Classic Noir

William "Kid" Collins was once a respected boxer. Now he's a drifter, on the run after escaping from a mental institution. One afternoon he meets Fay, a beautiful young widow. She is smart and decent - at least when she's sober. Soon Collins finds himself involved in a kidnapping scheme that goes drastically wrong almost before it even begins. Because the kid they've picked up isn't like other kids: He's diabetic and without insulin, he'll die. Not the safest situation for Collins, a man for whom stress and violence have long gone hand-in-hand.

Eddie's on his way back from a routine investigation when his horse almost runs down a half-naked blonde in serious trouble. Against his better judgment, he promises to protect the frightened young woman, only to find himself waylaid by unknown assailants and left for dead beside her mutilated body.

Nobody plays accordion like Dick Contino. His skilled fingers can find beauty in even the schmaltziest Borscht Belt favorites, and with his matinee-idol looks he could be a real star. Right now, though, he’s slumming it as the headliner in a Grade Z teenybopper picture called Daddy-O. He’s too good for this movie, and finishing it is going to take him to a very dark place. Daddy-O and Dick Contino are both real, their stories dredged out of the past by James Ellroy, a master of historical crime fiction. In Dick Contino's Blues he takes us to B-List Hollywood in 1957 - a time when movies were cheerful and dirty secrets lurked just off camera.

SHE WAS RICH AND BEAUTIFUL, AND ASKED ME TO SAVE HER DYING CHILD! A woman begs Alton Rhode to find the bank-embezzler lover who left her pregnant and in the lurch. She says her waif-like daughter needs the fugitive’s bone marrow to survive. But the trail has been cold for 14 years! That’s the least of Rhode’s problems. Local mobsters have their own agenda. Only a mysterious guardian angel – with an automatic pistol – keeps the private eye alive long enough to find the missing man. Then things really get weird! “DE MARIA HAS WRITTEN A STUNNER OF A PRIVATE EYE MYSTERY, WITH AN ...

Jack Hamma, an SAS Commando, is sent on a secret mission to take out a Right Wing Terrorist leader. The operation oozes danger and, to make matters worse, Jack Discovers his commanding officer is a woman! A fast paced action adventure with thrills and spills, a dash of humor and a dollop of romance. A great adventure story in the tradition of Biggles Aerial Police and John Buchen's The Thirty Nine Steps. ‘What a splendid book. How come Australians are able to do such fast action packed books?' 'Jack Hamma is a brilliant character, reluctantly getting himself into lots of tricky situations...

For a century Bram Stoker's Dracula has reigned supreme as the undisputed masterpiece of horror writing. We have all grown up under the shadow of the elegant Count, at once an attractive, brutal and erotic creature of the night. The gothic tale of Frankenstein and his construction of a human being which runs amok, has, with the help of numerous films, become one of the most vivid horror stories.

Ian Tregillis's Something More Than Night is a Dashiell Hammett and Raymond Chandler inspired murder mystery set in Thomas Aquinas’s vision of Heaven. It’s a noir detective story starring fallen angels, the heavenly choir, nightclub stigmatics, a priest with a dirty secret, a femme fatale, and the Voice of God.

"Bartleby, the Scrivener: A Story of Wall Street" is a short story by the American writer Herman Melville, first serialized anonymously in two parts in the November and December 1853 issues of Putnam's Magazine, and reprinted with minor textual alterations in his The Piazza Tales in 1856. A Wall Street lawyer hires a new clerk who, after an initial bout of hard work, refuses to make copy and any other task required of him, with the words "I would prefer not to".

Se avete amato il libro, impossibile perdere la versione audiolibro di uno dei più famosi romanzi di Agatha Christie: C'è un Cadavere in Biblioteca...

Noir - as a style, movement, or sensibility - has its roots in hardboiled detective fiction by writers like Chandler and Hammett, and films adapted from their novels were among the first called "film noir" by French cineastes. But film isn't the only medium with a taste for a dark story. Hundreds of noir dramas have been produced for television, featuring detectives and femmes fatales, gangsters, and dark deeds, continuing week after week, with a new disruption of the social order. In TV Noir, television historian Allen Glover presents the first complete study of the subject.

