Film Art

Few could explain, let alone seek out, a career in criticism. Yet what A. O. Scott shows in Better Living Through Criticism is that we are, in fact, all critics: because critical thinking informs almost every aspect of artistic creation, of civil action, of interpersonal life. With penetrating insight and warm humor, Scott shows that while individual critics - himself included - can make mistakes and find flaws where they shouldn't, criticism as a discipline is one of the noblest, most creative and urgent activities of modern existence.

In a captivating realm where cinematic narratives enchant countless viewers, how can one harmonize their faith with the craft of filmmaking? The Wages of Cinema encourages a deep dive into this relationship, drawing upon the significant reflections of Dorothy L. Sayers defending the authenticity of art and truth's manifestation.

Peckinpah: A Portrait in Montage (The Definitive Edition) is a comprehensive biography on the American filmmaker Sam Peckinpah, creator of such films as The Wild Bunch, Ride the High Country, Straw Dogs, and Junior Bonner. Written by Garner Simmons, whose relationship with Peckinpah began in 1973 and continued until the director’s death in December of 1984, the book is read by the gifted actor Jason Culp, son of the late Robert Culp.

Everything you always wanted to know about the 1975 monster-movie hit Jaws and the other monsters that swam in its wake.

Charles Band's Full Moon Entertainment was the most remarkable B-movie studio of the 1990s, responsible for a barrage of sci-fi, fantasy, and horror classics during the last true "golden age" of the home video era. From Puppetmaster to Trancers and beyond, Full Moon transformed the VHS experience for fans worldwide, bringing the inner workings of the movie-making process into the living room, and in turn creating a ravenous fan base that remains to this day.

March 20, 2019 marked the end of an era - Disney took ownership of the movie empire that was Fox. For almost a century before that historic date, Twentieth Century-Fox was one of the preeminent producers of films, stars, and filmmakers. Its unique identity in the industry and place in movie history is unparalleled - and one of the greatest stories to come out of Hollywood.

For almost a century, movie fans have been riveted by the Academy Awards and the stars who have won Oscars. 50 Oscar Nights takes listeners behind the scenes of Hollywood’s most storied awards show through new and exclusive interviews with dozens of A-list actors, filmmakers, and craftspeople spanning sixty years of the Oscars. Here these artists reflect on their winning work and recount all the details of how they got ready, how they felt when they heard their name and got up on stage to accept their award, what they wore, how the entire experience impacted their life, and more.

When artists and athletes age, what happens to their work? Does it ripen or rot? Achieve a new serenity or succumb to an escalating torment? As our bodies decay, how do we keep on? In this beguiling meditation, Geoff Dyer sets his own encounter with late middle age against the last days and last works of writers, painters, footballers, musicians, and tennis stars who’ve mattered to him throughout his life. Throughout, he stresses the accomplishments of uncouth geniuses who defied convention, and went on doing so even when their beautiful youths were over.

Thelma & Louise, the 1991 film directed by Ridley Scott and starring Susan Sarandon and Geena Davis, has been described as a road movie, a buddy movie, a feminist parable, and only incidentally as a Western. An Oscar winner for first-time screenwriter Callie Khouri, Thelma & Louise catalyzed a national conversation about women, violence, and self-determination in a Hollywood still shrugging off the West of John Wayne and in an America that still viewed women as accessories to the national mythology.

This collection of irreverent and surprising essays about the popular television series Buffy the Vampire Slayer includes pieces by leading science fiction and fantasy authors. Contributors include best-selling legend David Brin, critically acclaimed novelist Scott Westerfeld, cult-favorite vampire author Chelsea Quinn Yarbro, and award-winner Sarah Zettel.

One of the world's most iconic movie stars, Kirk Douglas has distinguished himself as a producer, philanthropist, and author of ten works of fiction and memoir. Now, more than fifty years after the release of his enduring epic Spartacus, Douglas reveals the riveting drama behind the making of the legendary gladiator film. Douglas began producing the movie in the midst of the politically charged era when Hollywood’s moguls refused to hire anyone accused of Communist sympathies.

