Elizabethan English

Robert Cecil, statesman and spymaster, lived through an astonishingly threatening period in English history. Queen Elizabeth had no clear successor and enemies both external and internal threatened to destroy England as a Protestant state, most spectacularly with the Spanish Armada and the Gunpowder Plot. All His Spies is a wonderfully engaging and original work of history. Many listeners are familiar with the great events of this tumultuous time, but All His Spies shows how easily these dramas could have turned out very differently.

'But Faustus' offenses can never be pardoned: the serpent that tempted Eve may be sav'd but not Faustus'. Christopher Marlowe knew this only too well when he penned his famous play in the days when Elizabeth I was on the throne. His deal with the Dark Man to extend his life has had him wandering, rootless for centuries and has driven him away from normal society. As the millenium turned he was living in exile on an island in Maine in a fortress where the Dark Man's descendents couldn't find him. Enter Edy Chenowth, a woman with a mission. Her grandfather has recently passed away and as a ...

London: a settlement founded by the Romans, occupied by the Saxons, conquered by the Danes and ruled by the Normans. This unremarkable place - not even included in the Domesday Book - became a medieval maze of alleys and courtyards, later to be chequered with grand estates of Georgian splendour. It swelled with industry and became the centre of the largest empire in history. And rising from the rubble of the Blitz, it is now one of the greatest cities in the world.

If you want to discover the captivating history of Medieval England and Magna Carta, then get England in the Middle Ages - a set of two books about England during the Middle Ages and the influence of the Magna Carta.

The East India Company was the largest commercial enterprise in British history, yet its roots in Tudor England are often overlooked. The Tudor revolution in commerce led ambitious merchants to search for new forms of investment, not least in risky overseas enterprises-and for these "adventurers" the most profitable bet of all would be on the Company. Through a host of stories and fascinating details, David Howarth brings to life the Company's way of doing business—from the leaky ships and petty seafarers of its embattled early days to later sweeping commercial success.

Hans Holbein the Younger is chiefly celebrated for his beautiful and precisely realised portraiture, which includes representations of Henry VIII, Thomas More, Thomas Cromwell, Anne of Cleves, Jane Seymour and an array of the Tudor lords and ladies he encountered during the course of two sojourns in England. But beyond these familiar images, which have come to define our perception of the world of the Henrician court, Holbein was a protean and multi-faceted genius.

Regal and dazzlingly beautiful, Mary Stuarts succumbed to the irresistible impulses of passion and gambled away her throne for love in a deadly game of power against her envious cousin, Elizabeth I. She not only lost her kingdom, but also her life. Betrayed by those she trusted most, pampered and adored even as she was led to her own beheading, she remained an enigma five centuries after her death.

Begun in 1292, the royal chapel of St Stephen was the crowning glory of the old palace of Westminster – a place of worship for kings and a showcase of the finest architecture, ritual and music the Plantagenets could muster. But in 1548, as the Protestant Reformation reached its height, St Stephen's was given a new purpose as the House of Commons. Burned out in the great palace fire of 1834, the Commons chamber was then recreated on a remarkably similar medieval design, perpetuating a way of doing politics that is recognisable to this day.

Though often derided today for his cruelty, sensual pursuits, and despotism, Henry VIII was, in reality, much better in those respects than his contemporaries, and he compares well with the personal behavior of many historic leaders we now deem heroic. It was well that England in her hour of need had a man as king who counted the cost, who faced the risks, and successfully brought his country out of Europe's religious maelstrom.

Join historian Suzannah Lipscomb as she reveals the hidden secrets of palaces, castles, theatres and abbeys to uncover the stories of Tudor England. From the famous palace at Hampton Court where dangerous court intrigue was rife, to less well-known houses, such as Anne Boleyn's childhood home at Hever Castle or Tutbury Castle, where Mary Queen of Scots was imprisoned, follow in the footsteps of the Tudors in the places that they knew.

Some 70 years before the Mayflower sailed, a small group of English merchants formed the world's first joint-stock company. Back then, in the mid-16th century, England was a small and relatively insignificant kingdom on the periphery of Europe. Struggling with a single export - woolen cloth - the merchants were forced to seek new markets and trading partners. As this absorbing account shows, innovation and risk-taking were at the heart of the settlement of America, as was the profit motive.

