Latin House

1950s Hollywood: Every actress wants to play Salome, the star-making role in a big-budget movie about the legendary woman whose story has inspired artists since ancient times. So when the film’s mercurial director casts Vera Larios, an unknown Mexican ingenue, in the lead role, she quickly becomes the talk of the town. Vera also becomes an object of envy for Nancy Hartley, a bit player whose career has stalled, and who will do anything to win the fame she believes she richly deserves.

Viena, 1938. Samuel Adler es un niño judío de seis años cuyo padre desaparece durante la Noche de los Cristales Rotos, en la que su familia lo pierde todo. Su madre, desesperada, le consigue una plaza en un tren que le llevará desde la Austria nazi hasta Inglaterra. Samuel emprende una nueva etapa con su fiel violín y con el peso de la soledad y la incertidumbre, que lo acompañarán siempre en su dilatada vida.

Structured as a series of one-sided phone calls from our spunky, sarcastic narrator, Luciana, to her older sister, Mari, this wildly inventive debut “jump-starts your heart in the same way it piques your ear” (Xochitl Gonzalez). As the baby of her large Colombian American family, Luciana is usually relegated to the sidelines. But now she finds herself as the only voice of reason in the face of an unexpected crisis: A hurricane is heading straight for Miami, and her eccentric grandmother, Abue, is refusing to evacuate.

Kali Fajardo-Anstine’s magnetic story collection breathes life into her Indigenous Latina characters and the land they inhabit. Against the remarkable backdrop of Denver, Colorado - a place that is as fierce as it is exquisite - these women navigate the land the way they navigate their lives: with caution, grace, and quiet force. In “Sugar Babies,” ancestry and heritage are hidden inside the Earth but tend to rise during land disputes.

Mexico in the 1970s is a dangerous country, even for Maite, a secretary who spends her life seeking the romance found in cheap comic books and ignoring the activists protesting around the city. When her next-door neighbor, the beautiful art student Leonora, disappears under suspicious circumstances, Maite finds herself searching for the missing woman—and journeying deeper into Leonora’s secret life of student radicals and dissidents.

Every woman wants to be Elizabeth Bennet Darcy - beautiful, gracious, universally admired, strong, daring and outspoken - a thoroughly modern woman in crinolines. And every woman will fall madly in love with Mr. Darcy - tall, dark and handsome, a nobleman and a heartthrob whose virility is matched only by his utter devotion to his wife. Their passion is consuming and idyllic - essentially, they can’t keep their hands off each other - through a sweeping tale of adventure and misadventure, human folly and numerous mysteries of parentage.

Luz “Little Light” Lopez, a tea leaf reader and laundress, is left to fend for herself after her older brother, Diego, a snake charmer and factory worker, is run out of town by a violent white mob. As Luz navigates 1930s Denver, she begins to have visions that transport her to her Indigenous homeland in the nearby Lost Territory. Luz recollects her ancestors’ origins, how her family flourished, and how they were threatened. She bears witness to the sinister forces that have devastated her people and their homelands for generations.

Ya en el título de esta novela de Mario Vargas Llosa se recoge la doble historia en que se vertebra su argumento: por un lado, la relación amorosa del joven escritor Varguitas con una mujer de su familia mayor que él, la tía Julia; y por otro, la desaforada presencia del folletinista Pedro Camacho en la misma emisora de radio donde Varguitas trabaja.

Zavalita y el zambo Ambrosio conversan en La Catedral. Estamos en Perú, durante el «ochenio» dictatorial del general Manuel A. Odría. Unas cuantas cervezas y un río de palabras en libertad para responder a la palabra amordazada por la dictadura.

Vienna, 1938. Samuel Adler is five years old when his father disappears during Kristallnacht—the night his family loses everything. As her child’s safety becomes ever harder to guarantee, Samuel’s mother secures a spot for him on a Kindertransport train out of Nazi-occupied Austria to England. He boards alone, carrying nothing but a change of clothes and his violin.

