English Theater

For more than 150 years I've served the Kingdom of Sena. Through four Kings and a Queen. Two wars and a rebellion. I've founded and taught at a magic school. I've fought against beast waves and dungeon breaks. But now? Now, the one close friend I had left has passed. So, I'm done with their politics and their economics. The short and busy lives of humans are more burden than benefit on the weary soul of this half-elf.

After a hundred years of regrets, revenge is just around the corner. We have finally reunited with Kristan, Marko, Franja, and Renata, who proved to be instrumental in our battle against Harkel's Hellhounds and the siege on Arrdeam. Having brought down the first leg of Harkel's slaving empire, we're getting ever closer to cutting off the head of the snake. Before we can face him, though, we must still grow stronger, but assassins lurk in the shadows and dangerous foes want us dead.

Things are not well within the Lodrak Empire. An entire city goes up in smoke and ash, and an entire province is slowly being consumed by an ever-expanding cloud of death. But while the humans rally to contain the fallout of this disaster, they are much quicker to pin the blame for it on their elven neighbors to the north. With centuries' worth of strife and bad blood between the two nations flaring up, all out war is rapidly becoming an inevitability.

Grace is an usher at the stately (and possibly haunted) Royal Ruby Theater. She’s also an aspiring actress ready for her big break. Vanessa is the glamorous yet spiteful star who’s made more enemies than friends on her rise to the top. When Vanessa winds up dead in act one, Grace is determined to find the killer. But is she seeking justice, or something darker?

When Kers is reborn as a dungeon core, he finds himself stuck in the most improbable of places: a cloud. High in the sky and far away from the usual solid resources, Kers must face the obvious question: How is a dungeon to build itself without wood or stone? Luckily, Kers has the sarcastic (and sometimes helpful) fairy Selena to help him get his bearings. Together, the pair delight in exploring Kers’ weird existence, creating novel mobs, and enticing adventures to plumb the lofty heights of his floors.

General George S. Patton, Jr., died under mysterious circumstances in the months following the end of World War II. For almost 70 years, there has been suspicion that his death was not an accident - and may very well have been an act of assassination. Killing Patton will take listeners inside the final year of the war and recount the events surrounding Patton's tragic demise, naming names of the many powerful individuals who wanted him silenced.

Join in the hot, steamy exhibitionism with sexy Josh Lance, a new comer to the public scene – as he explores the heady world of the gay adult cinema scene. Join Josh as he enjoys his very first foray into the incredibly sexy scene, and very quickly builds up to incredibly hot gay, interracial multiple action... 21,000 words of incredibly hot, steamy words of interracial, gay, public exhibitionist action. 1/. Keen to explore his bisexual side and encouraged by his partner, Ray, Josh Lance ventures into the sexy gay world of the Aphrodite’s Adult Cinema. Dressed to kill and eager to ...

With The Last Stand of the Tin Can Sailors and Ship of Ghosts, James D. Hornfischer created essential and enduring narratives about America’s World War II Navy, works of unique immediacy distinguished by rich portraits of ordinary men in extremis and exclusive new information. Now he does the same for the deadliest, most pivotal naval campaign of the Pacific war: Guadalcanal. Neptune’s Inferno is at once the most epic and the most intimate account ever written of the contest for control of the seaways of the Solomon Islands.

A misfit crew of relic hunters armed with magical weapons set off on a series of action-packed quests. Their mission: Seek out and recover magical artifacts that might be used in the battle against the Dark Lord. They never anticipated that their actions might send their world hurtling toward a dire fate.

Quiara Alegría Hudes was the sharp-eyed girl on the stairs while her family danced their defiance in a tight North Philly kitchen. She was awed by her mother and aunts and cousins, but haunted by the unspoken, untold stories of the barrio — even as she tried to find her own voice in the sea of language around her, written and spoken, English and Spanish, bodies and books, Western art and sacred altars.

They call the ancient hills of Jerusalem the butcher's theater. Here, upon this bloodstained stage, a faceless killer performs his violent specialty: The first to die brutally is a fifteen-year-old girl. She is drained of blood, then carefully bathed and shrouded in white. Precisely one week later, a second victim is found.

When Admiral William Halsey selected Destroyer Squadron 21 to lead his victorious ships into Tokyo Bay to accept the Japanese surrender, it was the most battle-hardened US naval squadron of the war. But it was not the squadron of ships that had accumulated such an inspiring résumé; it was the people serving aboard them. Through diaries, personal interviews with survivors, and letters written to and by the crews during the war, preeminent historian of the Pacific theater John Wukovits brings to life the human story of the squadron and its men.

In the distant past, a time of magic and swordplay, there lived Harold, the mightiest lich of all, a master of arcane sciences, and a challenger of gods. After reaching the pinnacle of his power and finding it surprisingly bland, Harold waged a cataclysmic war against the gods, aiming to shatter the very system that confined him. He took a nap, but he is awake once more.

At a glance, the dwarves and gnomes of the Horkensaft Kingdom are two peoples who are worlds apart. The former are seen as hardcore traditionalists hell-bent on maintaining the status quo, while the latter only look ever forward and upward as they grasp at the future with both hands. And yet, these two seemingly opposing cultures serve as a counter-balance to each other, creating a civilization that draws upon the wisdom of the past to face new challenges.

Out-of-work Latin teacher and borderline alcoholic Austin DeSantis is determined to spend his final days in the arms of a prostitute—that is if the aliens don’t exterminate humanity first. But when the aliens land at the Vatican, begin speaking Latin, and reveal themselves to be Catholic, the world turns upside down. Pressed into service as a translator and thrust into the center of humanity's first contact with a cryptic alien race, Austin must uncover their true intentions before religious turmoil rips the planet apart.

When Cassidy begins painting her visions, she has no idea that she actually opens a door to the past. And behind that door are ghosts, ghosts that want to be seen and remembered. As the rookie member of the Gulf Coast Paranormal investigation team, Cassidy is eager to prove she has the skills required to make the cut, but will her eagerness to fit in place the team in supernatural danger? When a new client hires GCP to settle the spirits in the Crescent Theater, Midas, Sierra, Joshua, and Cassidy are put to the test. Will a century-old tragedy force the new owner to shutter the doors?

Gideon Caldwell is a less than successful indie author barely making ends meet in his crummy basement apartment in New Haven, Connecticut, when a beautiful woman mysteriously appears at his doorstep.

On stage and screen, we know a great performance when we see it. But how do actors draw from their bodies and minds to turn their selves into art? What is the craft of being an authentic fake? More than a century ago, amid tsarist Russia’s crushing repression, one of the most talented actors ever, Konstantin Stanislavski, asked these very questions, reached deep into himself and emerged with an answer.

Growing up on Long Island, lonely and quiet and queer, she was enchanted by Hollywood starlets like Kim Novak. She found her turn in New York’s early Off-Off-Broadway theater scene, in Warhol’s films Flesh and Women in Revolt, and at the famed nightclub Max's Kansas City. She inspired songs by Lou Reed and the Rolling Stones. She became friends with Jane Fonda and Lily Tomlin, borrowed a dress from Lauren Hutton, posed for Richard Avedon, and performed alongside Tennessee Williams in his own play.

Ryan doesn’t remember much about his life before becoming a dungeon core. Only that he had a bit of a disagreement with the church—something to do with a beheading? Now reborn, Ryan begins to arm his darkness dungeon with devious traps, bestial zombies and ill-named skeletal creations, without doing anything too evil. Well, mostly. Some adventurers just deserve a stalactite to the head.