Historical Fiction Renaissance

The United States endured a bitter civil war and embarked on the complex process of Reconstruction, aiming to eliminate slavery and secure civil rights for African Americans in the South. Despite the ratification of constitutional amendments guaranteeing these rights, their full realization would not come for another century. Johnson, who assumed the presidency only after Lincoln's assassination, bears significant responsibility for this delay. His actions enabled the growth of Jim Crow laws and entrenched racial inequality throughout the South in Reconstruction's aftermath.

Internationally bestselling author Philippa Gregory brings the tumult and intrigue of The Wars of the Roses to vivid life through the women of the House of Lancaster and the House of York, beginning with the story of Elizabeth Woodville, the White Queen. A woman who won the love of a king and ascended to royalty by virtue of her beauty, Elizabeth fought tenaciously for the success of her family -- her daughter who would one day unite the warring dynasties, and her two sons whose eventual fate has confounded historians for centuries: the Princes in the Tower.

She turned down Henry Tudor. But would she be allowed to marry the man she loved? In 1509 Marguerite d’Angoulême of the royal House of Valois is the King of France’s most valuable unmarried asset. Gaston de Foix is France’s most promising young knight, eager to prove himself on the King’s Italian campaigns. Fanned by chivalric ideals of courtly love, Marguerite and Gaston burn for each other with a secret flame. When Gaston learns that the King intends to marry Marguerite to the Armagnac heir, he is heartbroken. Louis XII needs Armagnac lands for the crown of France. What better ...

England, 1647. As civil war gives way to an uneasy peace and Puritanism becomes the letter of the law, Frances Wolfreston, a rector's wife, is charged with enforcing religious compliance by informing on her parishioners. This awful task triggers memories of her mother, Alice, who inspired Frances' love of books and secretly practiced Catholicism at great risk. Conflicted, she doesn't report a reclusive and mysterious midwife to delay her going to gaol.

Rome, 1520. The Eternal City is in mourning. Raphael Sanzio, beloved painter and national hero, has died suddenly at the height of his fame. His body lies in state at the Pantheon. At the nearby convent of Sant'Apollonia, a young woman comes to the Mother Superior, seeking refuge. She is Margherita Luti, a baker's daughter from a humble neighborhood on the Tiber, now an outcast from Roman society, persecuted by enemies within the Vatican. Margherita was Raphael's beloved and appeared as the Madonna in many of his paintings. But now that Raphael is gone, the convent is her only hope.

How to Be Both is a novel all about art's versatility. Borrowing from painting's fresco technique to make an original literary double-take, it's a fast-moving, genre-bending conversation between forms, times, truths and fictions. There's a renaissance artist of the 1460s. There's the child of a child of the 1960s. Two tales of love and injustice twist into a singular yarn where time gets timeless, structural gets playful, knowing gets mysterious, fictional gets real - and all life's givens get given a second chance.

Leonardo watched helplessly as his artistic and engineering achievements were demolished by the invading armies. Exhausted and despondent, the artist abandons his workshop in Milan. But where will he go? Everything was left behind in his escape and he is now without funds. An artist need a patron to survive. An invitation to paint a portrait of Isabella d’Este is welcome but, Leonardo suspects an ulterior motive. If he is right. . . accepting could prove dangerous. Leonardo and Niccolo arrive at a lavish palace in chaos. Spies are everywhere attempting to discover how and why a valuable ...

May 1536: Queen Anne Boleyn has fallen and Jane Seymour is about to become Queen, yet the King's new love is troubled not only by the fall and execution of his last wife and Queen, but by the creeping feeling that she knows not the man she has promised to marry. As Jane steps into the palaces of the King, emerging quietly as England's Queen, she finds herself haunted by thoughts of Anne Boleyn, Katherine of Aragon and what the past means for her own fate. And Jane is not the only one troubled by the actions of King Henry VIII.

After unwittingly helping her mother poison King Louis XIV, 17-year-old alchemist Mirabelle Monvoisin is forced to see her mother's Shadow Society in a horrifying new light: They're not heroes of the people, as they've always claimed to be, but murderers. She herself included. Mira tries to ease her guilt by brewing helpful curatives, but her hunger tonics and headache remedies cannot right past wrongs or save the dissenters whom her mother vows to purge.