Throughout Guatemala’s thirty-six-year armed conflict, state forces killed more than two hundred thousand people. Argentina’s military dictatorship disappeared up to thirty thousand people. In the wake of genocidal violence, families of the missing searched for the truth. Young scientists joined their fight against impunity. Gathering evidence in the face of intimidation and death threats, they pioneered the field of forensic exhumation for human rights.

En Macondo transcurre la historia de un entierro imposible. Ha muerto un personaje extraño, un antiguo médico odiado por el pueblo, y un viejo coronel retirado, para cumplir una promesa, se ha empeñado en enterrarle ante la oposición de todo el pueblo y sus autoridades. Como en una tragedia griega -el libro lleva como lema una cita de Antígona que recuerda la prohibición de enterrar el cuerpo del Polinices-, el viejo coronel, su hija y su nieto van a cumplir la ominosa tarea.

Este libro es una lectura obligada que acerca al lector a los temas profundos de la vida como el amor, la amistad, la soledad, el sentido de la existencia. Un clásico de la literatura infantil y juvenil. Un libro para descubrir en la infancia y releer en cualquier momento de la vida.

La novela narra la historia de Tita de la Garza a manera de recetario, donde cada capítulo es una receta que relata las aventuras de la protagonista en una casa donde la tradición la obliga a quedarse a cuidar a su madre, y por lo tanto, sin poderse casar nunca.

García Márquez construyó, en El otoño del patriarca, una maquinaria narrativa perfecta que desgrana una historia universal -la agonía y muerte de un dictador- en forma cíclica, experimental y real al mismo tiempo, en seis bloques narrativos sin diálogos, sin puntos y aparte, repitiendo una anécdota siempre igual y siempre distinta, acumulando hechos y descripciones deslumbrantes.

Rosie Perez first caught our attention with her fierce dance in the title sequence of Do the Right Thing and has since defined herself as a funny and talented actress who broke boundaries for Latinas in the film industry. What most people would be surprised to learn is that the woman with the big, effervescent personality has a secret straight out of a Dickens novel. At the age of three, Rosie’s life was turned upside down when her mentally ill mother tore her away from the only family she knew and placed her in a Catholic children’s home in New York’s Westchester County.

Montserrat has always been overlooked. She’s a talented sound editor, but she’s left out of the boys’ club running the film industry in ’90s Mexico City. And she’s all but invisible to her best friend, Tristán, a charming if faded soap opera star, though she’s been in love with him since childhood. Then Tristán discovers his new neighbor is the cult horror director Abel Urueta, and the legendary auteur claims he can change their lives—even if his tale of a Nazi occultist imbuing magic into highly volatile silver nitrate stock sounds like sheer fantasy.

A genre-defining novel and De Robertis's masterpiece, Cantoras is a breathtaking portrait of queer love, community, forgotten history, and the strength of the human spirit. At once timeless and groundbreaking, Cantoras is a tale about the fire in all our souls and those who make it burn.

Soy Maya Vidal, diecinueve años, sexo femenino, soltera, sin un enamorado, por falta de oportunidades y no por quisquillosa, nacida en Berkeley, California, pasaporte estadounidense, temporalmente refugiada en una isla al sur del mundo. Me pusieron Maya porque a mi Nini le atrae la India y a mis padres no se les ocurrió otro nombre, aunque tuvieron nueve meses para pensarlo.

Los presidentes en Latinoamérica tienen muchísimo poder… para emboscar a sus rivales, complotar, ocultar y robar. Pero, contra lo que suele creerse, disponen de muy poco margen de maniobra para hacer el bien. ¿Quién ha logrado reducir de forma sustancial los índices de violencia, por ejemplo? ¿Alguien ha conseguido acabar con el crimen organizado, consolidar las instituciones democráticas, fortalecer los contrapesos del sistema político o reducir la pobreza de forma radical y duradera en el tiempo?