, but she always had a smile for everyone she came across. Who could have wanted to do her harm? Was she just unlucky? But delving deeper into her ...

It was meant to be a harmless stag-night prank. But a few hours later, the groom has disappeared and his friends are dead. With only three days to the wedding, Roy Grace is contacted by the man’s distraught fiancée to unearth what happened on that fateful night. The one man who ought to know of the groom’s whereabouts is saying nothing. But then he has a lot more to gain than anyone realizes, for one man’s disaster is another man’s fortune.

A young local student has apparently committed suicide. Her body is found in an abandoned car on a lonely country road. She didn't own a car. Didn't even drive. How did she get there? Where did she die? Who moved her, and why? Meanwhile a man in his 60s is found dead in a gully up on the wild moorland. He is wearing an expensive suit and carrying no identification. Post-mortem findings indicate he died from injuries sustained during the fall. But what was he doing up there? And why are there no signs of a car in the vicinity?

Tom Thorne has it all. In Nicola Tanner and Phil Hendricks, Thorne has good friends by his side. He finally has a love life worth a damn and is happy in the job to which he has devoted his life. He has everything to lose. Hunting the woman responsible for a series of grisly murders, Thorne has no way of knowing that he will be plunged into a nightmare from which he may never wake. And he'll do anything to keep it. Finally, Thorne's past has caught up with him and a ruinous secret is about to be revealed. If he wants to save himself and his friends, he must do the unthinkable.

On New Year’s Day, Shetland lies buried beneath a deep layer of snow. Trudging home, Fran Hunter's eye is drawn to a vivid splash of colour on the white ground, ravens circling above. It is the strangled body of her teenage neighbour. As Fran opens her mouth to scream, the ravens continue their deadly dance. The body is found close to the home of a lonely outcast and local suspicion falls firmly on him. But when Inspector Jimmy Perez insists on broadening the search for suspects, a veil of distrust and fear is thrown over the entire community.

DSI Billie Wilde’s romantic relationship is intense—but it’s nothing compared to the pressure of her latest case, especially since the new chief of police is gunning for her squad. If they don’t get a handle on a series of deaths—which seem to have a connection to Alice in Wonderland—they could wind up being demoted. And the identity of one of the victims has made things devastatingly personal for Billie.

When Amy Blahn died on a London rooftop, Layla Mahoney was there. Layla was holding her. But all she can say when she’s arrested is that ‘It was Michael. Find Michael and you’ll find out everything you need to know'. The problem is, the police can’t find him—they aren’t even sure he exists. Layla knows she only has forty-eight hours to convince the police that bringing in the man she knows only as ‘Michael’ will clear her name and reveal a dangerous game affecting not just Amy and Layla, but her husband Russell and countless others.

DS Peter Gayle crime , Book 4.A gruesome find on a woodland walk. A body posed and naked, the killing savage and frenzied. Was the victim known to her attacker? Or is a serial killer emerging in South Devon? With no clues at the scene, DS Pete Gayle and his team must identify the victim before they can even start looking for a suspect.

The table is set for family dinner; roast chicken, wine for them and juice for their darling boy, a vase of fresh daisies from the garden for decoration. But the food is cold, and the flowers are wilting. You might think they were sleeping in the next room, if it wasn’t for the blood dripping crimson onto the carpet.

A series of disappearances are linked by one vital clue, and when a grave is uncovered in the woods, the sins of the past return with deadly consequences. A local community is devastated when dark secrets are revealed, and no one knows who to trust. Harriet Quinn will need all of her expertise to find a killer who hides in plain sight.

Detective Mary Hume stares at the crime scene in confusion. She's in an empty flat. Peeling wallpaper. A bloodstained chair in the middle of the room. But no body. Her sergeant hands her a burner phone. On it is a video clip. It shows a woman. Tied to the chair in the flat, a carving knife pressed to her throat. Placed in the woman's lap is a piece of cardboard. Written on it in blood-red is one word: DEADTOWN.