Every so often, an inspiring book comes along that helps the reader reform their approach to art and life, and "A TREASURY OF ART––Undiscovered Works" is one of those. The author, Rick Schmidt, was graced by ACTOR VIN DIESEL who read and utilized his how-to, “Feature filmmaking at Used-Car Prices” (Viking Penguin Books), to kick-start his career. So somehow, the contents of Schmidt’s tomes seem to generate positive energy to the readers, with maybe even success and $ to follow–– count in WRITER/DIRECTOR KEVIN SMITH as well, who created CLERKS with Schmidt’s book. TREASURY ...

When Dave Hickey was 12, he rode the surfer's dream: the perfect wave. And, like so many things in life we long for, it didn't quite turn out - he shot the pier and dashed himself against the rocks of Sunset Cliffs in Ocean Beach, which just about killed him. Fortunately, for Hickey and for us, he survived, and continues to battle, decades into a career as one of America's foremost critical iconoclasts, a trusted, even cherished no-nonsense voice commenting on the all-too-often nonsensical worlds of art and culture.

For two moviegoing generations, Cary Grant was class—an effortless embodiment of gentlemanly grace and humor. But Cary Grant’s greatest achievement was in creating himself and the irresistible character he became. In this savvy, fascinating portrait, McCann tracks the transformation of a life and looks closely at the sources of Cary Grant’s charms, which did not come easily. Generously filled with anecdotes about fellow actors and directors, a realistic portrait of a complicated man emerges.

From her starring roles as a skeptical child in the perennial classic Miracle on 34thStreet and a troubled adolescent in Rebel Without a Cause to mature roles in Splendor in the Grass and West Side Story, actress Natalie Wood transfixed the world with her hypnotic brown eyes. Yet behind the beautiful façade lurked a fragile, sparkling, generous, funny woman traumatized by her childhood and beset by personal demons.

In 1991, Thelma & Louise, the story of two outlaw women on the run from their disenchanted lives, was a revelation. Suddenly, a film in which women were, in every sense, behind the wheel. It turned the tables on Hollywood, instantly becoming a classic, and continues to electrify audiences as a cultural statement of defiance. But if the film's place in history now seems certain, at the time its creation was a long shot.

We all know and love The Sopranos, one of the most important television dramas to ever hit the small screen, having run for six seasons on HBO. The story of the Italian-American mobster Tony Soprano balancing his family life with his role as the leader of a criminal organization pioneered decades of genre-bending "peak TV". Now, Off the Back of a Truck takes you one step further into the world of Tony Soprano and his families, offering an Italian potluck of fresh and fun takes that any true fan can get lost in for hours.

All of the greatest creators, from Beethoven to Edison, had something in common. They didn't just create stuff. They created a ton of stuff. That's why I'm a big believer that producers should produce more, directors should direct more, and, of course, writers should write more. The funny thing is, too many writers I know just can't finish a script. Maybe they have ideas, and maybe they write a few scenes, but they don't get to the end. Or maybe they've never written anything and are too afraid to start! That's why I wrote this book.

The Lux Radio Theatre was a one-of-a-kind OTR show. Imagine the greatest Hollywood stars doing one-hour versions of their biggest motion pictures, complete with full orchestra, live onstage with a studio audience. The one and only Cecil B. DeMille was your host ('36-'45) for a lavish production of what was to become a veritable film checklist of many of Hollywood's best films from the mid-'30s right through the mid-'50s. The first Lux film adaptation was The Legionnaire and the Lady with Marlene Dietrich and Clark Gable, based on the film Morocco.

Every so often, an inspiring book comes along that helps the reader reform their approach to art and life, and A TREASURY OF ART (Part 3)--UNDISCOVERED WORKS 1966-2022 is one of those. The author, Rick Schmidt, was graced by ACTOR VIN DIESEL reading and utilizing his earlier "Feature filmmaking at Used-Car Prices" Viking Penguin how-to, so the superstar could kick-start his career. WRITER/DIRECTOR KEVIN SMITH also made his breakthrough feature, CLERKS, with Schmidt's book. So, somehow, the contents of Schmidt's tomes seem to generate positive energy to the reader, to help them get busy on ...