Classic Noir

California, 1949. Aloysius Archer is on his way to start a new job with a renowned private investigator in Bay Town. Feeling lucky, he stops off at a casino in Reno, where he meets an aspiring actress, Liberty Callahan. Together, they head west on a journey filled with danger and surprises—because Archer isn’t the only one with a secretive past. Arriving in a town rife with corruption, Archer is tasked with finding out who is doing everything they can to disrupt the appointment of a top official.

After he fails to save a stranger from being mauled to death by a bear, a young mercenary is saddled with the baby girl the man died to protect. Now, 16 years later, that young mercenary has grown up to become cynical sword jockey Eddie LaCrosse. When his vacation travels bring him back to that same part of the world, he can't resist trying to discover what has become of the mysterious infant. He finds that the child, now a lovely young teenager named Isadora, is at the center of a complicated web of intrigue.

Nobody plays accordion like Dick Contino. His skilled fingers can find beauty in even the schmaltziest Borscht Belt favorites, and with his matinee-idol looks he could be a real star. Right now, though, he’s slumming it as the headliner in a Grade Z teenybopper picture called Daddy-O. He’s too good for this movie, and finishing it is going to take him to a very dark place. Daddy-O and Dick Contino are both real, their stories dredged out of the past by James Ellroy, a master of historical crime fiction. In Dick Contino's Blues he takes us to B-List Hollywood in 1957 - a time when movies were cheerful and dirty secrets lurked just off camera.

Broadway Can Be Murder started out to be a novel based on Johnny Midnight, a TV series which everyone has long since forgotten. Except, of course, that nothing manages to be forgotten in the Internet Age. I, whose job it was to knock out 50,000 words of Johnny Midnightish prose and dialogue, had forgotten when it ran and who was in it, but Google took no time at all to remind me that the title role was played by Edmund O’Brien, and that the series ran during the first nine months of 1960. I was in New York, newly married, living at 110 West 69th Street.

Martinique. Memories. Murder. A mystery is abound and the government has called in by special invitation the world’s greatest detective by study and trade, Whisky Hernandez, to help and assist the local police and solve the case fast, making use of her language proficiency in French and Creole. Full-time hygienist and part-time sleuth, this licensed private investigator, daughter of a talented New York and New Jersey former police detective, utilizes the help of her humorous photographer partner to get to the bottom of the mystery that is revealing itself on this island of flowers. These ...

Noir - as a style, movement, or sensibility - has its roots in hardboiled detective fiction by writers like Chandler and Hammett, and films adapted from their novels were among the first called "film noir" by French cineastes. But film isn't the only medium with a taste for a dark story. Hundreds of noir dramas have been produced for television, featuring detectives and femmes fatales, gangsters, and dark deeds, continuing week after week, with a new disruption of the social order. In TV Noir, television historian Allen Glover presents the first complete study of the subject.

For a century Bram Stoker's Dracula has reigned supreme as the undisputed masterpiece of horror writing. We have all grown up under the shadow of the elegant Count, at once an attractive, brutal and erotic creature of the night. The gothic tale of Frankenstein and his construction of a human being which runs amok, has, with the help of numerous films, become one of the most vivid horror stories.

Jack Hamma, an SAS Commando, is sent on a secret mission to take out a Right Wing Terrorist leader. The operation oozes danger and, to make matters worse, Jack Discovers his commanding officer is a woman! A fast paced action adventure with thrills and spills, a dash of humor and a dollop of romance. A great adventure story in the tradition of Biggles Aerial Police and John Buchen's The Thirty Nine Steps. ‘What a splendid book. How come Australians are able to do such fast action packed books?' 'Jack Hamma is a brilliant character, reluctantly getting himself into lots of tricky situations...

London, June 1965. Karl Braun arrives as a lodger in Pimlico: hatless, with a bow-tie, greying hair, slight in build. His new neighbours are intrigued by this cultured German gentleman who works as a piano tuner; many are fellow émigrés, who assume that he, like them, came to England to flee Hitler. That summer, Braun courts a woman, attends classical concerts, dances the twist. But as the newspapers fill with reports of the hunt for Nazi war criminals, his nightmares become increasingly worse.

