Entertainment Science

Yoshio is thirty years old, and his life is a mess. A shut-in living with his parents, he has no job, no relationship, and no prospects. When he receives a new sim computer game that boasts characters created with a new kind of A.I., he doesn't think much of it--until he gets drawn into a fantasy world so vibrant and lifelike that its residents can't just be game characters. Suddenly finding himself the benevolent god of a scrappy fantasy village is a lot for Yoshio to handle, but it might be the key to the change he is desperate for.

The Ultimate History of the '80s Teen Movie goes behind the scenes of a genre where cult hits mingled with studio blockbusters, where giants like Spielberg and Coppola rubbed shoulders with baby-faced first-timers, and where future superstars Sean, Demi, and Tom all got their big break. Music, comedy, and politics all play a part in the surprisingly complex history of the '80s teen movie. And while the films might have been aimed primarily at adolescents, the best tackle universal issues and remain relevant to all ages.

The fascinating and little-known story of the Louvre, from its inception as a humble fortress to its transformation into the palatial residence of the kings of France and then into the world's greatest art museum.

The Queer Art of Failure is about finding alternatives - to conventional understandings of success in a heteronormative, capitalist society; to academic disciplines that confirm what is already known according to approved methods of knowing; and to cultural criticism that claims to break new ground but cleaves to conventional archives.

Forged in the fires of the Bronx and Kingston, Jamaica, hip-hop became the Esperanto of youth rebellion and a generation-defining movement. In a post-civil rights era defined by deindustrialization and globalization, hip-hop crystallized a multiracial, polycultural generation's worldview and transformed American politics and culture. But that epic story has never been told with this kind of breadth, insight, and style.

The task ahead is clear: it's time for Fate to go to the floating continent of Galia to close the Door to Distant Lands at last. Libra has prepared a ship to take Fate and his friends there, but after boarding, they find Eris has been taken hostage! Even so, they have no choice but to continue on to Galia.

When musicians in the New York folk scene of the 1960s grew tired of city life, they decided to "get it together in the country". They headed for Woodstock - not to the site of the infamous music festival of 1969 but to the Catskills, to Bearsville, to Woodstock proper. Counterculture revolutionaries like Janis Joplin, Richie Havens, and Paul Butterfield got "back to the land", turning the once sleepy hollow into a funky Shangri-La.

The reveal of the Man-God's longest-hidden disciple has Rudeus rushing to gather strong allies. Luckily, the Immortal Demon King Atofe fits the bill! Rudeus's team arrives on the Demon Continent she governs, but negotiations are anything but smooth sailing--not only does Atofe have a few screws loose, but listening is far from her strong suit. How will the party handle this Demon King's devil-may-care demeanor?

Hiro and crew head to a planet of dwarves on the hunt for a new carrier ship and a chance to stuff themselves with okonomiyaki and takoyaki, only to find a pair of bombshell twin mechanics! They may look alike, but these girls' personalities are like fire and ice. If the twins join the crew, will Hiro's ship ever know peace again?

From its first publication in 1992, Men, Women, and Chain Saws has offered a groundbreaking perspective on the creativity and influence of horror cinema since the mid-1970s. Investigating the popularity of the low-budget tradition, Carol Clover looks in particular at slasher, occult, and rape-revenge films. Although such movies have been traditionally understood as offering only sadistic pleasures to their mostly male audiences, Clover demonstrates that they align spectators not with the male tormentor, but with the females tormented.

A new chapter of Rudeus' life beckons as he throws himself into his research, house-hunting, and planning a wedding. But then an unexpected letter, bearing shocking news, arrives to interrupt the young couple's domestic dreams. It seems the past still isn't done with Rudeus, and neither is a certain mysterious white-masked girl!

Zenith--Rudeus's mother--has been kidnapped. Rudeus runs himself ragged searching for her in every corner of Millishion, following his late father Paul's orders to protect her at all costs. Ever on the back foot and outmaneuvered at every turn, Rudeus struggles to break through adversity and bring his mother back, safe and sound.

With their wild vacation behind them, Hiro and his crew finally reunite the count and his granddaughter. Then it’s time for him to get cozy with his new robotic maid! He takes her in for an upgrade, which makes her stronger and sexier than ever. When duty calls, will Hiro and his heavily armed android be able to take down a cybernetic soldier and put the noble feud to rest?

Henry Fonda and James Stewart were two of the biggest stars in Hollywood for 40 years. They became friends and then roommates as stage actors in New York, and when they began making films in Hollywood, they roomed together again. Between them they made such memorable films as The Grapes of Wrath, Mister Roberts, Twelve Angry Men, and On Golden Pond; and Mr. Smith Goes to Washington, Destry Rides Again, The Philadelphia Story, It's a Wonderful Life, Vertigo, and Rear Window.

Rudeus brings Zanoba back to Ranoa Kingdom to plan the Man-God's future downfall when a letter arrives from the Holy Kingdom of Millis--Cliff's grandfather is urging him home. Though he suspects another Man-God plot is afoot, Rudeus is soon distracted by a missive from his own matriarchal relatives and races off to the capital of Millis. A storm of clashing motives and political intrigue is brewing: what else awaits our hero in the city of Millishion?

At last, Fate reachers Babylon, the border town on the edge of Galia where Roxy is stationed. But the moment Fate arrives, a mysterious woman calling herself Eris intercepts him to deliver an ominous message: "Roxy Hart must die." If Fate wants to rescue the girl who saved him, he must journey into the heart of vast, monster-ridden Galia and face whatever darkness lies within.

A noble's daughter is expected to marry for political reasons, and Merellis is no exception. Her father orders her to abandon the sword and arranges a marriage with the prime minister's eldest son. Merellis knows there's only so much she can do with her blade, so she begins to wonder how else she can protect those dearest to her. She steels herself and goes to meet her new fiance...and is shocked at who shows up! Can Merellis use her natural fighting instincts to survive on the battlefield of high society?

The game is over for Yoshio. His villagers are gone, all dead as far as he can tell. But just as he is overcome with despair, one final gift arrives from the Village of Fate--a package containing the NPC Carol, and she's clearly a real, live girl. With Carol in tow, Yoshio leaves the safety of his home to travel to Hokkaido, where the developers are located. He will uncover the truth of this mysterious game once and for all!

Kousuke and Sylphy's Liberation Army are making big moves! But just as they're settling into their newly captured base, betrayal strikes from within their own ranks! What's a crafty survivor from another world to do when he's trapped behind enemy lines and at the mercy of three very slimy sisters? He'll have to go under all sorts of covers if he ever wants to see his dark elf mistress again!

Cazzu es una de las traperas más importantes de Latinoamérica. No es casual que la llamen La Jefa. No es casual que su perreo moleste a muchos, interpele a tantas, y no deje indiferente a nadie. Durante años, Cazzu se enfrentó a una pregunta: “¿Cómo se siente tener éxito en un género musical tan machista?”. Y como le ocurre a casi cualquier mujer virtuosa y con notoriedad, le pidieron que diera explicaciones. Pero ¿por qué se lo preguntaban más a ella que a los hombres? Y, sobre todo, ¿es realmente machista el reggaetón?