Comic Art

Examining current debates and the questions raised by comics adaptations, including those around authorship, style, and textual fidelity, the contributors consider the topic from an array of approaches that take into account representations of sexuality, gender, and race as well as concepts of world-building and cultural appropriation in comics from Modesty Blaise to Black Panther. The result is a fascinating re-imagination of the texts that continue to push the boundaries of panel, frame, and popular culture.

This is the candid, uncensored and utterly unofficial of story of DC Comics' infamous Vertigo UK office, written by one who was the heart of the drug-fuelled, creative whirlwind. It's the odyssey of one comic fan in pursuit of his dream job, becoming the first British member of the DC editorial staff, and learning the harsh realities of publishing life. Along the way he meets celebrities including Paul Gambaccini, Jonathan Ross, The Spice Girls, Blur, Adam Ant and many, many more.

If your gut reaction to reading the title “Comic NFTS—An Ethical Approach” is anger, confusion, or excitement, this book is for you. It is for comic creators who are concerned or curious about NFTs, especially those interested in moving past the myth and rhetoric found on social media to real, fact-based information about this emerging multi-billion-dollar industry.

Doctor Horrible, Jayne Cobb, Oz, Fitz-Simmons, Echo, Pike, Saffron, Kaywinnet, the Groosalugg, Skip, Satsu, Dana Polk, Perfect Jheung, Icarus, the Siphon, Edna Giles, Dandelion Naizen, and especially Buffy the Vampire Slayer. With Whedon's superhero names, goddess names, flower names, saint's names, and dozens of British names, he's filling his world with references from Shakespeare to manga, delighting fans who look closer. Which names repeat the most? Which characters have secret links?

This quirky and unique book examines how the computer transformed type into something that anyone could use and have an opinion on; how a typeface, correctly used, may sell us almost anything; and how new types with names such as Sunday Flicker, Pinky Stone and Irongate (to name but three out of the hundreds issued this year) each attempt to keep the alphabet exciting and new.

The memoir of Murray Langston, aka The Unknown Comic, is a detailed account of the highlights and lowlights of each year of his life from June 27, 1944, until his 69th birthday on June 27, 2013. It's the story of how a poor kid from Montreal, being influenced by Jerry Lewis, longed to follow in his funny steps and somehow leave Canada and make it to Hollywood.

When it comes to superheroes of the silver screen, nobody knows more than the masterminds behind the wildly popular Comicstorian YouTube channel. This definitive guide to comic book films divulges behind-the-scenes secrets and the hidden history behind these must-see movies including how, after very rocky beginnings, they shot to the top with DC and Marvel as two of the most important franchises in the industry.

Durch Generationen hindurch waren die Comics von Walt Disney spannende Lektüre von Jugendlichen und Junggebliebenen...

Get ready to laugh at hundreds of jokes aimed at the overly hyped, self-appointed icons the Kardashians in The Joke Book for People Who Think the Kardashians Are a Joke. Don't laugh now, but get ready to laugh out loud and often. The Joke Book for People Who Think the Kardashians Are a Joke is now available to anyone who wants to enjoy a good laugh at the Kardashians' expense.

Curated from his writings for Graphic Policy - covering everything from a childhood love of superheroes to an ongoing exploration of more mature comics and geeky experiences - CJ Standal offers deep analysis into one of the hottest media today and the life of those who grew up loving that medium: comics.

Do you want to learn more about Charlie Chaplin, but don’t have time to listen to huge, long biographies? Then let The History Journals take you on an hourly history tour of his life. Charlie Chaplin’s legacy lives on forever in the films that have been left behind, bringing the gift of laughter to viewers of every generation, past, present, and future.

Mainstream narratives of the graphic novel's development describe the form's "coming of age", its maturation from pulp infancy to literary adulthood. In Arresting Development, Christopher Pizzino questions these established narratives, arguing that the medium's history of censorship and marginalization endures in the minds of its present-day readers and, crucially, its authors.