English Theater

Join Sally the School Bus and her merry bunch of friends on an exciting adventure to the magical world of theater! In "Sally the School Bus Goes to the Theater," young readers will hop aboard with Sally and her enthusiastic passengers as they embark on their very first field trip to the dazzling theater. As the wheels roll and the engine hums, anticipation fills the air. It's a journey brimming with giggles, wonder, and wide-eyed excitement! When they arrive at the theater, with nerves tingling and curiosity piqued, the children experience the enchantment of live performances for the very ...

I never believed in superheroes. I certainly didn't believe I'd become one, or that strategically forming a harem of hot chicas and getting down with them to unlock my superpowers would be the key to my survival. Did I say my survival? I meant the universe's. No, really.... That's exactly what happened when I was taken to a galaxy of supers, thrown into a prison ship full of villains, and told it was up to me to stop them all.

In Take You Wherever You Go, Kenny Leon reflects on the pillars of wisdom he learned every step of the way from the most important people in his life - from his grandmother's sagacious and encouraging motivations to the steady hand of his mother to the deep artistic and social influence of iconic American playwright August Wilson. Take You Wherever You Go is a poignant, ruminative, and inspirational memoir that empowers you to be true to yourself as you navigate your own path.

In the city of Puerto Manada, orphans never get a chance they don’t make for themselves—especially not rare badgerboy orphans, such as the unnamed protagonist. Struggling to even find a little bread to feed himself, he survives by working as a pickpocket for local crime bosses, while his world is ravaged by a war between its two great superpowers. But everything changes when an enigmatic member of the elite wolfmen hands the badgerboy a mysterious package to deliver to a faraway land.

Laurence Olivier was the most famous actor of his century and one of the greatest of all time. His looks made him a matinee idol; his talent made him world renowned as an actor, director, and producer. From his stage roles as Hamlet and Archie Rice to his screen roles as Heathcliff and Henry V, his range was unparalleled. But beneath the glamorous image, Olivier was often lonely, confused, and plagued by self-doubts.

Yvonne De Carlo, Michael B. Druxman’s one-woman play, is set in 1974 when the actress is at an emotional crossroads. As she contemplates divorcing her husband of 18 years, she remembers the events that have brought her to this point in her life, beginning with a fatherless childhood in Vancouver, BC, and a destitute mother intent on making her daughter a ballet star. She further reminisces about the many men who have passed through her life, including romances with the likes of Howard Hughes and Aly Khan.

He was known as the Wildman more than 100 years ago, terrorizing lumberjacks and farmers who complained that their lives were at stake. The American Indians, depending on their tribe, had many names for the Creature: Sasahevas, Sasquatch, Bukwas (wild man of the woods), See'atco (one who runs and hides). What would Native American Indians have to gain from falsifying the existence of a Beast?

A surgeon flees a scandal in the city and accepts a job at a village clinic. He buys antibiotics out of pocket, squashes roaches, and chafes at the interventions of the corrupt officer who oversees his work. But his outlook on life changes one night when a teacher, his pregnant wife, and their young son appear. Killed in a violent robbery, they tell the surgeon that they have been offered a second chance at living if the surgeon can mend their wounds before sunrise.

A photo of his father as a younger man holding a little girl when no sister that he knew existed. Anamolies about his father's separation papers from WWII. Inconsistencies in what his father told them about his experiences in the China, Burma, and India theater, and other effects from that time. Who was his father, really? What happened in Burma in WWII that would explain all this, and why was it pointing to treason in high places?

Characters search for a conflict, upset audience members disrupt the show, a spy mission goes wrong, cowboys try but can’t do a simple shootout correctly, and a considerate and mannerly thief asks permission before he robs people. These are some of the situations found in this collection of ten-minute plays. Here are delightful theatrical nuggets that range from the comical to the serious. Each one is designed to be produced with just a few actors, few props, and within a single setting. They are easy to perform or fun to just read.