Noir contains three classic thrillers by Richard Matheson, the grand master of suspense. Originally published in the 1950s, at the very beginning of Matheson’s distinguished career, these page-turning classics are finally on audio for your listening pleasure. Now listeners everywhere can savor three unforgettable tales of crime, corruption, and cold-blooded murder.

Nine-year-old Jenny Carson is brutally murdered in Kenton Wood on her way from school. Then Charles Lendon is found stabbed to death with a skewer through his heart. He was a ruthless lawyer and something of a womanizer. Jenny's father blamed him for her murder. As the local police struggle, Inspector Crow is called in. Can he connect the two killings? He discovers that several of those closest to Charles Lendon had good reason to hate him: his housekeeper lover, her unstable brother, even the boyfriend of his attractive young colleague Cathy Tennant.

A society matron's life is threatened after she engineers the theft of her own priceless jewelry to pay off a gambling debt. Only a debonair connoisseur of crime can save her and recover her gems. For a price.

When a disheartened and broke Mr. Cole boards a ship, the Lady Jermyn, in Australia for a return to England, he little knows what is in store for him. Love, disaster and loss enfold him on the journey home. Once there he is followed, threatened and befriended. A strange series of events make him doubt his sanity before he discovers the secret of the Lady Jermyn and what really happened.

There's no glass slipper in this fairy tale - just a damsel in distress, a bag of cash, and a whole lot of dead bodies. Reporter Ted Lindsay is trying to forget his ex-wife, and New York City's tough streets are just what the doctor ordered. They're also filled with alluring women, but only one catches Ted's eye. Cinderella Sims is not only beautiful, she's on the run and she needs Ted's help. She's got a bag full of cash and some very angry people staking out her apartment.

A woman goes missing. Her car is discovered in the Australian Outback, burnt out but there is no body. Her husband, her son and the local gigolo are all suspects but the case comes to a dead end then Police Constable Elizabeth West is bound, gaged and abducted by a ruthless killer. Can Detective Bigfoot save her? 'Deadly serious and laugh out loud funny.' Revised and Rewritten.

To Florence Hackett and her daughters Elinor and Louisa, Richard Baurie, a handsome young bookstore clerk and aspiring poet, seems a little odd but harmless enough. With his amusing conversation and his eager-to-please attitude, Richard works his way into the Hacketts' confidence until he is almost one of the family. When he suggests they rent Wisteria Cottage, a charming seaside residence, it seems to promise a summer of pleasant companionship and fun.

This collection includes five of the greatest stories of American classic horror. The richest of language is used to create extraordinary atmosphere - gloom, darkness, solitude, despair - and the relentless feeling of impending doom. Includes: "The Oval Portrait", by Edgar Allan Poe; "Ethan Brand", by Nathaniel Hawthorne; "The Yellow Sign", by Robert W. Chambers; "The Upper Berth", by F. Marion Crawford; and "An Occurrence at Owl Creek Bridge", by Ambrose Bierce.

For Arthur Rowe the charity fête was a trip back to childhood, to innocence, a welcome chance to escape the terror of the Blitz, to forget 20 years of his past and a murder. Then he guesses the weight of the cake, and from that moment on he's a hunted man, the target of shadowy killers, on the run and struggling to remember and to find the truth.

Der in Prag aufgewachsene Karl Rossmann wird im Alter von sechzehn Jahren von seinen Eltern nach Amerika geschickt. Auf seiner unfreiwilligen Reise durch das Land trifft er Heizer, Bankiers und Senatoren, trunkene Maschinenschlosser, Liftboys, einsame Mädchen, Studenten und Laufburschen. Wie ein Blatt im Wind wird der junge Karl durch alle Gesellschaftsklassen Amerikas geweht, immer abwärts geht die Reise.