History Essays

We know David Grossman's voice of ringing moral clarity from way back: since the late 1980s and The Yellow Wind, his classic work on the urgency of the two-state solution and the price paid by both occupier and occupied, he has been criticizing his country's government and pushing for paths to a lasting peace. Just after October 7th, 2023, he retreated inwards to ask himself anew these difficult and necessary questions about his beloved nation:

Preeminent French cynic and philosopher Voltaire (1694-1778) collected ideas and thoughts that were too short for pamphlets but worth saving for later development. These jottings eventually became the Philosophical Dictionary, filled with witty and wise entries on subjects as diverse as Atheism and Kissing - a compendium of the whole spectrum of Voltaire's ideas.

This classic collection of essays, edited by Booker T. Washington and with contributions from many of post-Civil War America's other prominent African-American thinkers, sought to redefine the role of Black persons in the new Jim Crow era and beat back white supremacy through racial uplift. Seven essays include Charles Chesnutt's "The Disfranchisement of the Negro", W. E. B. DuBois "The Talented Tenth", and Wilford Horace Smith's "The Negro and the Law" .

This collection includes two of Emerson’s essays: History and Intellect. Emerson wrote most of his essays to be presented as lectures first, and later revised them for print. The essay History explores the nature and importance of historical understanding. Emerson holds that history is not simply a jumble of events and facts, but rather a living and dynamic force that can inspire and guide human action. In his essay Intellect, Emerson notes that the intellectual power of humans separates them from all other living beings on earth.

What was the real significance of William James's breakdown? Of the anti-Semitism in T.S. Eliot's writing? At each step in his latest journey through American cultural history, Menand has an original point to make.

A princess of White Russian descent, Marie Vassiltchikov was 23 years old when she was trapped in Berlin by the outbreak of World War II. In these secret diaries, she chronicles the glamorous rise and shattering fall of the Nazi Party, as seen from the vantage point of her desk at the Foreign Ministry. She also describes how she and her friends became involved in a desperate conspiracy to murder Hitler.

Duffy engages with some of the central aspects of Western religion in the thousand years between the decline of pagan Rome and the rise of the Protestant Reformation. In the process, he opens windows on the vibrant and multifaceted beliefs and practices by which medieval people made sense of their world: the fear of death and the impact of devastating pandemic, holy war against Islam and the invention of the blood libel against the Jews, provision for the afterlife and the continuing power of the dead over the living, the meaning of pilgrimage and the evolution of Christian music.

The place is El Salvador in 1982, at the ghastly height of its civil war. The writer is Joan Didion, who delivers an anatomy of that country's particular brand of terror - its mechanisms, rationales, and intimate relation to United States foreign policy. As ash travels from battlefields to body dumps, interviews a puppet president, and considers the distinctly Salvadoran grammar of the verb "to disappear," Didion gives us a book that is germane to any country in which bloodshed has become a standard tool of politics.

Over the course of less than 24 hours in the spring of 1921, Tulsa’s infamous “Black Wall Street” was wiped off the map - and erased from the history books. Official records were disappeared, researchers were threatened, and the worst single incident of racial violence in American history was kept hidden for more than 50 years. But there were some secrets that would not die. A riveting and essential new book, The Ground Breaking not only tells the long-suppressed story of the notorious Tulsa race massacre.

Emerson wrote most of his important essays as lectures first and then revised them for print. His first two collections of essays, Essays: First Series (1841) and Essays: Second Series (1844), represent the core of his thinking. They include the well-known essays "Self-Reliance" and "The Over-Soul". Together with "Nature", these essays made the decade from the mid-1830s to the mid-1840s Emerson's most fertile period.

In this pyrotechnic memoir-in-essays, Mak ranges widely over our landscape of paranoia, crisis, and frenetic, clickable consumption. He grants listeners an inside pass to the spaces where culture was made and unmade over the past decade, from the antiseptic glare of white-walled galleries to the darkest corners of Berlin techno clubs. As the gay son of an evangelical minister, Mak fled to those spaces, hoping to join a global, influential elite. But when calamity struck, it forced Mak to confront the costs of mistaking status for belonging.

For more than twenty-five years, paleontologist Stephen Jay Gould wrote a column called “The View of Life” for Natural History magazine. More than twenty entries from that column comprise this collection.

In this 10th anniversary edition, renowned political commentator Cokie Roberts once again examines the nature of women's roles. From mother to mechanic, sister to soldier, Roberts reveals how much progress has now been made and how much further we have to go. Updated and expanded to include a diverse new cast of women, including Hillary Clinton, Laura Bush, Billie Jean King, and others, this collection of essays offers tremendous insight into the opportunities and challenges that women encounter today.

Men and Style reaches beyond standard "what to wear" advice: It is equal parts style guide and intriguing conversation about the masculine identity within the world of fashion. David Coggins explores the history of men's style and learns from some of the most notable tastemakers in the industry and beyond. Its essays and interviews discuss the lessons men learned from their fathers, the mistakes they made as young men, and how they emerged to become better men.

Here is Hemingway: the adventurer, the reporter, the man! More intimately than all his fiction, Hemingway the reporter reveals Hemingway the man, driving an ambulance through a bullet-barrage or leading guerrilla forces into Paris, always in the thick of the action. Here are his most sensational dispatches, the behind-the-scenes stories that became For Whom the Bell Tolls, A Farewell to Arms, and The Sun Also Rises.

Time does not hold history—people do. Emerson's History is not a chronicle of names and dates, not a reverence for the past, but a revelation: every life is a vessel of all that came before. The individual is not separate from history but its continuation, its living pulse. Emerson does not ask his readers to study history; he asks them to recognize themselves within it. Every triumph, every downfall, every flash of genius from ages past is not distant—it is ours, woven into the mind that thinks, the hand that writes, the heart that dares.

Indiana champions shining examples of literary and artistic merit regardless of whether the individual artist or writer is famous; asserts a standard of care and tradition that has nothing to do with the ivory tower establishment; is unafraid to deliver the coup de grâce when someone needs to say the emperor has no clothes; speaks in the same breath—in the same discerning, insolent, eloquent way—about high art and pop culture. Few writers could get away with saying the things Gary Indiana does. And when the writing is this good, it's also political, plus it's a riot of fun.

"Nothing more strangely indicates an enormous and silent evil of modern society than the extraordinary use which is made nowadays of the word orthodox. In former days the heretic was proud of not being a heretic. It was the kingdoms of the world and the police and the judges who were heretics. He was orthodox. He had no pride in having rebelled against them; they had rebelled against him. The armies with their cruel security, the kings with their cold faces, the decorous processes of State, the reasonable processes of law - all these like sheep had gone astray...."

What draws our species to war? What makes us see violence as a kind of sacred duty, or a ritual that boys must undergo to "become" men? Newly reissued, Blood Rites takes listeners on an original journey from the elaborate human sacrifices of the ancient world to the carnage and holocaust of 20th-century "total war." Ehrenreich sifts deftly through the fragile records of prehistory and discovers the wellspring of war in an unexpected place - not in a "killer instinct" unique to the males of our species, but in the blood rites early humans performed.

Sontag's most important critical writings from 1972 to 1980 are collected in Under the Sign of Saturn. One of America's leading essayists, Sontag's writings are commentaries on the relation between moral and aesthetic ideas, discussing the works of Antonin Artaud, Leni Riefenstahl, Elias Canetti, Walter Benjamin, and others. The collection includes a variety of her well-known essays. Sontag's writings are famously full of intellectual range and depth, and are at turns exhilarating, ominous, disturbing, and beautiful.