Timothy R. White begins his history of the theater industry with the dispersed pre-Broadway era, when components such as costumes, lights, and scenery were built and stored nationwide. Subsequently, the majority of backstage operations and storage were consolidated in New York City during what is now known as the golden age of musical theater. Toward the latter half of the 20th century, decentralization and deindustrialization brought the emergence of nationally distributed regional theaters and performing arts centers.

Comedy is how we cope with the absurdity of life. The person who cannot step back and see how ludicrous are most of the things we encounter in life is the person who gets mired and engulfed in them. Comedy lets us step back and see the whole picture. It reminds us of what is really important which certainly includes laughing and laughing often. These four comedies each take on several situations but exaggerate them until they become enlarged and laughable. To each are added an unusual use of standard theatrical tradition. A writer of one play becomes involved with his own characters. ...

A drama book set in New York City during the early 20th century. Step into a world where love and tragedy entwine against the vibrant backdrop of New York's theater scene. "The Dagger of De Colombo" invites you to unravel the secrets of aristocratic playwright Maxime De Colombo, who must confront the dark shadows of his lineage and the devastating secrets of those he loves. With the murder of his dear friend's father, Alfred Marceau, leaving a blood-stained mark on their lives, Maxime and Florence are pushed into a whirlwind of intrigue, conspiracy, and heartbreaking choices that will test ...

Theatrical gender-bending, also called drag, is a popular form of entertainment and a subject of scholarly study. However, most drag studies do not question the standard words and ideas used to convey this performance genre. Drawing on a rich body of archival and ethnographic research, Meredith Heller illuminates diverse examples of theatrical gender-bending.

George Chakiris famously played the angry gang leader Bernardo in the film version of West Side Story (1961), for which he won an Oscar for best supporting actor. My West Side Story is an insider's look at how this theatrical and cinematic landmark evolved from a conversation in Jerome Robbins's Manhattan apartment between him, Arthur Laurents, and Leonard Bernstein to ten Oscars, three Golden Globes, two Tony Awards, and a Grammy.

Pierce has his mission: survive by killing and getting nasty, doing whatever it takes to find his lost wife and others who were abducted and forced to participate in the barbarity that is Planet Kill. In a galaxy where the only way to rise up in society and make it to the paradise planets is through this insanity, he will be up against the most desperate, the most ruthless, and the sexiest fighters alive. Because it's not just a planet - it's the highest rated show around.

Wilde's tradegy that tells the Biblical story of Salomé in one act. Full-cast dramatization featuring Lester Fletcher, Jack Evans, Forrest Williams and Bettye Ackerman.

There has never been a show business book quite like The Show Won't Go On, the first comprehensive study of a bizarre phenomenon: performers who died onstage. From the comedy magician who dropped dead on live television to the amateur thespian who expired during a play called The Art of Murder, the book is a celebration of lives both famous and obscure, as well as a dramatic and accurate recounting of events leading to the moments they died "doing what they loved."

Carey Perloff, Artistic Director of San Francisco's legendary American Conservatory Theater, pens a lively and revealing memoir of her 20-plus years at the helm and delivers a provocative and impassioned manifesto for the role of live theater in today's technology-infused world. Perloff's personal and professional journey - her life as a woman in a male-dominated profession, as a wife and mother, a playwright, director, producer, arts advocate, and citizen in a city erupting with enormous change.

The fifteenth book in Melanie Jackson's bestselling Chloe Boston Cozy Mystery Series. "Melanie Jackson is a talent to watch." —WritersWrite.com You are cordially invited to attend the wedding of Mrs. Agatha Graves and Mr. Lawrence Jackman. Chloe Boston reveals the killer, but it's only a game. She attends a game and encounters a killer. Only this murder is by the book. And you'll never guess who wrote it. Amidst the tumult of the wedding between Agatha and Lawrence, Chloe must outsmart a serial killer and stop him before he strikes again. If you think you know who the killer is, think ...