Historical Horror Fiction

Victorian London is a place of fluid social roles, vibrant arts culture, fin-de-siecle wonders...and dangerous underground diabolic cults. Fencer Evadne Gray cares for none of the former and knows nothing of the latter when she's sent to London to chaperone her younger sister, aspiring art critic Dorina. Unfortunately for Evadne, she soon learns too much about all of it when Dorina meets their uncle's friend, Lady Henrietta "Henry" Wotton. A semi-respectable aristocrat in public, in private she is secretly in the thrall of a demon.

A gothic folklore book set in Ireland, Canada, and Italy during the 19th to early 20th century. Dive deep into the eerie world of *The Irish Banshee*, a spine-chilling collection that captures the essence of ancient Irish legends and supernatural encounters. This gripping gothic folklore narrative spans from the hauntingly beautiful countryside of Ireland to the atmospheric locales of Canadian wilderness and Italian coastal regions. Transporting readers to the 19th and early 20th centuries, it brings to life the spectral harbingers that stalk these lands. Discover the Mysteries: Linked only...

It's 1934. Businesses went under by the hundreds, debt and foreclosures boomed, and breadlines grew in many American cities. In the midst of this misery, some folks explored unscrupulous ways to make money. Angel-faced John Partlow and carnival huckster Ginger LaFrance are among the worst of this lot. Joining together they leave their small-time confidence scams behind to attempt an elaborate kidnapping-for-ransom scheme in New Orleans.

In July 1890, Vincent van Gogh went into a cornfield and shot himself. Or did he? Why would an artist at the height of his creative powers attempt to take his life... and then walk a mile to a doctor's house for help? Who was the crooked little "color man" Vincent had claimed was stalking him across France? And why had the painter recently become deathly afraid of a certain shade of blue? These are just a few of the questions confronting Vincent's friends who vow to discover the truth of van Gogh's untimely death.

On a spring day in 1933, a strange man with a not-quite-friendly smile appears in Libby Barnett’s backyard. Like a figure from a dark fairy tale, he works a staggering transformation on Libby’s younger sister, and the little girl is lost.

September 1913. A young Pole suffering from tuberculosis arrives at Wilhelm Opitz’s Guesthouse for Gentlemen in the village of Görbersdorf, a health resort in the Silesian mountains. Every evening the residents gather to imbibe the hallucinogenic local liqueur and debate the great issues of the day: Monarchy or democracy? Do devils exist? Are women born inferior? War or peace? Meanwhile, disturbing things are happening in the guesthouse and the surrounding hills. Someone—or something—seems to be watching, attempting to infiltrate this cloistered world.

From the author of the New York Times best-selling novel Labyrinth comes another haunting tale of double crosses, murder, and the occult set in both 19th and 21st century France.

England, 1881. Hereford Cathedral stands sentinel over the city, keeping its secrets, holding long forgotten souls in its stony embrace. Hecate Cavendish speeds through the cobbled streets on her bicycle, skirts hitched daringly high, heading for her new life as Assistant Librarian. But this is no ordinary collection of books. The cathedral houses an ancient chained library, wisdom guarded for centuries, mysteries and stories locked onto its worn, humble shelves. The most prized artifact, however, is the medieval world map which hangs next to Hecate’s desk.

Mount Mellyn stood as proud and magnificent as she had envisioned. But what about its master—Connan TreMellyn? Was Martha Leigh's new employer as romantic as his name sounded? As she approached the mansion towering above the cliffs of Cornwall, an odd chill of apprehension overcame her. TreMellyn's young daugher proved as spoiled and difficult as the three governesses before Martha had discovered. But it was the girl's father whose arrogant demeanor unleashed unfamiliar sensations and turmoil—even as whispers of past tragedy and present danger begin to insinuate themselves into her life.

Consumption has ravaged Louise Pinecroft's family, leaving her and her father alone and heartbroken. But Dr. Pinecroft has plans for a revolutionary experiment: convinced that sea air will prove to be the cure his wife and children needed, he arranges to house a group of prisoners suffering from the disease in the caves beneath his new Cornish home. While he devotes himself to his controversial medical trials, Louise finds herself increasingly discomfited by the strange tales her new maid tells of the fairies that hunt the land, searching for those they can steal away to their realm.