Part literary mystery, part an examination of what constitutes fiction versus reality, "Ghostwriter" is based on the true story of author Lawrence Wells, then 45, hired by the University of Mississippi in 1987 to ghostwrite a novel for a wealthy, eccentric donor (“Mrs. F,” then 75), who was convinced that Edward de Vere, 17th Earl of Oxford, was William Shakespeare.

Henry VIII is Britain's most notorious monarch, remembered for his six wives and splitting the church in two for the sake of annulling his first marriage. But few know the full story of his tempestuous reign. This captivating biography chronicles Henry VIII's life and times, from his early childhood at Eltham to his dominant role as one of the leading players on the international stage. It includes his love affairs, military campaigns, the scheming and plotting of his courtiers and the way in which sex and politics were sometimes fatally intertwined with the Tudor Court.

In Fatal Rivalry, George Goodwin, the best-selling author of Fatal Colours, captures the vibrant Renaissance splendor of the royal courts of England and Scotland, with their unprecedented wealth, innovation, and artistic expression. Five hundred years after this decisive battle, Fatal Rivalry combines original sources and modern scholarship to recreate the royal drama, the military might, and the world in transition that created this bitter conflict.

Sir Philip Sidney was an Elizabethan courtier, statesman, soldier, poet, and patron of scholars and poets. He was famous as the ideal gentleman of his day and a model for subsequent generations until the twentieth century replaced classical education with industrial age expedience. He represents something of what we have lost in modern self-interest. For three centuries, he was considered the most extraordinary man of the English Renaissance. But unfortunately, his legacy has faded from modern prominence. Nevertheless, it is fascinating to peer into the past and discover a singular person ...

As Maureen Quilligan wrote in The New York Times Book Review of The First Elizabeth, Anne Boleyn "was a real victim of the sexual scandals her brilliant daughter escaped, and a subject Ms. Erickson's sensitivity to sexual and political nuance should well serve." Indeed, Carolly Erickson could have chosen no more fascinating and appropriate a subject. Alluring and profoundly enigmatic, Anne Boleyn has eluded the grasp of historians for centuries.

The writing of sonnets was a craze among poets of the 1590s. The sonnet, an Italian form, was introduced into England by Thomas Wyatt (1503-1542), who modelled himself on Petrarch, and by Henry Howard, Earl of Surrey (1517-1547). It was Surrey who invented what is now known as the Shakespearean sonnet - three differently rhyming quatrains and a clinching couplet. This collection of Elizabethan sonnets and lyrics were recorded by Anthony Quayle.

Anne Boleyn is a subject of enduring fascination and by far the most famous of Henry VIII's six wives. For the most part, she is considered in the context of her relationship with Tudor England's monarch. Dramatic though this story is, of even greater interest - and significance - is the relationship between Anne and her daughter, the future Elizabeth I, who was less than three years old when her mother was executed. Given that she could have held precious few memories of Anne, it is assumed that her mother exerted little influence over her. Nothing could be further from the truth.

This book aims to introduce students (including those with little or no prior experience of the field) to the worlds of Shakespeare and his theatre revealed in King Lear. It begins by ‘Approaching Shakespeare’ as utterly a man of the theatre, a professional actor before he was a playwright and a resident dramatist who knew intimately the actors for whom he wrote. It continues by discussing ‘King Lear’ in that light. The middle chapters look in detail at the ‘Actors and Players’ of the drama, and at Shakespeare’s favourite ‘Acts and Devices’ as deployed within it. A final ...

An exciting and authoritative study guide to Richard II in its theatrical, cultural and political contexts. Professor Hattaway's study places Richard II within the contexts of Shakespeare's life and of the strenuous political debates that were taking place at the end of the reign of Elizabeth I. It offers a commentary upon the unfolding action of the play, stressing possible alternative readings of the text, and noting how directors have made particular decisions about these. It ends with two shorter linked chapters on aspects of the play's critical traditions and on selected stage ...