Indigenous Fiction

On the surface, Alice is exactly where she thinks she should be: She’s just given birth to a beautiful baby girl, Dawn; her charming husband, Steve—a white academic whose area of study is conveniently her own Mohawk culture—is nothing but supportive; and they’ve moved into a new home in a posh Toronto neighborhood. But Alice could not feel like more of an impostor. She isn’t connecting with her daughter, a struggle made even more difficult by the recent loss of her own mother, and every waking moment is spent hiding her despair from Steve and their ever-watchful neighbors.

This story is told in the words of a tragic figure in American history - a hook-nosed, hollow-cheeked old Sauk warrior who lived under four flags while the Mississippi Valley was being wrested from his people. The author is Black Hawk himself - once pursued by an army whose members included Captain Abraham Lincoln and Lieutenant Jefferson Davis. Perhaps no Indian ever saw so much of American expansion or fought harder to prevent that expansion from driving his people to exile and death.

In this enthralling narrative, professor and award-winning author Jeffrey Ostler recounts the Lakota Sioux’s loss of their spiritual homeland and their remarkable legal battle to regain it. Moving easily from battlefields to reservations to Supreme Court chambers, Ostler captures the strength that bore the Lakotas through the worst times and kept alive the dream of reclaiming their cherished lands.

In Asalin, fae rule and witches like Wyatt Croft…don't. Wyatt's betrothal to his best friend, fae prince Emyr North, was supposed to change that. But when Wyatt lost control of his magic one devastating night, he fled to the human world. Now a distant Emyr has hunted him down. Despite transgender Wyatt's newfound identity and troubling past, Emyr has no intention of dissolving their engagement. In fact, he claims they must marry now or risk losing the throne. Jaded, Wyatt strikes a deal with the enemy. But as he gets to know Emyr, Wyatt realizes the boy he once loved may still exist.

This carefully researched exploration of Native American culture investigates the complex, often misunderstood histories of hundreds of indigenous peoples. Author James Wilson has drawn from ethnographic and archaeological studies, historical texts, and the rich written and oral traditions of Native Americans to complete this important work.

1989, Lamesa, Texas. A small west Texas town driven by oil and cotton—and a place where everyone knows everyone else’s business. So it goes for Tolly Driver, a good kid with more potential than application, seventeen, and about to be cursed to kill for revenge. Here Stephen Graham Jones explores the Texas he grew up in, and shared sense of unfairness of being on the outside through the slasher horror Jones loves, but from the perspective of the killer, Tolly, writing his own autobiography. Find yourself rooting for a killer in this summer teen movie of a novel gone full blood-curdling tragic.

Gundagai, 1852. The powerful Murrumbidgee River surges through town leaving death and destruction in its wake. It is a stark reminder that while the river can give life, it can just as easily take it away. Wagadhaany is one of the lucky ones. She survives. But is her life now better than the fate she escaped? Forced to move away from her miyagan, she walks through each day with no trace of dance in her step, her broken heart forever calling her back home to Gundagai.

In the beginning, the world is spoken into existence with one word: “Earth.” There are no inhabitants, and no sun—only the broad sky, silent sea, and sovereign Framer and Shaper. Then come the twin heroes Hunahpu and Xbalanque. Wielding blowguns, they begin a journey to hell and back, ready to confront the folly of false deities as well as death itself, in service to the world and to humanity. This is the story of the Mayan Popol Vuh, “the book of the woven mat,” one of the only epics indigenous to the Americas.

Haunted by the loss of her cousin, Delilah has curated a world of revenge—playing judge, jury and executioner while, you know, searching for love. Maybe murdering gives her the control she craves. Maybe it fills the gaping hole that Cedar left when she disappeared. Maybe this rage is ancestral, dating back to all of the Indigenous women before her whose cases were closed without much of a search.

Joan has been searching for her missing husband, Victor, for nearly a year - ever since that terrible night they’d had their first serious argument hours before he mysteriously vanished. Her Métis family has lived in their tightly knit rural community for generations, but no one keeps the old ways...until they have to. That moment has arrived for Joan. One morning, grieving and severely hungover, Joan hears a shocking sound coming from inside a revival tent in a gritty Walmart parking lot. It is the unmistakable voice of Victor.

