Indigenous Literature

Indigenous communities have been organizing against violence since newcomers first arrived, but the cases of missing and murdered women have only recently garnered broad public attention. Violence Against Indigenous Women joins the conversation by analyzing the socially interventionist work of Indigenous women poets, playwrights, filmmakers, and fiction writers.

Shane Daniels and Romany Zetz have been drawn into a war that is not their own. Lives will be destroyed, families will be torn apart. Trust will be broken. When the war is over, some will return to a changed world. Will they discover that glory is a lie? Claire G. Coleman's new novel takes us to a familiar world to again ask us what we have learned from the past. The Old Lie might not be quite what you expect.

When Eddie’s parents drive from the Black Hills to the Dakota plains to drop him off with Grandpa and Grandma High Elk, Eddie aches all over at the thought of being away from Mom and Dad for the first time. But quickly, Eddie’s stay on the Rosebud Reservation becomes a summer that he’ll never forget as he spends his days riding horses, fishing, helping Grandma in her garden, and playing with the toy bone horses that his grandfather gave him. When his grandfather is hurt and needs medical attention, Eddie steps up and helps him get the care he needs.

Buck, government name Michael Fineday, Ojibwe name Miskwa’ doden (Red Deer), is on the brink of suicide. He has just been served divorce papers by his wife, Naomi, who is fed up with his savior complex and the danger it often attracts to their door. Living on the border of Shakopee Mdewakanton Sioux Community reservation, Buck makes a living as a boatbuilder and carpenter. He spends his days alone, trying to win the trust of a feral cat … until a semi-feral girl shows up, fascinated by the canoe Buck is building.

In Mesa County, Nevada, the tide of history was about to change. A tiny tribe of Indigenous Americans had just beaten the white man in his own court—and won title to some of the richest land in America. But some people were poor losers. And if they couldn’t hold on to the land … they’d simply eliminate its rightful owners. With a handful of poorly armed Native Americans facing a lynch mob led by the county sheriff and backed by corporate millions, Mesa County might be the setting for another Wounded Knee. Until the Black Berets get in on the action and show how professionals handle a massacre.

One cloudless night, a fox falls to earth and comes across a family of humans. As the seasons change and they move their camp, she follows them, growing ever more intrigued by human ways—and especially by the oldest son, Irniq. When Irniq grows older and sets out hunting on his own, he is surprised to enter his tent one day and find the lamp lit, the tea made… and a strange woman who says she is his wife. Tired of being alone, Irniq welcomes the woman. But soon he grows curious and cannot stop himself from asking too many questions

Literatures, Communities, and Learning: Conversations with Indigenous Writers gathers nine conversations with Indigenous writers about the relationship between Indigenous literatures and learning, and how their writing relates to communities. Relevant, reflexive and critical, these conversations explore the pressing topic of Indigenous writings and its importance to the wellbeing of Indigenous Peoples and to Canadian education. It offers listeners a chance to listen to authors’ perspectives in their own words.

Lillian and her friends find themselves at the crossroads of spirits and secrets. When a mysterious boy on a bicycle appears outside Lillian’s window, his mischievous antics hide a deeper, more haunting purpose. With her gift of communicating with spirits, and the support of her friends Chloe and Grace, as well as her wise Kokum and Auntie, Lillian embarks on a journey to uncover the truth.

The Narrows of Fear (Wapawikoscikanik) navigates the unsettling, but necessary. When love of, and respect for, culture goes awry, it is our indigenous women who bring us back to what is important. This novel is an interweaving of stories centered on a range of characters, both male and female, though the women, for the most part, are the healers. Though several were abused both in their own community and in residential schools, these women are smart and loving and committed to helping one another.

On an island at the edge of a wide, wild sea, a girl and her grandmother gather gifts from the earth. Salmon from the stream, herring eggs from the ocean, and in the forest, a world of berries. Through the seasons, they sing to the land as the land sings to them. Brimming with joy and gratitude, in every step of their journey, they forge a deeper kinship with both the earth and the generations that came before, joining in the song that connects us all.

