Japan Literature Fiction

Barbara, a young American woman teaching at a Tokyo university, inherits an amazing gift: a tansu box containing bottles of plum wine wrapped in paper covered with beautiful calligraphy. There is one bottle for each of the past 20 years of her surrogate mother's life. But why were these odd memoirs left to Barbara, who cannot read Japanese? Set in 1960s Japan, Plum Wine is a powerful tale about cultural differences, romantic hardships, and the legacy of Hiroshima.

Hidden away in a corner of the Ginza neighbourhood is a venerable stationery shop. To venture inside is to find everything your stationery-loving heart desires, from the most delicate paper to fountain pens that fit exactly to the shape of your hand to gorgeously coloured inks. The shop owner intuits your every need, inviting you to take a seat at a small wooden table on the top floor, where you'll find the words flowing, helping you unlock repressed memories, secret longings and your own mysteries.

This collection of Japanese poetry was compiled and translated into English from an anthology known as The Collection of Myriad Leaves, and from a number of other anthologies made by imperial decree between the tenth and fifteenth centuries. This period has come to be considered the golden age of Japanese literature. These examples of Japanese poetry exhibit the most exquisite polish, allied with an avoidance of every shocking or perturbing theme; they combine the enduring luster of a precious metal with the tenuity of gold-leaf.

Remy Kobata has always wished she was destined to be with her best friend, Cam Yasuda. All the way from being neighbors from birth to mixing up magical prank potions together to their “just friends” homecoming date during their senior year in high school, nothing’s a secret between Remy and Cam—except for how much she is in love with him. Remy is trying to work up the courage to confess her feelings during their winter break trip to Japan, when she gets selected for a mystical tea leaves reading and it reveals that they’re not meant to be together.

The year is 1861. After two centuries of isolation, Japan has opened its doors to the West. And as foreign ships threaten to rain destruction on the Shogun’s castle in Edo, a small group of American missionaries has arrived to spread the word of their God. They have yet to realize that their future in Japan has already been foreseen. For a young nobleman has dreamt that his life will be saved by an outsider in the New Year . . . and it is said that Lord Genji has the gift of prophecy.

There's harrowing tension in being Asayi. But join Asayi's circle to oppose a punitive regime. Court intrigues swirl, underbelly characters from different levels of society emerge, deceptions reign, yet truth emerges at the end. Layers of nuance unfold: the vulnerability of an autistic young woman in a merciless time period; political unrest, physical survival, secret identities, and finding ones tribe and love while facing injustices and revolts that are just as real as todays inequities and discontents.

On the eve of the new millennium, in a city in southern Japan that progress has forgotten, sixteen-year-old Anna Obata looks to the stars for solace. An outcast at school, and left to fend for herself and care for her increasingly senile grandfather at home, Anna copes with her loneliness by searching the night sky for answers. But everything changes the evening the Low Earth Orbit satellite (LEO for short) returns her gaze and sees her as no one else has before.

The Blood Coven is gearing up its toughest fight yet. They are going head-to-head with a splinter group of Slayer Inc. that's regrouping in Tokyo, Japan - still determined to take over the world. In dark blood bars and hidden temples, it'll be vampires versus slayers in a showdown that could not only cost Sunny her heart...but also her life.

Der Held des neuesten Romans von Haruki Murakami, ein namenloser junger Maler, hatte sich mit den Jahren in Tokio einen Ruf als hervorragender Porträtist erworben. Doch mit der Trennung von seiner Frau lehnt er schlagartig sämtliche Aufträge ab. Er will sein Leben neu ordnen und zieht sich in ein abgelegenes Haus zurück. Dort legt ihm sein Agent eines Tages ein äußerst lukratives Angebot vor. Er soll das Porträt eines steinreichen Mannes anfertigen. Nach einigem Zögern nimmt er an.

