Dystopian Literary Fiction

The Dark River opens in New York City with a stunning piece of news. Gabriel's father, who has been missing for nearly 20 years, may still be alive and trapped somewhere in Europe. Gabriel and his Harlequin protector, Maya, immediately mobilize to escape New York and find the long-lost Traveler.

Equality 7-2521 is a young man who yearns to understand “the Science of Things”, but he lives in a bleak, dystopian future where independent thought is a crime and where science and technology have regressed to primitive levels. All expressions of individualism have been suppressed in his world. Obedience to the collective is so deeply ingrained that the very word “I” has been erased. In pursuit of his quest for knowledge, Equality 7-2521 struggles to answer the questions that burn within him.

A trip to the library prompts one woman to question her fate in this galvanizing short story. For a woman like Hadley, deemed not acceptable to procreate, there’s only one recourse. Unlicensed for motherhood, she can alleviate her grief and frustration at a “baby library,” where a curiously endless supply of infants is available for a two-week loan. But the borrowed life that serves as a temporary balm leads to a journey of self-discovery that will forever change the direction of Hadley’s future.

The penalty for Dani Cumali's murder: $84,000. Theo works in the Criminal Audit Office. He assesses each crime that crosses his desk and makes sure the correct debt to society is paid in full. These days, there's no need to go to prison—provided that you can afford to pay the penalty for the crime you've committed. If you're rich enough, you can get away with murder. But Dani's murder is different. When Theo finds her lifeless body, and a hired killer standing over her and calmly calling the police to confess, he can't let her death become just an entry on a balance sheet.

See the rain forests...northern beauty, misted nights. Come to Lighthouse Island.... In the coming centuries, the world's population has exploded and covered the Earth with endless cities. Animals are nearly all gone. Drought plagues the land and cloudy water is issued by the quart. There are no maps, no borders, no numbered years. On this urban planet the only relief from the overcrowding, the petty informers, and the harsh rule of the big Agencies is the television in every living space, offering dreams of vanished waterfalls and the promise of virtual vacations in green spaces for the lucky few.

Former Marine-turned-author, G. Michael Hopf grabs listeners from minute one with his breathtaking blend of action, adventure, and political intrigue. The End - the first book in Hopf ’s New World series - has sold more than 50,000 copies, and word of mouth is quickly building on the series as a whole. In the fourth book, The Line of Departure, the United States is on the brink of total anarchy in the wake of a super-EMP attack. Gordon Van Zandt and his family have managed to beat the odds so far, but can they survive once war erupts?

The end of the world didn't happen overnight. After years of war, societal breakdown, freak storms, and rising tides, humanity already hovered near the edge. Then came the most unexpected threat of all: the world's corpses rising up to deliver the final blow.

In einem fiktiven Staat in Nordamerika haben religiöse Fundamentalisten die totalitäre Republik Gilead errichtet. Nach einer atomaren Verseuchung ist ein großer Teil der weiblichen Bevölkerung unfruchtbar. Frauen werden entmündigt und in drei Gruppen eingeteilt: Ehefrauen von Führungskräften, Dienerinnen und Mägde. Letztere werden zur Fortpflanzung rekrutiert und sollen nach biblischem Vorbild für unfruchtbare Ehefrauen Kinder empfangen.

King has tenderly staked out a territory for his wife and three daughters, Grace, Lia, and Sky. He has lain the barbed wire; he has anchored the buoys in the water; he has marked out a clear message: Do not enter. Or viewed from another angle: Not safe to leave. Here women are protected from the chaos and violence of men on the mainland. The cult-like rituals and therapies they endure fortify them from the spreading toxicity of a degrading world. But when their father, the only man they've ever seen, disappears, they retreat further inward until the day two men and a boy wash ashore.

Only four years after publishing his fable Animal Farm, a biting satire of Joseph Stalin’s horrific regime of terror, George Orwell turned his attention to the future. But his next book was to be no satire, no fable. What emerged from Orwell’s pen in 1949 was the most grimly dystopian novel ever written: 1984.