A big-city tough guy comes to a small Minnesota town to settle a deadly fight between the local crime boss and his chief rival - his son.

William "Kid" Collins was once a respected boxer. Now he's a drifter, on the run after escaping from a mental institution. One afternoon he meets Fay, a beautiful young widow. She is smart and decent - at least when she's sober. Soon Collins finds himself involved in a kidnapping scheme that goes drastically wrong almost before it even begins. Because the kid they've picked up isn't like other kids: He's diabetic and without insulin, he'll die. Not the safest situation for Collins, a man for whom stress and violence have long gone hand-in-hand.

Navigating her way through nightmarish lands devoid of sunlight, Eyelet Elsworth races to free her beloved Urlick Babbit, the first person to understand and accept her - differences and all. Framed for murder and sentenced to execution, Urlick is running out of time. And the Commonwealth's tyrannical new ruler, Penelope Rapture, is strangely eager to speed up the clock.

It's Valentine's Day and private detective John Justin Mallory is planning on closing up the office early and taking his partner, Col. Winnifred Carruthers, out to dinner, since he's sure no one else will do so. But before he can turn off the lights and lock the door, a panic-stricken Buffalo Bill Brody visits them. It seems that the Eastminster pet show is being held the next day, and his dragon, Fluffy, the heavy favorite, has been kidnapped.

The 1960s' toughest, brainiest, sexiest, and most compassionate spy, is back in print! Meet McHugh America's#1 Secret Agent a combination of Mickey Spillaine's Mike Hammer and Ian Flemming's James Bond. In this first book in the series, McHugh takes a leave of absence from his spy work to help out his lover's sister who has found a dead Mafioso in her apartment, her boyfriend missing, and half San Francisco's mobsters after her.

Nine-year-old Jenny Carson is brutally murdered in Kenton Wood on her way from school. Then Charles Lendon is found stabbed to death with a skewer through his heart. He was a ruthless lawyer and something of a womanizer. Jenny's father blamed him for her murder. As the local police struggle, Inspector Crow is called in. Can he connect the two killings? He discovers that several of those closest to Charles Lendon had good reason to hate him: his housekeeper lover, her unstable brother, even the boyfriend of his attractive young colleague Cathy Tennant.

To Florence Hackett and her daughters Elinor and Louisa, Richard Baurie, a handsome young bookstore clerk and aspiring poet, seems a little odd but harmless enough. With his amusing conversation and his eager-to-please attitude, Richard works his way into the Hacketts' confidence until he is almost one of the family. When he suggests they rent Wisteria Cottage, a charming seaside residence, it seems to promise a summer of pleasant companionship and fun.

An eccentric boarding house denizen winds up dead; his presumed killer, a fellow boarder, has vanished. The baffling case unfolds through the testimony of witnesses, who are themselves suspect.

"Bartleby, the Scrivener: A Story of Wall Street" is a short story by the American writer Herman Melville, first serialized anonymously in two parts in the November and December 1853 issues of Putnam's Magazine, and reprinted with minor textual alterations in his The Piazza Tales in 1856. A Wall Street lawyer hires a new clerk who, after an initial bout of hard work, refuses to make copy and any other task required of him, with the words "I would prefer not to".

When a disheartened and broke Mr. Cole boards a ship, the Lady Jermyn, in Australia for a return to England, he little knows what is in store for him. Love, disaster and loss enfold him on the journey home. Once there he is followed, threatened and befriended. A strange series of events make him doubt his sanity before he discovers the secret of the Lady Jermyn and what really happened.

L'histoire, racontée à la première personne, est l'autobiographie d'un cheval nommé Prince Noir qui commence sa vie poulain dans une ferme anglaise. Le roman raconte les mésaventures de ce cheval, vendu par ses premiers propriétaires, jusqu'à devenir cheval de fiacre dans les rues de Londres. Tout au long de l'histoire, Prince Noir est confronté à la cruauté ou la sympathie des hommes, et continue à faire le travail qu'on lui demande avec courage.