In Navola, a city-state dominated by a handful of influential families, business is power, and power is everything. For generations, the di Regulai family—merchant bankers with a vast empire—has nurtured tendrils that stretch to the farthest reaches of the known world. And though they claim not to be political, their wealth has bought cities and toppled kingdoms. Soon, Davico di Regulai will be expected to take the reins of power from his father and demonstrate his mastery of the games of Navolese diplomacy. But in Navola, strange and ancient undercurrents lurk behind the gilt and grandeur.

La conquête du Brésil par les Français est un des épisodes les plus extraordinaires et les plus méconnus de la Renaissance. "Rouge Brésil" raconte l'histoire de deux enfants, Just et Colombe, embarqués de force dans cette expédition pour servir d'interprètes auprès des tribus indiennes. Tout est démesuré dans cette aventure. Le cadre : la baie sauvage de Rio, encore livrée aux jungles et aux Indiens cannibales.

When Katherine of Aragon is brought to the Tudor court as a young bride, the oldest princess, Margaret, takes her measure. With one look each knows the other for a rival, an ally, a pawn, destined - with Margaret's younger sister, Mary - to a sisterhood unique in all the world. The three sisters will become the queens of England, Scotland, and France.

Halley, who covers house-sitting jobs for her self-absorbed mom, has Hollywood dreams, but no real life. That is, until the day a job for her mom leads to a tumble back to London in1598, where Halley meets a hot, rich earl named Edmund, and accidentally brings him to the 21st century.

Spanning 2,000 years, The Everlasting follows four characters whose struggles resonate across the centuries: an early Christian child martyr; a medieval monk on crypt duty in a church; a Medici princess of Moorish descent; and a contemporary field biologist conducting an illicit affair. Outsiders to a city layered and dense with history, this quartet separated by time grapple with the physicality of bodies, the necessity for sacrifice, and the power of love to sustain and challenge faith.

In seventeenth-century Rome, an arrogant and reckless artist named Caravaggio drinks and brawls his way through his violent, insatiable life, all while painting some of the world’s greatest religious works of art. But it is his bitter feud with Giovanni Roero, a brutal knight in the Maltese Order of St. John, that is his fatal error. Now, in the village of Monte Piccolo, a priest claims to have discovered a lost painting by the famed artist in the storage room of an orphanage. Retired professor A. R. Richman believes it’s a delusional dream.

In the wake of her father's death, Rose Newlin finds solace in her work as a book restorer. Then, one rainy Connecticut afternoon, a struggling painter appears at her door. William Lomazzo brings with him a 16th-century treatise on art, which Rose quickly identifies as a palimpsest: a document written over a hidden diary that had purposely been scraped away. Yet the restoration sparks an unforeseen challenge when William - a married man - and Rose experience an instant, unspoken attraction.

When rumors reach Vienna that an attack by the Ottoman army is imminent, Wilhelm von Schor, one of the emperor’s courtiers, prepares to evacuate his family—including his sister, Katja. But Katja’s reluctance to leave the city and the people she loves so well grows the farther the family carriage gets from her childhood home. When she learns that another brother, Xavier, is returning to Vienna with his musketeers, she decides to remain behind and face the shadow of war. But all too soon, the Ottomans encircle the city, blanketing its inhabitants in fear.

1585. Après trente ans de guerre civile et le massacre de la Saint-Barthélemy (1572), la France est plus divisée que jamais. Trois Henri se disputent un trône à l'équilibre fragile. Henri III veut garder sa couronne, mais n'a pas d'héritier. Henri de Navarre, le protestant, tient à faire valoir ses droits, mais Henri de Guise, l'ultra-catholique, refuse de laisser un huguenot régner sur la France.

The daughter of a wealthy merchant, young Dolça Llull Prat is besotted with the dashing, bootstrapping Miguel Cervantes from their first meeting. Despite Miguel’s entreaties, the ever-practical Dolça, with her love of luxury and her devotion to her own art, repeatedly refuses to upend her life for him, although she always welcomes his attentions on her own terms. When Miguel renders her as the lowly Dulcinea in his great Quixote, revealing their association, he commits an unforgivable offense and their decades-long affinity is severed—until he reaches out to her one last time.

Louise Lloyd is finally living the quiet life she’d longed for, working in a parfumerie by day and spending time with her new friends every night at the Aquarius club in Paris. When a desperate mother asks for help locating her artist daughter, Louise initially refuses to keep her hard-won but fragile peace intact. But the woman comes with a letter of introduction from an old friend in Harlem, and Louise realizes she has no choice but to do what she can to find the missing young woman.