Literary Analysis

Ajarry, Cora's grandmother, was enslaved in Africa and shipped to America. She was sold many times before she ended up on the Randall plantation in Georgia, where she bore Cora's mother, Mabel. Mabel ran away from the plantation when Cora was 10, leaving the girl to fend for herself. Cora hated Mabel for leaving her. She never found out that Mabel had in fact only gotten a few miles from the plantation, and then decided to turn back, because she couldn't bear abandoning her child.

"The Merchant of Venice" is a 16th-century play by William Shakespeare in which a merchant in Venice must default on a large loan provided by a Jewish moneylender. It has been listed among Shakespeare's greatest comedies, although its tone is often dramatic. This is a detailed summary of the play, written in today's language, for all willing to acquire a greater understanding of Shakespeare's work and widen their culture.

Winner of the Pulitzer Prize for fiction - and the first black woman to win the Nobel Prize in literature - novelist, orator, and outspoken public intellectual Toni Morrison is best known for her novels. In Playing in the Dark, however, she enters the realm of literary criticism. Morrison, an African American, draws attention to the often-overlooked significance of race in literature, demonstrating "the impact of racism on those who perpetuate it". Reading the racial language between the lines of classic American fiction, Morrison shows that literature is never raceless.

This is a summary, analysis, and review of the book and not the original book. Jenny Offill's third novel Weather follows the thoughts of librarian Lizzie Benson as she deals with raising a family, helping her brother overcome addiction, and preparing for the end of the world. In Offill's signature style of disjointed autofiction, she takes the reader/listener on a journey through the mind of a woman obsessed with doomsday preparation in a world ever threatened by climate change and divisive politics.

Natale in casa Cupiello fu rappresentata per la prima volta al Teatro Kursaal di Napoli, in forma di atto unico, nel 1931. Questo scarno dato storico-temporale, non è sufficiente, tuttavia, a definire e circoscrivere l'estrema complessità dell'opera, sia nella sua genesi ed evoluzione teatrale ed editoriale che nei suoi contenuti. L’autore propone una sorta di lettura trasversale per tematiche, allo scopo di evidenziare la circolarità della commedia, che si costituisce come un cerchio narrativamente concluso.