Entertainment History

No celebrity rivals Elizabeth Taylor’s glamour and guts or her level of fame. She was the last major star to come out of the old Hollywood studio system and she is a legend known for her beauty and her magnetic screen presence in a career that spanned most of the twentieth century and nearly sixty films. But her private life was even more compelling than her Oscar-winning on-screen performances. During her seventy-nine years of rapid-fire love and loss she was married eight times to seven different men.

A Vermeer painting shows a military officer in a Dutch sitting room, talking to a laughing girl. In another canvas, fruit spills from a blue-and-white porcelain bowl. Familiar images that captivate us with their beauty--but as Timothy Brook shows us, these intimate pictures actually give us a remarkable view of an expanding world.

Throughout history, across cultures and countries, silk has reigned as the undeniable queen of fabrics, yet its origins and evolution remain a mystery. In a gorgeous and sweeping narrative, Silk weaves together its intricate story and the indelible mark it has left on humanity.

Crafting smash hits with Van Halen, the Doobie Brothers, Nicolette Larson, and Van Morrison, legendary music producer Ted Templeman changed the course of rock history.

Vivien Leigh was perhaps the most iconic actress of the 20th century. As Scarlett O’Hara and Blanche Du Bois she took on some of the most pivotal roles in cinema history. Yet she was also a talented theatre actress with West End and Broadway plaudits to her name. In this ground-breaking new biography, Alan Strachan provides a completely new full-life portrait of Leigh, covering both her professional and personal life.

In 1992, the Screaming Trees were expected to become the next big band to come out of the Seattle music scene during the heyday of grunge. Except it never happened. It wasn't because the band didn't have great songs—indeed, the Trees were revered for their ability to write a great song that was both artistically original and commercially viable, which is no easy task. Other Seattle bands like Nirvana, Pearl Jam, and Soundgarden were fans of the Screaming Trees, playing shows with them and collaborating on albums, long before their own bands broke through into the mainstream.

In 1934, a friend brought fledgling actress Vivien Leigh to see Theatre Royal, where she would first lay eyes on Laurence Olivier in his brilliant performance as Anthony Cavendish. That night, she confided to a friend, he was the man she was going to marry. There was just one problem: She was already married - and so was he. Truly, Madly is the biography of a marriage, a love affair that still captivates millions, even decades after both actors' deaths.

With unforgettable performances such as Moses in The Ten Commandments, the anguished astronaut George Taylor in 1968's Planet of the Apes, and the eponymous Ben-Hur - for which he won an Academy Award - Charlton Heston cemented his place in the pantheon of 20th-century Hollywood royalty. But his fame as an actor was matched by his political activism. A Democrat in his early years, Heston became a staunch supporter of Richard Nixon and Reagan Republicanism.

Ronald Reagan today is a conservative icon, celebrated for transforming the American domestic agenda and playing a crucial part in ending communism in the Soviet Union. In his masterful new biography, H. W. Brands argues that Reagan, along with FDR, was the most consequential president of the 20th century. Reagan took office at a time when the public sector, after a half century of New Deal liberalism, was widely perceived as bloated and inefficient, an impediment to personal liberty.

Silver Shamrock. Thorn. White Horses. It’s all in here. Join authors Dustin McNeill and Travis Mullins for a deep dive into the evolution of Halloween’s vast mythology. Extensively researched, Taking Shape is the ultimate guide to the first 40 years of Haddonfield history. Featuring exclusive interviews with filmmakers from every installment, prepare to gain new insight into Halloween’s iconic boogeyman. Oh, you don’t believe in the boogeyman? You should.

One was a tough junkman's son, the other a cosseted mama's boy, but they dreamed the same mighty dream: that the right movies could make a profit and change both the culture and individual lives. Sharing a religion and an evangelical zeal for film, Louis B. Mayer (1884-1957) and Irving Thalberg (1899-1936) were unlikely partners in one of the most significant collaborations in movie history. Over the course of their decade-long relationship, as key players at Metro-Goldwyn-Mayer and major players in Hollywood, they joined forces in redefining and mastering the template for the film industry.

It's 1963, and Detroit is on top of the world. The city's leaders are among the most visionary in America. It was the American auto makers' best year; the revolution in music and politics was underway. Walter Reuther's UAW had helped lift the middle class. Once in a Great City shows that the shadows of collapse were evident even then. Yet so much of what Detroit gave America lasts.

An unflinching confrontation of humanity’s dark side, Brian De Palma’s crime drama film Scarface gave rise to a cultural revolution upon its release in 1983. Its impact was unprecedented, making globe-spanning waves as a defining portrait of the gritty Miami street life. From Al Pacino’s masterful characterization of Tony Montana to the iconic “Say hello to my little friend,” Scarface maintains its reputation as an unwavering game changer in cult classic cinema.

From the do-or-die early days of self-financed recordings and D.I.Y. concert productions that were as flashy as they were foolhardy, to the multi-platinum, MTV-powered glory years of stadium-shaking anthems and chart-topping power ballads, to the ultimate crash when grunge bands like Nirvana forever altered the entire climate of the business, Tom Beaujour and Richard Bienstock's Nothin' But a Good Time captures the energy and excess of the hair metal years in the words of the musicians and industry insiders who lived it.

It has been three decades since Nirvana upended the pop cultural landscape with Nevermind, the landmark album that became the soundtrack of Generation X, capturing its confusion, frustration, and passion. In 1993, Michael Azerrad published what stands as the definitive biography of this revolutionary band and its star-crossed leader Kurt Cobain. Written with the band’s complete cooperation—the only book to feature interviews with Cobain, bassist Krist Novoselic, and drummer Dave Grohl—it became a massive bestseller and, in the words of Cobain, "the best rock book I’ve ever read.”

A 13th-century toxic jungle, a bathhouse for tired gods, a red haired fish girl, and a furry woodland spirit - what do these have in common? They all spring from the mind of Hayao Miyazaki, one of the greatest living animators, known worldwide for films such as My Neighbor Totoro, Princess Mononoke, Spirited Away, Howl’s Moving Castle, and The Wind Rises. Japanese culture and animation scholar Susan Napier explores the life and art of this extraordinary Japanese filmmaker to provide a definitive account of his oeuvre.

One Way Out is the powerful biography of the Allman Brothers Band, an oral history written with the band's participation and filled with original, never-before-published interviews as well as personal letters and correspondence. This is the most in-depth look at a legendary American rock band that has meant so much to so many for so long. For 25 years, Alan Paul has covered the Allman Brothers Band, conducting hundreds of interviews, riding the buses with them, attending rehearsals and countless shows.

The true story of a theatrical dream—or nightmare—come true…the making of the Spider-Man musical.

Early in 1495, Leonardo da Vinci began work in Milan on what would become one of history's most influential and beloved works of art - The Last Supper. After a dozen years at the court of Lodovico Sforza, the Duke of Milan, Leonardo was at a low point personally and professionally: at 43, in an era when he had almost reached the average life expectancy, he had failed, despite a number of prestigious commissions, to complete anything that truly fulfilled his astonishing promise.

“I was a devil in other countries, and I was a little devil in America, too.” Inspired by these few words, spoken by Josephine Baker at the 1963 March on Washington, MacArthur “Genius Grant” Fellow and best-selling author Hanif Abdurraqib has written a profound and lasting reflection on how Black performance is inextricably woven into the fabric of American culture. Filled with sharp insight, humor, and heart, A Little Devil in America exalts the Black performance that unfolds in specific moments in time and space