For decades, a dark force has terrorized the Languille Lake reservation. Only spoken of in whispers as "the sandman," he lurks in the Hidden Atlantis Lake Resort and Casino, the reservation's main attraction and source of revenue, leeching its patrons' dreams and ambitions and also preventing the ghosts that linger there from moving on. Fleeing a breakup, Marion Lafournier, a mid-twenties Ojibwe, seeks solace in the slot machine's siren song.

She was named Omakakiins, or Little Frog, because her first step was a hop. Omakakiins and her family live on an island in Lake Superior. Though there are growing numbers of white people encroaching on their land, life continues much as it always has. But the satisfying rhythms of their life are shattered when a visitor comes to their lodge one winter night, bringing with him an invisible enemy that will change things forever—but that will eventually lead Omakakiins to discover her calling.

Deep within the cold, primordial forest and the Algonquin people's consciousness lives the Wendigo: a towering, emaciated being with translucent skin draped over its skeletal frame like a veil of mortality. Its hollow eyes gleam like fiery coals, emanating a malevolent crimson glow that mirrors its unquenchable craving for human flesh. An extraterrestrial shifter, stranded on our planet millennia ago, assumes the forms of not only humans but also hideous creatures in order to survive. The story of the Wendigo spans millennia, entwining native folklore with modern-day mysteries.

Told in a series of voices, Calling for a Blanket Dance takes us into the life of Ever Geimausaddle through the multigenerational perspectives of his family as they face myriad obstacles. His father’s injury at the hands of corrupt police, his mother's struggle to hold on to her job and care for her husband, the constant resettlement of the family, and the legacy of centuries of injustice all intensify Ever’s bottled-up rage. Meanwhile, all of Ever’s relatives have ideas about who he is and who he should be.

Flight is the hilarious and tragic story of an orphaned Indian boy - "Zits" - who travels back and forth through time in a charged search for his true identity. With powerful, swift prose, Flight follows the troubled teenager as he learns that violence is not the answer.

The story of how I, Julian Carter, and my precious two-year old son, Stephen, left Atlanta Georgia and found ourselves on a white sailboat, tossed about like a cork on a raging sea off of Australia's northern tip in 1963, is harrowing. But it pales in comparison to what happened deep in the jungle where I was taken as a slave by a savage tribe unknown to the world. Some places dwell in darkness so deep that even God seems to stay away.

Progressing from the 1960s to the turbulent present, the novel begins on the island of O’ahu and centers on Ana, abandoned by her mother as a child. Raised by her extended family on the “lawless” Wai’anae coast, west of Honolulu, Ana, against all odds, becomes a physician. While tending victims of Hurricane ‘Iniki on the neighboring island of Kaua’i, she meets Nikolai, a Russian filmmaker with a violent and tragic past, who can confront reality only through his unique prism of lies. Yet he is dedicated to recording the ecological horrors in his motherland.

This is the story of a woman in search of herself, in every sense. When we first meet Ruby, a Métis woman in her thirties, her life is spinning out of control. She’s angling to sleep with her counselor while also rekindling an old relationship she knows will only bring more heartache. But as we soon learn, Ruby’s story is far more complex than even she can imagine.

Otter Lake is a sleepy Anishnawbe community where little happens. Until the day a handsome stranger pulls up astride a 1953 Indian Chief motorcycle - and turns Otter Lake completely upside down. Maggie, the Reserve’s chief, is swept off her feet, but Virgil, her teenage son, is less than enchanted. Suspicious of the stranger’s intentions, he teams up with his uncle, Wayne - a master of aboriginal martial arts - to drive the stranger from the Reserve. And it turns out that the raccoons are willing to lend a hand.

On the Flathead Indian Reservation, summer is ending, and Louise White Elk is determined to forge her own path. Raised by her Grandmother Magpie after the death of her mother, Louise and her younger sister have grown up into the harsh social and physical landscape of western Montana in the 1940s, where Native people endure boarding schools and life far from home. As she approaches adulthood, Louise hopes to create an independent life for herself and an improved future for her family—but three persistent men have other plans.