Classical Greece

For ages, the ancient myths of Greece and Rome have delighted and inspired the people of the world. Great legendary heroes and mysterious gods come together in those charming stories, which will unleash imagination and all the pleasures we owe the ancient art of storytelling. This timeless selection of the richest legends will make you travel in the time and thoughts of ancient life. Enjoy the stories of Midas, Orpheus, Pandora, Pyramus and Thisbe, Philemon and Baucis, Atalanta, and Cadmus.

The Myth of Demeter is the second book in the exciting The Broadcast Muse Audio Theatre - Episodes for Radio from Myths of Ancient Greece series! In this second installment, Eisenstadter brings an ancient Greek myth to modern-day life, as we meet Demeter, the goddess of agriculture, harvest, and fertility, and the mother of Persephone, who was fathered by the great god Zeus.

Any exploration of the lives of women in classical Athens has to take into consideration the legal framework which governed such matters as marriage, inheritance and basic rights within society, as well as the woman, herself, within the oikos. However, as a starting point, the simple issues relating to the day to day lives of the women in this period provide an initial understanding of how all of these other factors played a part in the overall pattern of life for an Athenian, upper class, woman.

The myth of King Midas is a cautionary tale about the dangers of believing that gold should be coveted above all things, and the foolishness of wishing without thinking. It appeared in Ovid's "Metamorphosis", and has inspired many works of art and literature through the centuries. This is a retelling of the complete tale of "The King with the Golden Touch", from the Gordian knot to the ears of an ass, in great detail and with an elegant style that will edify children and adults alike.

Perhaps the most famous epic poems ever written, the Iliad and the Odyssey have been read for nearly 3,000 years, making them the oldest written works in the Western world. The poems made characters like Paris, Helen, Odysseus, Achilles, Hector, and Ajax instantly recognizable, and they also influenced other ancient poets like Virgil, whose Aeneid is clearly modeled after them.

We begin with Book V, Odysseus weeping on Calyspo's Island, and follow his adventures through to his return to Ithaca and Penelope. This version of Homer's Odyssey was created over a 14-year period of performing the great epic. When it came time to record this version for audiobook, I realized there was no text: It lived in memory. So I had to write out a 38-page poem from memory. Then I used that text as a performance script and while reading it found myself constantly editing as my spoken word insisted on changes that sharpened the sound.

Modern perceptions of ancient Greece are almost always based on Athens and Sparta, which is why other city-states and other military units besides the hoplites have been overlooked for thousands of years. For this reason, Greek cavalry forces - including their composition, purpose, techniques, equipment, and developments - are still not very well understood when compared with their naval or infantry counterparts.

There are few mythological characters that require less of an introduction than Hercules. His labors are known and have been reimagined by cultures far beyond their Greek beginnings, and he continues to influence modern culture in more ways than any other ancient Greek hero.

Zwischen dem 9. und 5. Jahrhundert v. Chr. wuchs die Bevölkerung Griechenlands in ungeahntem Ausmaß, von etwa 800.000 Menschen auf bis zu 13 Millionen. Etwa eine Viertelmillion davon lebte in Athen. Die durchschnittliche Größe der städtischen Haushalte wuchs in dieser Zeit beträchtlich, eine Tatsache, die darauf hindeutet, dass Nahrungsmittel plötzlich in ausreichendem Maße zur Verfügung standen, um größere Familien viel effektiver gesund und am Leben zu erhalten als noch ein Jahrtausend zuvor.

Epic poetry and tragic drama provide us with some of the richest ancient Greek depictions of women who are married to soldiers. In tales of the Trojan War, as told by Homer, Aeschylus, Sophocles, and Euripides, we encounter these mythical warriors' wives: Penelope, isolated but resourceful as she awaits the return of Odysseus after his lengthy absence; the war widow Andromache, enslaved and displaced from her homeland after the fall of Troy; the unfaithful and murderous Clytemnestra; and Tecmessa, a war captive who witnesses her partner's breakdown and suicide in the aftermath of battle.

A collection of four great listens that explore the life and legends of ancient Greece. Hours of audio fun to keep children entertained while on the move! Immerse your children in the fascinating world of ancient Greece with three classic Greek myths, written especially for children, and one non-fiction history about the ancient Greeks.

How far would a father go to keep his daughter from marrying the wrong man? Rufus Coleman, the respected editor of the New York Eclipse, plans to marry Marjory Wainwright. Yet to her father, Professor Wainwright, Rufus is still the wastrel that he thought him to be as a student in college.

Pelopidas and Epaminondas' lives are inseperable in history. One's actions would not have been possible without the other by their side. Listen as Pelopidas reclaims his homeland and challenges one of the great Alexanders of history as he seeks his own kleos, or eternal glory.

From the onset of the war, Basil L. Gildersleeve, native of Charleston, South Carolina, a scholar, and professor of Greek at the University of Virginia left his students every Spring to return to the army until he was wounded during a skirmish in the Shenadoah Valley in 1864. Thirty years later he authored The Creed of the Old South, and A Southerner in the Peloponnesian War included in this audiobook.

Phaeton is the son of Apollo and a mortal woman, and his heart's desire is to be seen but once driving his father's chariot, the one used by the god to make the sun travel in the sky. This myth is an ageless story of failure at the hands of pride, similar to that of Icarus. It is a fundamental part of Greek mythology and of modern culture. This short story is a retelling of the myth in great detail and with an elegant style that will edify children and adults alike.

In the first authoritative biography of Alexander the Great written for a general audience in a generation, classicist and historian John C Martin tells the remarkable life of the great conqueror. The celebrated Macedonian king has been one of the most enduring figures in history.

The center of political and commercial interaction in the Ancient Greek polis was the agora. The word essentially means a gathering place or an open space, and in all Greek city states, the agora was central to all aspects of daily life and commerce. As the agora developed as a civic space, particularly from the sixth century BCE onward in Athens, the architectural splendor of the buildings associated with it became an ever more obvious demonstration of the power and glory of Athenian democracy.

"Aesop's Fables" is a collection of fables credited to Aesop, a slave and storyteller believed to have lived in ancient Greece around the fifth century BC. These fables are charming stories, each one leading towards a wise moral. They have been the inspiration for La Fontaine, one of the greatest French writers of all time, and are a perfect tool for educating young children as well as a delight for lovers of elegance and simplicity.

Learn essential lessons in leadership and life from the classic tale of Alexander the Great. This engrossing book also discusses the legacy of this famous man, including the many kingdoms and empires that grew out of his wake. You'll also learn how the Ancient Greek language, ideas, and culture spread across the world - affecting us even today.

Chi è più sapiente? Colui che dice di sapere o colui che sa di non sapere? Su questo bivio del pensiero Socrate ha fondato la sua vita e imposta ora la sua autodifesa: stringente, appassionante, inoppugnabile. La fine è nota. E tuttavia Socrate non perde la sua forza: perché anche la morte può essere un’avventura, di silenzio o di conversazione.