Film History

Born to immigrant parents and raised in the slums of Toronto during the Depression, Ted Kotcheff learned storytelling on the streets before taking a stagehand job at CBC Television. Discovering his skills with actors and production, Kotcheff went on to direct some of the greatest films of the freewheeling 1970s, including The Apprenticeship of Duddy Kravitz, Wake in Fright, and North Dallas Forty.

Mark Kermode’s compelling study of this horror classic was originally published in 1997, and then extensively updated and expanded in 2003 to incorporate the discovery of new material. This revised edition documents the deletion and reinstatement of key scenes that have now been integrated into the film to create The Exorcist: The Version You’ve Never Seen. Candid interviews with director William Friedkin and writer/producer William Peter Blatty reveal the behind the-scenes battles which took place during the production.

Fifty years ago, a little boy was cast in a movie with some of Hollywood's brightest stars. The movie: It's a Wonderful Life; the boy: Jimmy Hawkins; today, he tells his story. Through personal recollection, careful research, and interviews with cast and crew, actor Jimmy Hawkins, who played four-year-old Tommy Bailey, takes you behind the scenes for a first-hand look at the American movie classic It's a Wonderful Life.

"I consider myself the luckiest man on the face of the Earth". On July 4, 1939, baseball great Lou Gehrig delivered what has been called "baseball's Gettysburg Address" at Yankee Stadium and gave a speech that included the phrase that would become legendary. He died two years later and his fiery widow, Eleanor, wanted nothing more than to keep his memory alive. With her forceful will, she and the irascible producer Samuel Goldwyn quickly agreed to make a film based on Gehrig's life, The Pride of the Yankees.

Brimming with previously untold stories and insights, How Coppola Became Cage both revels in and demystifies Cage's onscreen eccentricities. No other modern actor has explored such profound creative extremes while bending the boundaries of good taste. Here is the origin story of an actor who truly is wild at heart and weird on top.

In Vitagraph, Andrew A. Erish provides a comprehensive examination and reassessment of the company most responsible for defining and popularizing the American movie. This history challenges long-accepted Hollywood mythology that simply isn't true: that Paramount and Fox invented the feature film, that Universal created the star system, and that these companies, along with MGM and Warner Bros., developed motion pictures into a multimillion-dollar business.

In 1926, the American version of the film classic Metropolis was cut in half, now for the first time in seventy years you can experience the whole story. A very important book in the development of the audiobook industry. The music and sound effects are piped through differant speakers so the listener gets the surround sound or 3-D effect. The futuristic music alone (and the listener's imagination) tells part of the story without any words describing the action.

For a series set in our future, Star Trek revisits the past constantly. Kirk and Spock battle Nazis, Roman gladiators, and witness the Great Depression. When they're not doubling back on their own earlier timelines, the crew uses the holodeck to spend time in the American Old West or Victorian England. Alien races have their own complex and fascinating histories, too. The Star Trek universe is a sci-fi imagining of a future world that is rooted in our own human history. Gene Roddenberry created a television show with a new world and new rules in order to comment on social and political issues of the 1960s.

Since Stan Lee and Marvel introduced Spider-Man in Amazing Fantasy 15 in 1962, everyone's favorite webslinger has had a long career in comics, graphic novels, cartoons, movies, and even on Broadway. In this book some of history's most powerful philosophers help us explore the enduring questions and issues surrounding this beloved superhero: Is Peter Parker to blame for the death of his uncle? Does great power really bring great responsibility? Can Spidey champion justice and be with Mary Jane at the same time?

With oodles of steamy romance, paranormal time travel, adventure, and much more, Outlander is sweeping the nation. From over a dozen volumes to its newest incarnation as a breathtaking Starz show, it continues to delight, even with subtle, clever changes. But what was life really like then - from kilts and bagpipes to selkies and the fair folk? Who was Bonnie Prince Charlie and why was his campaign so disastrous for the Highlanders?

Mike Medavoy is a Hollywood rarity: a studio executive who, though never far from controversy, remained loved and respected through four decades of moviemaking. He helped bring to the screen some of the most acclaimed Oscar-winning films of our time, including Apocalypse Now, One Flew over the Cuckoo's Nest, Amadeus, The Silence of the Lambs, Philadelphia, and Sleepless in Seattle.

With the success of the Wonder Woman movies and the results following the outcry of the #MeToo movement, now is the time to highlight the female influences in film history previously left unheard!

With a connoisseur's insight and an offbeat sensitivity perfectly tailored to his subjects, Gifford's brief essays cover a hundred of the noir buff's favorites. His highly polished impressions take the listener through five decades of noir to find both the heart and the art of the plotline.

With Blumhouse celebrating its 15th anniversary throughout 2025, Horror’s New Wave captures the company’s journey to become a powerhouse in the horror and thriller film genres—taking you through the process of conception to premiere for films like Five Nights at Freddy’s, Split, Get Out, Glass, now-classic franchises like The Purge, and so much more.

Every so often, an inspiring book comes along that helps the reader reform their approach to art and life, and A TREASURY OF ART (Part 2)--UNDISCOVERED WORKS 1966-2022 is one of those. The author, Rick Schmidt, was graced by ACTOR VIN DIESEL reading and utilizing his earlier "Feature filmmaking at Used-Car Prices" Viking Penguin how-to, so the superstar could kick-start his career. WRITER/DIRECTOR KEVIN SMITH also made his breakthrough feature, CLERKS, with Schmidt's book. So, somehow, the contents of Schmidt's tomes seem to generate positive energy to the reader, to help them get busy on ...

Ya desde el comienzo del siglo XX, Walter Benjamin reflexionaba sobre lo que supondría la masificación del arte que las nuevas técnicas de reproducción hicieron posible, y proponía que en un futuro -sin duda, el que vivimos hoy- las nuevas técnicas tenderían a la politización y ganarían un poder creciente sobre el destino de los pueblos.

Although no genre is immune to the holiday-themed concept's adaptability and pulling power, no other has used this narrative quite as effectively as the horror genre. Maybe it’s the irony of chaos, bloodshed, and fear during what is traditionally perceived as a joyous event regardless of the celebration in question. Seasonal Screams will take you on a terrifying journey through your favourite seasons, offering a holiday horror movie for any occasion. Whether during Christmas festivities or Valentine’s Day plans, you can be sure to find a horror villain within these pages ready to ...

Once, in a theater long ago and far, far away, young audiences who watched the nostalgic space epic of yesteryear, known then only as Star Wars, were duly enthralled. So much goodwill, so much affection, and so much love has rarely been lavished on any franchise. So much money from so many eager fans was never so readily available. Yet, with one potent death star-like blast of mind-breakingly awful filmmaking, the Disney Corporation has managed to alienate that goodwill, spurn that affection, and lose that money.

In It's Only a Movie, the incomparable Mark Kermode took us into the weird world of a film critic's life lived in widescreen. Now, The Good, The Bad and the Multiplex takes us into the belly of the beast to ask: 'What’s wrong with the modern movie business – and how can we make it right?'

In 1991, Thelma & Louise, the story of two outlaw women on the run from their disenchanted lives, was a revelation. Suddenly, a film in which women were, in every sense, behind the wheel. It turned the tables on Hollywood, instantly becoming a classic, and continues to electrify audiences as a cultural statement of defiance. But if the film's place in history now seems certain, at the time its creation was a long shot.