Grief Poetry

Library of Small Catastrophes, Alison Rollins's ambitious debut collection, interrogates the body and nation as storehouses of countless tragedies. Drawing from Jorge Luis Borges's fascination with the library, Rollins uses the concept of the archive to offer a lyric history of the ways in which we process loss. "Memory is about the future, not the past", she writes, and rather than shying away from the anger, anxiety, and mourning of her narrators, Rollins's poetry seeks to challenge the status quo.

I recorded this the day after we lost one of our beloved pets. Rainbow Bridge is the theme of several works of poetry written in the 1980s and 1990s that speak of an other-worldly place where pets go upon death, eventually to be reunited with their owners. It brings a lump to my throat, and often a tear to my eye but also comfort as I recall good times with Pongo.

From Finnish saunas and soppy otters to grief, grandparents and Kellogg's anti-masturbation pants, Slug is a book which holds a mirror lovingly up to the world, past and present, through Hollie's driving, funny, hopeful poetry and prose. Slug is about the human condition: of birth and death and how we manage the possibilities in between.

This book is an attempt to create something beautiful from this chaos; to make sense of the things we dare not breathe to life. Focusing on loss, heartbreak, mental health, and the impact of isolation on a tired mind, these poems are the starlings that gather above the water. This book is the hope that we can learn to heal; that the future can survive the past.

This bestseller and many award winning autobiographical debut poetry collection plunges into modern times, regrets, depression, and suicidal thoughts.

No matter how dark life may seem, the light you seek is within you. In life, there are moments that can be intense, overwhelming, and unpredictable – setbacks, failures, disappointments, losses, and hardships cast a shadow over your sense of hope. In these dark moments, it can feel as though the sun will never rise again. However, this self-help book is here to remind you that within you, even in the darkest phases of life, there is always a glimmer of light waiting to be discovered. From understanding love to holding onto hope, this book will serve as a guide to help you grow and ...

The Only Worlds We Know is a nuanced and tactile look at both sobriety and what comes after. Patient meditations on loss and the land where the people we love live and are also buried.

With My Back to the World engages with the paintings and writings of Agnes Martin, the celebrated abstract artist, in ways that open up new modes of expression, expanding the scope of what art, poetry, and the human mind can do. Filled with surprise and insight, wit and profundity, the book explores the nature of the self, of existence, life and death, grief and depression, time and space. Strikingly original, fluidly strange, Victoria Chang's new collection is a book that speaks to how we see and are seen.

Afterwards is a book about the things that come after trauma. It encompasses the different kinds of grief–primarily the loss of a friend to suicide, but also the loss of an important relationship, and dealing with some loss related to family. There are frank discussions of mental illness and the spectrum of emotions that come with moving forward.

No amarás es un viaje de autodescubrimiento, sanación y transformación personal. Este libro es una esperanza para quien haya sobrevivido a una relación tóxica, así como también para cualquiera que esté transitando una ruptura o un duelo. Es momento de reparar viejas heridas y dejar que el amor regrese de manera saludable y segura.

I Had A Brother Once is a brilliant, genre-defying work - both memoir and epic poem - about the struggle for wisdom, grace, and ritual in the face of unspeakable loss. Adam is forced to re-remember a brother he thought he knew and to reckon with a ghost, confronting his unsettled family history, his distant relationship with tradition and faith, and his desperate need to understand an event that always slides just out of his grasp.

Set in three sections, Robert Wood Lynn explores interior uncertainty, interpersonal uncertainty and uncertainty at a larger scale. These narrative poems, influenced by storytelling traditions, find themselves at the nexus of the intimate and the humorous, as well as the absurd and the tragic. These poems examine isolation and grief in their many forms—through heartbreak or the death of loved ones, or show us the world looking back at itself after it ends.

Stephen C. Pollock's poetry collection Exits explores the beauty and frailty of life, the cycles of nature, and the promise of renewal. Musical and multilayered, the poems in Exits have drawn comparisons to the poetry of Seamus Heaney and the sonnets of William Shakespeare.

These are poems that I wrote when I lost two women that have played a role in my child-hood, my grand-mother and aunt. They both passed away this year, I mourned for them and wrote these poems. They tormented my life when I was young. I held the hands that once beaten me with love instead of with revenge. I forgave them, prayed for them and loved them before they died. In all these I thank God of heaven.

Temp jobs, conspiracy theories, squatters, talk therapy, urban gardening, the robot revolution: this collection fixes its eye on the strangeness of labor, through poems that are searching, keen, and wry. The virtuosic central sequence explores the untimely death of the poet’s estranged father, a handyman and addict, and the brothers left to sort through the detritus of a life long lost to them. Through lyrical, darkly humorous vignettes, Kunz asks what it costs to build a home and a love that not only lasts but sustains.

This volume brings together for the first time all of the poems that appeared in Anthony Hecht’s seven trade collections, from A Summoning of Stones of 1954 through to The Darkness and the Light of 2001; it adds the remarkable work contained in his posthumously issued Interior Skies: Late Poems from Liguria of 2011; and it rounds this out with the best of the many poems which were left uncollected at the time of his death in 2004, the earliest dating from 1950 and the latest from 2001.

The definitive collection from a writer whose transgressive legacy and raw, funny, acutely observant writing has left an enduring mark. Here is Bukowski eating walnuts and scratching his back, rolling a cigarette while listening to Brahms, showering with Linda in the midafternoon. Here is Bukowski knowing that the secret is beyond him, that people who never go crazy live truly horrible lives, that there's a bluebird in his heart that wants to get out.

Goodreads Choice Award-winning poet and USA Today best-selling author Amanda Lovelace presents the mermaid’s voice returns in this one - the third and final installment in her women are some kind of magic series, featuring a foreword from Lang Leav and 13 guest poems from leading voices in poetry such as Nikita Gill, KY Robinson, and Orion Carloto.

This is a literary composition composed for those who feel like nobody's listening. For my comrades, my mom and my dad, and my two sisters who showed me what it means to be different. For the drug addicts that fiend but still dream of better conditions, huddled with puddles on pillows with Brillos and pipes, not bathed or slept in days, high as a kite. For the single parents that struggle working doubles, taxing their muscles so their children can comfortably cuddle and sleep at night.

La misteriosa visita de un cuervo parlante a la casa de un amante afligido, y del lento descenso hacia la locura de este último. El amante, que a menudo se ha identificado como un estudiante, llora la pérdida de su amada, Leonora. El cuervo negro, posado sobre un busto de Palas Atenea, parece azuzar su sufrimiento con la constante repetición de las palabras «Nunca más».