In 1918, the world seems on the verge of apocalypse. Americans roam the streets in gauze masks to ward off the deadly Spanish influenza, and the government ships young men to the front lines of a brutal war, creating an atmosphere of fear and confusion. Sixteen-year-old Mary Shelley Black watches as desperate mourners flock to séance and spirit photographers for comfort, but she herself has never believed in ghosts. During her bleakest moment, however, she's forced to rethink her entire way of looking at life and death, for her first love - a boy who died in battle - returns in spirit form.

One June day when Mia Jacob can no longer see a way to survive, the power of words saves her. The Scarlet Letter was written almost two hundred years earlier, but it seems to tell the story of Mia’s mother, Ivy, and their life inside the Community—an oppressive cult in western Massachusetts where contact with the outside world is forbidden. But how could this be? How could Nathaniel Hawthorne have so perfectly captured the pain and loss that Mia carries inside her?

A Discovery of Witches introduced Diana Bishop, Oxford scholar and reluctant witch, and vampire geneticist Matthew Clairmont. Shadow of Night and The Book of Life carried Deborah Harkness's series to its spellbinding conclusion, and the trilogy has now sold more than two million copies in the United States and appeared in 38 editions around the world. All Souls fans have been captivated from the start by the many sources of inspiration Harkness draws on in her novels. Here, with her signature historian's touch, she offers an encyclopedic look at the series.

Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor", and they plunge her into a world she never dreamed of: a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.

Thomas Hart and Grace Macaulay have lived all their lives in the small Essex town of Aldleigh. Though separated in age by three decades, the pair are kindred spirits—torn between their commitment to religion and their desire to explore the world beyond their small Baptist community. It is two romantic relationships that will rend their friendship, and in the wake of this rupture, Thomas develops an obsession with a vanished nineteenth-century astronomer said to haunt a nearby manor, and Grace flees Aldleigh entirely for London.

In this terrifying and hilarious prequel, we witness the genesis of the zombie plague in early 19th-century England. We watch Elizabeth Bennet evolve from a nave young teenager into a savage slayer of the undead. We laugh as she begins her first clumsy training with nunchucks and katana swords and cry when her first blush with romance goes tragically awry.

Dorothea Truelove is young, wealthy, and beautiful. Ruth Butterham is young, poor, and awaiting trial for murder. When Dorothea's charitable work brings her to Oakgate Prison, she is delighted by the chance to explore her fascination with phrenology and test her hypothesis that the shape of a person's skull can cast a light on their darkest crimes. But when she meets one of the prisoners, the teenaged seamstress Ruth, she is faced with another strange idea.

Beatrice Bird is plagued by ghosts. It’s a gift she’s had since she was a small child. Unfortunately, it’s a gift that has grown more intense, shifting from flashes and feelings to physical manifestations she can’t escape. In a desperate attempt for relief, Beatrice flees her home, her partner, and a psychology practice in San Francisco for a remote island with only nuns and a few cows for company. She sees as few people as she possibly can. She doesn’t call home. Then she meets Anne Iredale, a timid woman who has lost everything that matters to her.

Deep within the cold, primordial forest and the Algonquin people's consciousness lives the Wendigo: a towering, emaciated being with translucent skin draped over its skeletal frame like a veil of mortality. Its hollow eyes gleam like fiery coals, emanating a malevolent crimson glow that mirrors its unquenchable craving for human flesh. An extraterrestrial shifter, stranded on our planet millennia ago, assumes the forms of not only humans but also hideous creatures in order to survive. The story of the Wendigo spans millennia, entwining native folklore with modern-day mysteries.

1873. At an abandoned château on the outskirts of Paris, a dark séance is about to take place, led by acclaimed spiritualist Vaudeline D’Allaire. Known worldwide for her talent in conjuring the spirits of murder victims to ascertain the identities of the people who killed them, she is highly sought after by widows and investigators alike. Lenna Wickes has come to Paris to find answers about her sister’s death, but to do so, she must embrace the unknown and overcome her own logic-driven bias against the occult.