Elizabethan Drama

In England in the Age of Shakespeare, Jeremy Black takes readers on a tour of life in the streets, homes, farms, churches, and palaces of the Bard’s era. Panning from play to audience and back again, Black shows how Shakespeare's plays would have been experienced and interpreted by those who paid to see them. From the dangers of travel to the indignities of everyday life in teeming London, Black explores the jokes, political and economic references, and small asides that Shakespeare’s audiences would have recognized.

C. S. Lewis offers a magisterial take on the literature and poetry of one of the most consequential periods in world history, providing deep insight into some of the greatest writers of the age, including Edmund Spenser, William Shakespeare, William Tyndale, John Knox, Dr. Johnson, Richard Hooker, Hugh Latimer, Christopher Marlowe, John Donne, and Thomas Cranmer.

London, winter of 1589. The city is alive with intrigue, and anticipation. The players of Lord Strange’s Men are rehearsing a daring new play, penned by one of their promising young actors, William Shakespeare. But excitement turns to disaster when the authorities shutter the theatre over a trivial offense, plunging Will into uncertainty and despair. Determined to press on, he begins crafting a grisly revenge tragedy—Titus Andronicus—hoping to sell it to another troupe. But before he can do so, his entire collection of playscripts is stolen. His reputation, his career—everything is ...

The 1590s were bleak years for England. The queen was old, the succession unclear, and the treasury empty after decades of war. Amid the rising tension, William Shakespeare published a pair of poems dedicated to the young Earl of Southampton: Venus and Adonis in 1593 and The Rape of Lucrece a year later. Although wildly popular during Shakespeare's lifetime, to modern readers both works are almost impenetrable. But in her enthralling new book, the Shakespearean scholar Clare Asquith reveals their hidden contents.

This illustrated book, also available as a 172 page paperback from Troubador.co.uk at £9.95, introduces the conclusions of recent scholarship and research into theatrical conditions, conventions and concepts in the time of Shakespeare. It is designed as a companion to the study of any Shakespeare play, including those treated in Literature Insights, such as Hamlet, Henry IV parts 1 and 2, King Lear, Richard II, Richard III, The Tempest, Troilus and Cressida. The book begins with a discussion of the origins of early modern English drama and of the theatres that were built for it. Attitudes ...

The day Rodney Hawkhurst rides onto her father's grand estate, Lizbeth Gillingham is a wild eighteen-year-old, with tangled red hair, dirt on her apron, and an archer's bow in her hand. A chance encounter leads to a clandestine kiss, leaving the tomboy Lizbeth wondering if the life of a sophisticated lady could be so bad if she was on the arm of Rodney Hawkhurst... But Rodney has not come to see Sir Gillingham about Lizbeth. He has come to borrow money for a daring sea voyage, and to ask for the hand of Phillida, Lizbeth's elegant sister.

Sir Philip Sidney was an Elizabethan courtier, statesman, soldier, poet, and patron of scholars and poets. He was famous as the ideal gentleman of his day and a model for subsequent generations until the twentieth century replaced classical education with industrial age expedience. He represents something of what we have lost in modern self-interest. For three centuries, he was considered the most extraordinary man of the English Renaissance. But unfortunately, his legacy has faded from modern prominence. Nevertheless, it is fascinating to peer into the past and discover a singular person ...

This book aims to introduce students (including those with little or no prior experience of the field) to the worlds of Shakespeare and his theatre revealed in King Lear. It begins by ‘Approaching Shakespeare’ as utterly a man of the theatre, a professional actor before he was a playwright and a resident dramatist who knew intimately the actors for whom he wrote. It continues by discussing ‘King Lear’ in that light. The middle chapters look in detail at the ‘Actors and Players’ of the drama, and at Shakespeare’s favourite ‘Acts and Devices’ as deployed within it. A final ...

These remarkable letters represent a wealth of as-yet-undiscovered knowledge about Shakespeare's relationships, personality, and career as he carved out his place in the chaotic world of 16th-century London. Whether you are a Shakespeare scholar, merely a fan, or even if you have never read any of his works, the stories of the The Lost Letters will enthrall you with their fascinating and true tale.

Dorset, 1682. Catherine Carey was once a vivacious beauty with the world at her feet. One tragic accident was all it took to shatter her dreams, her spirit, her everything. Now, she only wants to hide her scarred face from the world. But if she thinks she’s safe at home, she is wrong. Her scheming brother wants to marry her off to a fortune-hunter, and he won’t take no for an answer. Out on a lonely walk, Catherine is attacked and left for dead. Could this be her brother’s doing?

This book, also available in paperback direct from Troubador.co.uk, aims to introduce students (including those with little or no prior experience of the field) to the worlds of Shakespeare and his theatre revealed in ‘Hamlet’. It begins by ‘Approaching Shakespeare’ as utterly a man of the theatre, a professional actor before he was a playwright and a resident dramatist who knew intimately the actors for whom he wrote. It continues by ‘Approaching Hamlet’ in that light, and as a revenge tragedy deliberately overloaded with complications. The middle chapters look in detail at the...

To Each Their Own is a modern-writ comedy in the style of the Theatre of Elizabeth the First, written with a scholar's research and a modern Shakespearean actor's wit. It includes many of the elements we are used to seeing in Shakespeare (sassy servants, pompous Noblemen, love-at-first-sight, shipwrecks, magic, fights, sacrifice, and slapstick) and language that conveys much more than single emotions.