Grief Poetry

From My Lips to Your Ears is a collection of raw poetry created by Nicole Higginbotham-Hogue. This empowering collection details the jouirney one goes through regarding grief, love, inspiration, and sadness and represents an honest depiction of life through this poet's eyes.

This is a literary composition composed for those who feel like nobody's listening. For my comrades, my mom and my dad, and my two sisters who showed me what it means to be different. For the drug addicts that fiend but still dream of better conditions, huddled with puddles on pillows with Brillos and pipes, not bathed or slept in days, high as a kite. For the single parents that struggle working doubles, taxing their muscles so their children can comfortably cuddle and sleep at night.

The poems in An Interesting Detail confront our shared, layered past (both planetary and human) and its knotty relationship to the present, stretching from today to prehistory, in a voice that is knowing and yearning, sincere and sardonic, and at times defiant. Campanello’s prose poems, brief lyric outbursts, and poetic sequences ludically navigate catastrophe and sweep us up in the minutiae of everyday life, which includes pain and illness, machinations of power and moments of suspended connection.

Remember those biggies we loved in high school English? Well, here they are again performed by award-winning narrator Mike Vendetti. You'll hear "Chicago" by Carl Sandberg, "A Valediction: Forbidding Mourning" by John Donne, "Because I Could Not Stop for Death" by Emily Dickinson, "Mending Wall" by Robert Frost, "Ode on a Grecian Urn" by John Keats, "Song VII ("My song has put off her adornments")" by Rabindranath Tagore, and who can ever forget "The Love Song of J Alfred Prufrock" by T.S. Eliot.

POWIEŚĆ O DOJRZEWANIU, BEZRADNOŚCI I ROZPACZY. Jakie tajemnice skrywa stary domek letniskowy? Mieszka w nim Sara, młoda, samotna kobieta. Od siedmiu lat niemal codziennie wkłada znoszone buty i przemierza wielokilometrową trasę w poszukiwaniu grzybów. W ten sposób zarabia na życie i... utrzymuje więź z przeszłością. Wiadomość o śmierci matki przywołuje wspomnienia i wnosi do życia Sary szereg zmian. Bolesne sekrety skrywane od lat powracają i nie pozwalają już o sobie zapomnieć. Istnieje tylko jeden sposób, by wreszcie od nich uciec.

In Trace Evidence, the urgent follow-up to his award-winning debut Into Each Room We Enter without Knowing, Charif Shanahan continues his piercing meditations on the intricacies of mixed-race identity, queer desire, time, mortality, and the legacies of anti-Blackness in the US and abroad. With rich lyricism, power, and tenderness, Trace Evidence centers the racial periphery and excavates the vestiges of our violent colonial past in the most intimate aspects of our lives.

Previously published as We Never Did Mornings by Sally Alter "Sally Alter’s first poetry collection is amazing. She is an accomplished and talented poet and her words will leave you breathless.” ~ Larry Thomas, Texas Poet Laureate. “This blatantly honest and compelling collection of poetry by Sally Alter will pleasantly surprise you with it's combination of both simplicity and depth. “We never did mornings: Poems for those who have Loved and Lost” loosely follows a story of unrequited love, hope and hopelessness, descent into madness, and a sublime portrayal of the soothing power ...

As an aspiring novelist in his early twenties, Cory Leadbeater was presented with an opportunity to work for a well-known writer whose identity was kept confidential. Since the tumultuous days of childhood, Cory had sought refuge from the rougher parts of life in the pages of books. Suddenly, he found himself the personal assistant to a titan of literature: Joan Didion. In hypnotic prose that pulses with life and longing, The Uptown Local explores the fault lines of class, family, loss, and creativity.

Following on his exquisite Stones, Young's new collection shapes stories of familial and familiar love, inspired in part by other lives. A central sequence, “The Two-Headed Nightngale,” is spoken by Millie-Christine McCoy, the famous conjoined African American “Carolina Twins.” Born into slavery and ill treatment as a “freak” sensation in 1851 and later free women, their alto and soprano voices harmonized, and Young's poem explores their evolving selfhood and self-understanding: “As one we sang, /we spake— / She was the body / I the soul / Without one / Perishes the whole.”

