Contemporary Art History

The contemporary art market is an international juggernaut, throwing off multimillion-dollar deals as wealthy buyers move from fair to fair, auction to auction, party to glittering party. But none of it would happen without the dealers - the tastemakers who back emerging artists and steer them to success, often to see them picked off by a rival. Dealers operate within a private world of handshake agreements, negotiating for the highest commissions. Michael Shnayerson, a longtime contributing editor to Vanity Fair, writes the first-ever definitive history of their activities.

Declan Walsh is one of the New York Times's most distinguished international correspondents. His electrifying portrait of Pakistan over a tumultuous decade captures the sweep of this strange, wondrous, and benighted country through the dramatic lives of nine fascinating individuals. On assignment as the country careened between crises, Walsh traveled from the raucous port of Karachi to the salons of Lahore, and from Baluchistan to the mountains of Waziristan. He met a diverse cast of extraordinary Pakistanis....

The central argument of Chromophobia is that a chromophobic impulse—a fear of corruption or contamination through color—lurks within much Western cultural and intellectual thought. This is apparent in the many and varied attempts to purge color, either by making it the property of some foreign body—the oriental, the feminine, the infantile, the vulgar, or the pathological—or by relegating it to the realm of the superficial, the supplementary, the inessential, or the cosmetic.

Art history encompasses the study of the history and development of painting, sculpture, and the other visual arts. In this Very Short Introduction audiobook, Dana Arnold presents an introduction to the issues, debates, and artifacts that make up art history. Beginning with a consideration of what art history is, she explains what makes the subject distinctive from other fields of study and also explores the emergence of social histories of art (such as feminist art history and queer art history).

In 1969, in Capitol Records' Hollywood studio, a blonde-haired troubadour named Larry Norman laid track for an album that would launch a new genre of music and one of the strangest, most interesting careers in modern rock. Having spent the bulk of the 1960s playing on bills with acts like The Who, Janis Joplin, and The Doors, Norman decided that he wanted to sing about the most countercultural subject of all: Jesus.

Blood Shadows in Madrid A haunting mystery of betrayal, obsession, and the dark secrets that linger in Madrid’s shadowy corners When Diego Doria, a troubled detective from Málaga, receives a desperate call from his estranged girlfriend, Macarena, he can’t ignore it. She’s being hunted by figures from her past—women who claim to be Tlahuelpuchi, vampiresses from Mexican folklore. Driven by a mix of loyalty and unresolved feelings, Diego heads to Madrid, where the city’s glittering streets hide shadows deeper than he imagined. Madrid becomes a character in its own right: from the ...

The Art of War is an ancient Chinese military treatise dating from the Late Spring and Autumn Period (roughly fifth century BC). The work, which is attributed to the ancient Chinese military strategist Sun Tzu , is composed of 13 chapters. Each chapter is devoted to an aspect of warfare and how it applies to military strategy and tactics. For almost 1,500 years The Art of War has been the lead text in an anthology that would be formalised as the Seven Military Classics by Emperor Shenzong of Song in 1080.

In Buffoon Men: Classic Hollywood Comedians and Queered Masculinity, Scott Balcerzak reads the performances of notable comedians such as W. C. Fields, Eddie Cantor, Jack Benny, Stan Laurel and Oliver Hardy, Bert Wheeler and Robert Woolsey, and Bud Abbott and Lou Costello through humor and queer theory to expose a problematic history of maleness in their personas.

What if Vincent van Gogh, the tortured genius, found love and family during the final year of his life? The vibrant backdrop of the United States serves as the setting for this captivating reimagining, where Vincent, who once severed part of his ear in anguish, stumbles upon a lovely woman who ignites hope in his weary soul. Can the warmth of this new love heal him, or will his past continue to haunt him? Readers looking for a moving and emotional historical fiction will be drawn into the world of "Van Gogh, Encore." With its exploration of longing, legacy, and the transformative power of ...

Script Culture and the American Screenplay treats the screenplay as a literary work in its own right, presenting analyses of screenplays from a variety of frameworks, including feminism, Marxism, structuralism, philosophy, and psychology. Boon demonstrates that whether we are concerned with aesthetics and identifying rules for distinguishing the literary from the non-literary, or whether we align ourselves with more contemporary theories, which recognize texts as distinguishable in their inter-relationships.

Was It Yesterday? explores the impact of nostalgia in 21st-century American film and television. Cultural nostalgia, in both real and imagined forms, is dominant today, but what does the concentration on bringing back the past mean for an understanding of our cultural moment, and what are the consequences for viewers? This book questions the nature of this nostalgic phenomenon, the politics associated with it, and the significance of the different periods, in addition to offering counterarguments that see nostalgia as prevalent throughout film and television history.