Classic American Short Stories Anthology

Here are eight stories from master American writers of the 19th century. They vary from sinister tales by Ambrose Bierce - why is that window boarded up? - and a reflective moment in the life of a woman without children, but forced to look after children, to classic short stories by O. Henry and Stephen Crane. There is even an elegiac description of an eclipse by James Fenimore Cooper, author of The Last of the Mohicans.

A treasure trove of short classic stories by some of the greatest storytellers in the world: 1.Mademoiselle Fifi by Guy de Maupassant 2.The Test by W. W. Jacobs 3.Miss Brill by Katharine Mansfield 4.England, my England by D. H. Lawrence 5.The Dead Hand by Wilkie Collins 6.The Stalled Ox by Saki 7.Red Hanrahan by W. B. Yeats 8.My Uncle Jules by Guy de Maupassant 9.A Love Knot by W. W. Jacobs 10.The Odour of Chrysanthemums by D. H. Lawrence 11.Ligeia by Edgar Allan Poe

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

A collection of some of the greatest short stories ever written, including works by Kate Chopin, Franz Kafka, Saki, and Katherine Mansfield. Includes: 'A Pair of Silk Stockings', 'A Hunger Artist', 'The Yellow Paint', 'The Model Millionaire', 'The Singing Lesson', 'The Ambitious Guest', 'Tobermory', 'Up in the Gallery', 'Wakefield', and 'The Quince Tree'.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

Widely acclaimed as a progenitor of 20th-century Latin American fiction, Joaquim Maria Machado de Assis (1839-1908), the son of a mulatto father and a washerwoman, was hailed in his lifetime as Brazil's greatest writer. His prodigious output of novels, plays, and stories rivaled contemporaries like Chekhov, Flaubert, and Maupassant, but, shockingly, he was barely translated into English until 1963, and still lacks proper recognition today.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

Art and life. Each the mirror of the other. This then is the classic definition of what ‘Realism’ as a writing form really is. Some might call it a fancy term for the mundane day to day pursuits but in the hands of an author it comes alive. We are drawn into characters and landscapes that we can empathize with, we can, metaphorically speaking, help shoulder their burden, be on the long trail with them whatever the landscapes, the hurdles, incidents and other people may place in their literary way.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

These treasured stories from the most influential authors of the 19th and early 20th centuries are selected for their literary importance as well as their dramatic, oral qualities. Listen to these 10 unabridged classics by Nathaniel Hawthorne, Herman Melville, O. Henry, and Willa Cather.

Winesburg, Ohio, a collection of stories set in a fictitious town in the 1890s, has long been considered Sherwood Anderson's masterpiece. Haunting and powerful, it draws readers into the streets and houses of Winesburg - and into the darkly complex lives of each of Anderson's unforgettable "grotesques."

Finally available after three decades, a lost classic of the Harlem Renaissance that Langston Hughes acclaimed for its "hard poetic beauty". Eric Walrond (1898 - 1966), in his only book, injected a profound Caribbean sensibility into black literature. His work was closest to that of Jean Toomer and Zora Neale Hurston with its striking use of dialect and its insights into the daily lives of the people around him.

The Conjure Woman is a collection of short stories by noted African American author Charles Waddell Chesnutt. It is considered to be one the seminal collections of African American literature.

These 13 stories by the author of The Invisible Man "approach the elegance of Chekhov" ( The Washington Post) and provide "early explorations of [Ellison's] lifelong fascination with the 'complex fate' and 'beautiful absurdity' of American identity" (John Callahan).

America's richest legends come from the frontier - from the land where the events of a single moment might erase the lines between law and lawlessness, between safety and mortal danger, between heroes and villains. The carefully selected stories in this collection are vibrant proof that the great American West is a fertile ground to storytellers. Here's the most varied collection of short stories, by 17 highly acclaimed Western writers.

Nine stories narrated by Pertie and one by Jeeves. In an American voice for easy listening by Americans with occasional American words used for more obscure English ones with a bit of the halting style of comic dialogue. Number two in the Jeeves series.

Enduring stories that are as relevant today as they were when written at the turn of the century by influential women writers. This audio recording includes: "On the Divide" and "The Garden Lodge" by Willa Cather; "A Point at Issue", "Desiree's Baby", "A Pair of Silk Stockings", and "The Story of an Hour" by Kate Chopin; "Three Thanksgivings" and "The Yellow Wallpaper" by Charlotte Perkins Gilman; and "The Pelican" and "The Fullness of Life" by Edith Wharton.

Eric Walrond was a singular voice of the Harlem Renaissance, and Tropic Death is his most famous work - a collection that highlights his particular strength as a writer of short fiction. Over the course of these ten stories, Walrond vividly details the punishing realities of life and labor across the Caribbean, and yet the overall effect is far from grim. These are unsentimental yet startlingly beautiful portraits of the migrant experience, full of distinctive voices striving for an audience in a seemingly implacable world.

Before Jack Kerouac expressed the spirit of a generation in his 1957 classic On the Road, he spent years figuring out how he wanted to live and, above all, learning how to write. Atop an Underwood brings together more than sixty previously unpublished works that Kerouac wrote before he was twenty-two, ranging from stories and poems to plays and parts of novels, including an excerpt from his 1943 merchant marine novel, The Sea Is My Brother. These writings reveal what Kerouac was thinking, doing, and dreaming during his formative years and reflect his primary literary influences.