This novel centers on the "It's me" telephone scam - often targeting the elderly - that has escalated in Japan in recent years. Typically, the caller identifies himself only by saying, "Hey, it's me", and goes on to claim in great distress that he's been in an accident or lost some money with which he was entrusted at work, etc., and needs funds wired to his account right away. ME's narrator is a nondescript young Tokyoite named Hitoshi Nagano.

A recklessly idealistic girl dares to test the perimeters of her tightly controlled (future) world and is punished by being sent back in time to a region of North America - “Wainscotia, Wisconsin” - that existed 80 years before. Cast adrift in time in this idyllic Midwestern town, she is set upon a course of “rehabilitation” - but cannot resist falling in love with a fellow exile and questioning the constrains of the Wainscotia world with results that are both devastating and liberating.

Japan, after suffering from a massive irreparable disaster, cuts itself off from the world. Children are so weak they can barely stand or walk: the only people with any get-go are the elderly. Mumei lives with his grandfather Yoshiro, who worries about him constantly. They carry on a day-to-day routine in what could be viewed as a post-Fukushima time, with all the children born ancient - frail and gray-haired, yet incredibly compassionate and wise. Mumei may be enfeebled and feverish, but he is a beacon of hope, full of wit and free of self-pity and pessimism.

When the Big Top Domain—a high-tech traveling circus—rolls into Boston, it captivates the city with its jaw-dropping thrills, cutting-edge virtual reality, and promises of unforgettable experiences for adventurous teens. Yet beneath the flashing lights and dazzling spectacles lurks something far more sinister.

It had been raining for weeks. Maybe months. He had forgotten the last day that it hadn't rained, when the storms gave way to the pale blue of the Gulf sky, when the birds flew and the clouds were white and sunshine glistened across the drenched land. Following years of catastrophic hurricanes, the Gulf Coast - stretching from the Florida panhandle to the western Louisiana border - has been brought to its knees. The region is so punished and depleted that the government has drawn a new boundary ninety miles north of the coastline.

Shelby is struggling with parenthood, marriage, a passive-aggressive mother, and unemployment. But she also has a sweet escape in her beloved Hallmark movies. When a secret admirer promises to sweep her away into a world of those same romantic tropes, the temptation is so heady, Shelby can already smell the pumpkin spice. But this rom-com dream has a whiff of conspiracy....

Bill and Penelope are the lucky ones. Not only do they survive the Shark Flu emerging from the melting Icelandic permafrost to sweep like a scythe across the world, but they begin to rebuild a life in the wreckage of the old. A garden to feed themselves planted where the lawn used to be, a mattress pulled down to the living room fireplace for warmth. Even Bill’s psychology practice endures the collapse of the social order, the handful of remaining clients bartering cans of food for their sessions.

Children of the New World introduces listeners to a near-future world of social media implants, memory manufacturers, dangerously immersive virtual reality games, and alarmingly intuitive robots. Many of these characters live in a utopian future of instant connection and technological gratification that belies an unbridgeable human distance, while others inhabit a post-collapse landscape made primitive by disaster, which they must work to rebuild as we once did millennia ago.

When Alabine Rivers, a politically active young woman with a bright career and romance ahead of her, finds out the devastating news that she has terminal cancer, the only thing that gives her solace is the possibility of a second life through the emerging field of cryogenics.

Six years after a virus wiped out most of the planet’s population, former pop star Moira is living under a new identity to escape her past. Desperate for a fresh start herself, jaded event planner Krista navigates the world for those still too traumatized to go outside, but she never reaches out on her own behalf. Rob has tried to protect his daughter, Sunny, by keeping a heartbreaking secret, but when strict government rules threaten to separate parent and child, Rob needs to prove himself worthy in the city’s eyes by connecting with people again.