Entertainment History

Tras una exitosa gira por los cabarets centroeuropeos, el bailaor de flamenco Juan Martínez y su pareja Sole fueron sorprendidos en Rusia por los hechos revolucionarios de febrero de 1917. Al no poder salir del país, en San Petersburgo, Moscú y Kiev sufrieron las consecuencias de la Revolución de Octubre y la sangrienta guerra civil que siguió. El gran periodista español Manuel Chaves Nogales conoció a Martínez en París y, conmocionado por las historias que compartió, decidió recopilarlas. El resultado es este libro.

In How Star Wars Conquered the Universe, veteran journalist Chris Taylor traces the series from the difficult birth of the original film through its sequels, the franchise’s death and rebirth, the prequels, and the preparations for a new trilogy. Taylor provides portraits of the friends, writers, artists, producers, and marketers who labored behind the scenes to turn Lucas’s idea into a legend.

The Disneyland Story: The Unofficial Guide to the Evolution of Walt Disney's Dream is the story of how Walt Disney's greatest creation was conceived, nurtured, and how it grew into a source of joy and inspiration for generations of visitors. Despite his successors' battles with the whims of history and their own doubts and egos, Walt's vision maintained momentum, thrived, and taught future generations how to do it Walt Disney's way.

The Allman Brothers Band’s Brothers and Sisters was not only the band’s best-selling album at over seven million copies sold, it was also a powerfully influential release, both musically and culturally, one whose influence continues to be profoundly felt.

Told with the same intimate style, brutal honesty, and uproarious wisdom that placed Wishful Drinking on the New York Times bestseller list for months, Shockaholic is the juicy account of Carrie Fisher’s life, focusing more on the Star Wars years and dishing about the various Hollywood relationships she’s formed since she was chosen to play Princess Leia at only 19 years old.

From 1935 to 1939, the Federal Theatre Project staged over a thousand productions in 29 states that were seen by thirty million (or nearly one in four) Americans, two thirds of whom had never seen a play before. At its helm was an unassuming theater professor, Hallie Flanagan. It employed, at its peak, over twelve thousand struggling artists, some of whom, like Orson Welles and Arthur Miller, would soon be famous, but most of whom were just ordinary people eager to work again at their craft. The Playbook takes us through some of its most remarkable productions.

Politics, power and the tragedy of war are played out in these sweeping histories that continue to surprise and entertain. Performed by an incredible array of the 20th century’s greatest actors, Marlowe alumni including Ian McKellen, Derek Jacobi, Prunella Scales, William Squire and Timothy West can be heard in these recordings.

Rooted in rhythm-and-blues pioneered by black musicians, 1950s rock and roll was racially inclusive and attracted listeners and performers across the color line. In the 1960s, however, rock and roll gave way to rock: a new musical ideal regarded as more serious, more artistic-and the province of white musicians. Decoding the racial discourses that have distorted standard histories of rock music, Jack Hamilton underscores how ideas of "authenticity" have blinded us to rock's inextricably interracial artistic enterprise.

January 1970: the Beatles assemble one more time to put the finishing touches on Let It Be; Crosby, Stills, Nash & Young are wrapping up Déjà Vu; Simon and Garfunkel are unveiling Bridge Over Troubled Water; James Taylor is an upstart singer-songwriter who's just completed Sweet Baby James. Over the course of the next twelve months, their lives---and the world around them---will change irrevocably.

Greg Graffin is the lead vocalist and songwriter of Bad Religion, recently described as “America's most significant punk band.” Since its inception in Los Angeles in 1980, Bad Religion has produced 18 studio albums, become a long-running global touring powerhouse, and has established a durable legacy as one of the most influential punk rock bands of all time. Punk Paradox is Graffin's life narrative before and during L.A. punk's early years, detailing his observations on the genre's explosive growth and his band's steady rise in importance.

Liszt once said that Mozart composed more bars than a trained copyist could write in a lifetime. Mozart's gift and skill with instruments was also remarkable as he mastered all of them except the harp. For example, no sooner had the clarinet been invented and introduced than Mozart began playing and composing for it. In addition to his many insights into Mozart's music, Johnson also challenges the many myths that have followed Mozart, including those about the composer's health, wealth, religion, and relationships.

Master Italian sculptor, goldsmith, and writer Benvenuto Cellini is best remembered for his magnificent autobiography. In this work, which was actually begun in 1558 but not published until 1730, Cellini beautifully chronicles his flamboyant times. He tells of his adventures in Italy and France, and his relations with popes, kings, and fellow artists.

The central argument of Chromophobia is that a chromophobic impulse—a fear of corruption or contamination through color—lurks within much Western cultural and intellectual thought. This is apparent in the many and varied attempts to purge color, either by making it the property of some foreign body—the oriental, the feminine, the infantile, the vulgar, or the pathological—or by relegating it to the realm of the superficial, the supplementary, the inessential, or the cosmetic.

Craig Childs bears witness to rock art of the Colorado Plateau—bighorn sheep pecked behind boulders, tiny spirals in stone, human figures with upraised arms shifting with the desert light, each one a portal to the open mouth of time. With a spirit of generosity, humility, and love of the arid, intricate landscapes of the desert Southwest, Childs sets these ancient communications in context, inviting listeners to look and listen deeply.

Music journalist Chris Payne experienced emo's mainstream takeover from sweaty crowds and mosh pits growing up in New Jersey. In Where Are Your Boys Tonight? he offers an authoritative, impassioned, and occasionally absurd account told through interviews with more than 150 people, from the scene's biggest bands, producers, and managers to the teenage fans who helped redefine American music culture.

From the distant past to the present, with fingers and felt-tipped pens, metallic powders and gel pots, humans have been drawn to lining their eyes. The aesthetic trademark of figures ranging from Nefertiti to Amy Winehouse, eyeliner is one of our most enduring cosmetic tools; ancient royals and Gen Z beauty influencers alike would attest to its uniquely transformative power. It is undeniably fun—yet it is also far from frivolous.

Crafting smash hits with Van Halen, the Doobie Brothers, Nicolette Larson, and Van Morrison, legendary music producer Ted Templeman changed the course of rock history.

Cinema is full of neurotic personalities, but few things are more transfixing than a woman losing her mind onscreen. Horror as a genre provides the most welcoming platform for these histrionics: crippling paranoia, desperate loneliness, masochistic death-wishes, dangerous obsessiveness, apocalyptic hysteria. Unlike her male counterpart—the eccentric'—the female neurotic lives a shamed existence, making these films those rare places where her destructive emotions get to play.

In 1934, a friend brought fledgling actress Vivien Leigh to see Theatre Royal, where she would first lay eyes on Laurence Olivier in his brilliant performance as Anthony Cavendish. That night, she confided to a friend, he was the man she was going to marry. There was just one problem: She was already married - and so was he. Truly, Madly is the biography of a marriage, a love affair that still captivates millions, even decades after both actors' deaths.

In this groundbreaking union of art and science, rocker-turned-neuroscientist Daniel J. Levitin explores the connection between music - its performance, its composition, how we listen to it, why we enjoy it - and the human brain. Levitin draws on the latest research and on musical examples ranging from Mozart to Duke Ellington to Van Halen.