The Maria girls from Bastar practice sex as an institution before marriage, but with rules—one may not sleep with a partner more than three times; the Hallaki women from the Konkan coast sing throughout the day; the Kanjars have plundered, looted and killed generation after generation, and will show you how to roast a lizard when hungry. The original inhabitants of India, these Adivasis still live in forests and hills, with religious beliefs, traditions and rituals so far removed from the rest of the country that they represent an anthropological wealth of our heritage.

Before my family lived in this house, a different family did, and before them, another family, and another before them. And before that, the family lived here, not in a house, but a wigwam. Who lived where you are before you got there? This Land teaches listeners that American land, from our backyards to our schools to Disney World, are the traditional homelands of many Indigenous nations. This Land will spark curiosity and encourage readers to explore the history of the places they live and the people who have lived there throughout time and today.

Blending the mythical power of Téa Obreht and the epic scope of Min Jin Lee, a searing historical novel that tells a story of colonization, survival, and resistance in a way never done before—a beautiful, brilliant, and brutal reimagining of the first contact between Indigenous people and white British settlers and the far-reaching consequences for one Aboriginal girl coming of age in an unsteady and dangerous world.

In this post-apocalyptic world, snow, ice, and death prevail. The remnants of humanity have survived by relearning ancient ways. Some villages cooperate with each other, but there are tribes which have turned to murder and theft to ensure their own success. Three orphaned friends wander alone through this precarious world. Teek, Lance, and Kateesh have all suffered traumatic losses which shattered their faith in their fellow human beings. They are sure that they can count on each other, but that certitude is shaken when violence rages into their lives once again.

From multi-award-winning Gunai author Kirli Saunders and Kate Greenaway Medal-winner Freya Blackwood comes Afloat. Against a backdrop of a changed environment, an Elder leads a child along the waterways, sharing her People’s knowledge and gathering community along the way. This uplifting and inspiring picture book uses the practice of weaving as a powerful metaphor for the honoring and teaching of First Nations wisdom, and the coming together of all people to survive, thrive, and create a more hopeful future.

Harley, a man of Nyoongar ancestry, finds himself at a difficult point in the history of his country, family and self. As the apparently successful outcome of his white grandfather's enthusiastic attempts to isolate and breed the ‘first white man born', he wants to be a failure. But would such failure mean his Nyoongar ancestors could label him a success? And how can the attempted genocide represented by his family history be told?

This brilliant memoir-in-verse tells the moving story of how a nation learned to celebrate a hero. Through years of protests and petition, Kathlyn's story highlights the foot soldiers who fought to make Martin Luther King Jr.'s birthday a national holiday.

In this sequel to Ruby Standing Deers first novel, Circles, the main character of Shining Light is now grown and with family. He dreams of the woman and the Holy Man in the canyons, and knows that, after four seasons of calm and peace in the Forest of Trees, he must go to them. He seeks guidance, but the Spirits tell him only that he must rescue these two people. Yet he need not go alone. Ever Shining Light's faithful companion and Wolf Brother, White Paws senses he must follow his Human Brother. Thus, one Human, one Wolf, and their two families set out for the unknown.

Devastated by the loss of her older brother to cancer, Bugz returns to the place where she can always find solace and strength: the Floraverse. Over the past year, she has regained her position of power in that virtual world, and while the remaining Clan:LESS members still plot against her, she is easily able to overcome their attacks. Even better, she's been secretly working on a bot that will be both an incredible weapon and a source of comfort: Waawaate.

In Living in the Tall Grass: Poems of Reconciliation, Chief Stacey Laforme gives a history of his people through stories and poetry to allow us to see through the eyes of indigenous people. In it, he hits hard on matters of residential schools, the environment, suicide among indigenous youth, domestic abuse, and so on, but also writes poems of love and hope. Chief Laforme’s universal message is, “We should not have to change to fit into society, the world should adapt to embrace our uniqueness.”