Entertainment History

Low-rise jeans, butterfly clips, The Lizzie McGuire Movie, and Paris Hilton’s nights out. The early 2000s were a time of major moments in fashion, media, celebrity culture, and especially music. The aughts were a particularly fruitful era for female artists—still the only decade in the history of recorded music when women made up more than half the list of highest-grossing performers—and especially pop stars. Artists such as Britney Spears, Taylor Swift, Rihanna, and Beyoncé were leading the charge—their success not only leading to a new respect for female artists, but for pop stardom itself.

Stones have furnished our earliest technologies and our first art materials. As jewelry and talismans, they have accompanied us in our journeys into the afterlife. We have carried stones over vast distances, erecting temples with them where we gathered to worship our gods. The earliest scientists ground and processed minerals in a centuries-long quest for a mythic stone that would prolong human life. Michelangelo climbed mountains in Tuscany searching for the sugar-white marble that would yield his sculptures.

In Tinder Box, Tony Hatch, former CBS reporter and Emmy Award winner, tells the Iroquois story as it has never been told before. In a rush to open the theater on time, corners were cut, and the Iroquois lacked the most basic fire-fighting equipment: sprinklers, fire alarm boxes, backstage telephone, exit signs, and functioning asbestos curtain. Some exits, for aesthetic reasons, were hidden behind heavy draperies, doors opened inward, and exterior fire escapes were unfinished.

In the '60s and '70s, America's music scene was marked by raucous excess, reflected in the tragic overdoses of young superstars such as Jimi Hendrix and Janis Joplin. At the same time, the uplifting harmonies and sunny lyrics that propelled Karen Carpenter and her brother, Richard, to international fame belied a different sort of tragedy - the underconsumption that led to Karen's death at age 32 from the effects of an eating disorder.

Listen to This, which takes its title from a beloved 2004 essay in which Ross described his late-blooming discovery of pop music, showcases the best of Ross’s writing from more than a decade at The New Yorker. These pieces, dedicated to classical and popular artists alike, are at once erudite and lively.

Steely Dan's songs are exercises in fictional world-building. No one else in the classic-rock canon has conjured a more vivid cast of rogues and heroes, creeps and schmucks, lovers and dreamers and cold-blooded operators-or imbued their characters with so much humanity.

Liszt once said that Mozart composed more bars than a trained copyist could write in a lifetime. Mozart's gift and skill with instruments was also remarkable as he mastered all of them except the harp. For example, no sooner had the clarinet been invented and introduced than Mozart began playing and composing for it. In addition to his many insights into Mozart's music, Johnson also challenges the many myths that have followed Mozart, including those about the composer's health, wealth, religion, and relationships.

For music executive Mathew Knowles, the sensation that became Destiny’s Child began with his own - Beyoncé. From a unique vantage point, he not only watched but encouraged her dream alongside the ever-evolving phenomenon of the world’s most acclaimed girls group. Listeners get his insights from the mechanics of managing, motivating, and maneuvering talented children through a resistant industry; to parenting and attending to them in all other aspects. His accounts reveal a journey that let to both challenges and controversy underneath an unparalleled success.

In Camera Man, film critic Dana Stevens pulls the lens out from Keaton’s life and work to look at concurrent developments in entertainment, journalism, law, technology, the political and social status of women, and the popular understanding of addiction. With erudition and sparkling humor, Stevens hopscotches among disciplines to bring us up to the present day, when Keaton’s breathtaking (and sometimes life-threatening) stunts remain more popular than ever as they circulate on the internet in the form of viral gifs

From the childhood nostalgia of Peter Pan in Speak Now to the haunted halls of Rebecca in Evermore, Taylor Swift’s lyrics are packed with literary connections. Make sure you’re catching them all with this expert guide to the novels, poems, and plays that influenced her songwriting. Let a literature professor and a musical theater artist guide you through the Swift canon—from Shakespeare to Dickinson to the Brontë sisters. Learn what “New Romantics” has to do with the old Romantics, get to know the Gothic monsters haunting Midnights, and spot Taylor’s many Great Gatsby references.

Shooting Midnight Cowboy is not only the definitive account of the film that unleashed a new wave of innovation in American cinema but also the story of a country (and an industry) beginning to break free from decades of cultural and sexual repression.

Secret Lives of the U.S. Presidents features outrageous and uncensored profiles of the men in the White House - complete with hundreds of little-known, politically incorrect, and downright wacko facts.

The Grateful Dead rose to greatness under the inspired leadership of guitarist Jerry Garcia, but the band very nearly died along with him. When Garcia passed away suddenly in 1995, the remaining band members experienced full crises of confidence and identity. So long defined by Garcia's vision for the group, the surviving "Core Four", as they came to be called, were reduced to strained relationships, and catastrophic business decisions. It would take 20 years before relationships were mended enough for the Grateful Dead as fans remembered them to once again take the stage.

Los Angeles in the 1960s and '70s was the pop cultural capital of the world - a movie factory, a music factory, a dream factory. Eve Babitz was the ultimate factory girl, a pure product of LA. The goddaughter of Igor Stravinsky and a graduate of Hollywood High, Babitz posed in 1963, at age 20, playing chess with the French artist Marcel Duchamp. She was naked; he was not. The photograph, cheesecake with a Dadaist twist, made her an instant icon of art and sex. Babitz spent the rest of the decade rocking and rolling on the Sunset Strip, honing her notoriety.

Spanning from the classical sculpture of Ancient Rome to contemporary performance art, this guide provides a rich overview of art history, covering many topics explored in a history of art degrees.

“Playing changes”, in jazz parlance, has long referred to an improviser’s resourceful path through a chord progression. Playing Changes boldly expands on the idea, highlighting a host of significant changes - ideological, technological, theoretical, and practical - that jazz musicians have learned to navigate since the turn of the century. Nate Chinen, who has chronicled this evolution firsthand throughout his journalistic career, vividly sets the backdrop, charting the origins of jazz historicism and the rise of an institutional framework for the music.

In 1836 in East Texas, nine-year-old Cynthia Ann Parker was kidnapped by Comanches. She was raised by the tribe and eventually became the wife of a warrior. Twenty-four years after her capture, she was reclaimed by the U.S. cavalry and Texas Rangers and restored to her white family, to die in misery and obscurity. Cynthia Ann's story has been told and re-told over generations to become a foundational American tale.

Roger Scruton is a polymath. He has written authoritatively on a huge range of subjects from the environment to wine, from cosmology to the Middle East. He is also an accomplished musician (organ and piano) and a composer of works including an opera and a song cycle. This is Scruton’s second major work on music for Bloomsbury - the first being Understanding Music (Continuum, 2009).

Siberia’s story is traditionally one of exiles, penal colonies, and unmarked graves. Yet also dotted throughout this remote land are pianos - grand instruments created during the boom years of the 19th century, as well as humble, Soviet-made uprights that found their way into equally modest homes. They tell the story of how, ever since entering Russian culture under the westernizing influence of Catherine the Great, piano music has run through the country like blood. How these pianos traveled into this snow-bound wilderness is a testament to governors, adventurers, and exiles.

Take a walk through almost any neighborhood in Manhattan and you’ll likely pass some of the most significant clubs in American music history. But you won’t know it—almost all of these venues have been demolished or repurposed, leaving no record of what they were, how they shaped music scenes, or their impact on the neighborhoods around them. This Must Be the Place examines how these scenes came together and fell apart—and shows how these communal artistic experiences are not just for rarefied geniuses but available to us all.