As my spirit and soul become corporeal, my heart becomes vulnerable to you. Take, eat, and drink it. Nourish your mind with words of encouragement, empowerment, love, and even grief. Take a moment to sip from the chalice of life and open your eyes to the untold journey ahead. Know that each phase of life comes with its own heaven and hell. I offer you the naked truth: that as humans, most times, we refuse to share, for fear of being ridiculed or taken advantage of. But on this day that my spoken words are made tangible, may they be a beacon to light your own path.

Saris and a Single Malt is a moving collection of poems written by a daughter for and about her mother. The audiobook spans the time from when the poet receives a phone call in New York City that her mother is in a hospital in New Delhi to the time she carries out her mother's last rites. The poems chronicle the author's physical and emotional journey as she flies to India, tries to fight the inevitable, and succumbs to the grief of living in a motherless world.

You and Me and Cancer Makes Three is a poetical journey about survival from cancer. An uplifting and enduring tale of his journey with cancer. John held his hands around his own mortality, yet leaves the clinic whole, with much more than he ever expected: he discovers the true meaning of friendship, redemption, and hope as told in his poetry.

A classic poem written to mirror the pain of the loss of romance. There is no remedy. There seems no hope. The anguish comes through loud and clear in this piece, written by William Hope Hodgson and narrated by Glenn Hascall.

Grief. An emotion we all experience at one time or another, but there is no grief greater then the loss of a loved one. In this short poem by William Hope Hodgson, the narrator is alone with his grief and the realization that what had been will never be again.

Steph Catudal is beloved for her poignant meditations on loss, uncertainty, and illness, and the raw, wise reflections of her “brilliant, unflinching, lyrical” (Matt Haig) New York Times bestselling memoir Everything All At Once. Now, Catudal brings her trademark wisdom and strong lyrical voice to bear in her first collection of verse, delving into the challenging yet often rich parts of life people often lack the courage to face.

يهدف هذا الكتاب إلى تحليل التجربة الشعرية الخاصة بالشاعر التونسي ابي القاسم الشابي، وينطلق من الموضوع الاساس في معظم أشعاره وهو رؤيته للحياة والموت، فركز الكاتب على تكوين وعيٍ لغويٍ بمعجم الشاعر للكشف عن العلاقات الدلالية وخاصة المتقابلات منها، وتكرار الصور وطريقة تكونها ووعي الكاتب لتجربة هذا الشاعر.

Quando perdemos alguém que amamos, iniciamos uma longa jornada, atravessando um dos períodos mais dolorosos da vida. Para nos oferecer um pouco de conforto, Martha Hickman compartilha meditações, frases inspiradoras e breves preces que lhe deram força e coragem para enfrentar a perda da filha, que morreu aos 16 anos num trágico acidente. Com textos curtos e simples—o que é muito útil durante o luto, quando a capacidade de concentração e compreensão está reduzida—este livro traz pequenas doses de encorajamento e apoio para cada dia do ano.

Unlike his more famous fellow war poets, Wilfred Owen and Rupert Brooke, Siegfried Sassoon survived the First World War. In this collection of 64 poems, first published in 1920, Sassoon portrays the dehumanizing horror of modern warfare with its staggering death toll, while also satirizing the jingoistic fervour of politicians and armchair strategists.

This serves a collection of poems written by service members that were deployed to Iraq. These poems were written during deployments overseas.

Seit sein Hund Lola gestorben ist, kann den kleinen Niklas nichts mehr erfreuen. Alles ist in Traurigkeit gehüllt. Selbst wenn er mit seinen Freunden spielt, ist es nicht mehr so wie früher. Die Erde sieht dunkler aus als sonst, die Nässe ist nasser und die guten Schuhe drücken, wenn er rennt. Niklas fragt sich, ob Trauer je verschwinden kann, wenn doch alles vergeht - selbst die Schönheit der Welt... Oder ob man verlernen kann diese Schönheit zu sehen? Eines Tages lernt er einen alten Mann kennen, der immer allein auf einer Bank sitzt und in die Sonne blinzelt oder in den Schnee starrt.