1985. Kazumasa Yuuki, a seasoned reporter at the North Kanto Times, runs a daily gauntlet of the power struggles and office politics that plague its newsroom. But when an air disaster of unprecedented scale occurs on the paper’s doorstep, its staff is united by an unimaginable horror and a once-in-a-lifetime scoop. Seventeen years later, Yuuki remembers the adrenaline-fueled, emotionally charged seven days that changed his and his colleagues’ lives. He does so while making good on a promise he made that fateful week.

These six plays are Japanese classics from the 14th century and are presented in the order of a traditional Nō programme. Nō, the Japanese word for "skill", is a form of Japanese musical drama that originated in the eighth century, and is the oldest major theatre art that still survives today. Alongside Nō plays were kyōgen plays, which were short works typically inserted as a comedic interlude of sorts between the more classical Nō performances.

A selection of eight fairy tales from the book Tales of Old Japan by A B Mitford: The Tongue-Cut Sparrow, The Accomplished and Lucky Tea-Kettle, The Crackling Mountain, The Battle of the Ape and the Crab, The Adventures of Little Peachling, The Foxes' Wedding, The History of Sakata Kintoki, The Elves and the Envious Neighbour

The story of how two small children had to trek all alone across Manchuria in 1946.70 years

Akemi’s desire for independence and aversion to marriage are unusual in her small village. A gift for drawing allows her to move to a rooming house in Tokyo where she studies medical illustration, finding satisfaction in the precision and purpose of her work. Sayako is the first roommate to pay Akemi attention, and they quickly become inseparable—Sayako drawn to Akemi’s humble origins, so distinct from her own insufferable, wealthy family; Akemi attracted to Sayako’s rebelliousness and her aspiration to be a painter.

Als Ninjas ein englisches Handelsschiff angreifen, ist der Matrosenjunge Jack Fletcher der einzige Überlebende. Es gelingt ihm, sich und das wertvolle Logbuch seines Vaters an die japanische Küste zu retten. Doch Jack muss untertauchen, denn der neue Herrscher Japans verfolgt erbarmungslos alle Ausländer. Auf der Flucht gewähren ihm ausgerechnet die Erzfeinde der Samurai Unterschlupf: Großmeister Soke und seine Ninja-Kämpfer.

Under the guise of machinery for making dumplings, a Spanish factory near Barcelona is secretly producing a key component in the production of nuclear weapons. When information finds its way to the inboxes of Western intelligence agencies that this "dumpling maker" is meant for North Korea, orders go out that the shipment must be stopped. Either the machine must be disabled while still in the factory, or the transportation route must be discovered so the equipment can be intercepted before it reaches its destination.

Discover the endless fascination of Japanese culture with seven ancient tales, selected for you for their power of evocation, wisdom and humor. Not unlike the western folk tales compiled by the Brothers Grimm, these stories faithfully preserve the spirit of medieval Japan, while rendered in a translation accessible to all ages.

ケイ・ヘザリ（「ＮＨＫラジオ英会話」元レギュラー・ゲスト）のエッセイ単行本『American Pie』の中から厳選した17本を、著者自らが英語で朗読。

Japan, 1704. In an elegant mansion a young woman named Tsuruhime lies on her deathbed. The death of the Shogun's daughter has immediate consequences on his regime. Faced with his own mortality and beset by troubles, he names as his heir Yoshisato, the seventeen-year-old son he only recently discovered was his. Until five months ago, Yoshisato was raised as the illegitimate son of Yanagisawa, the shogun's favorite advisor. Yanagisawa is also the longtime enemy of Sano Ichiro.

Als Aki erfährt, dass ihre Großmutter gestorben ist, bucht sie zwei Flüge. Ein letztes Mal will sie ihre Mutter zu ihrer Familie in Japan bringen, auch wenn sie weiß, wie riskant es ist, einen dementen Menschen aus der gewohnten Umgebung zu reißen. Und wirklich hat sie Keiko noch nie so verloren erlebt wie in der ersten Nacht im Hotel. Doch dann sitzen sie beim Essen im alten Elternhaus, und plötzlich spricht sie, die so still geworden ist, fröhlich und klar für sich selbst.