Literary Life

After the tragic sinking of a cargo ship, a solitary lifeboat remains bobbing on the wild, blue Pacific. The only survivors from the wreck are a 16-year-old boy named Pi, a hyena, a zebra (with a broken leg), a female orangutan - and a 450-pound Royal Bengal tiger. The scene is set for one of the most extraordinary and beloved works of fiction in recent years.

A tragic accident: One woman is left dead after she and another woman, both running away from their marriages, collide in the fog on a highway. The survivor, Isabelle, is left to pick up the pieces, not only of her own life but of the lives of the devastated husband and fragile son that the other woman, April, has left behind. Together, they try to solve the mystery of where April was running to, and why.

Joan Mitchell has two suitors, and can’t decide whom to marry. With her mother Aurelie’s example in mind, she’d like to skip marriage altogether. Joan and Aurelie live together in a beautiful French Quarter home on Coliseum Street in New Orleans, along with Joan’s many half-sisters born of Aurelie’s five disastrous marriages. Joan lives a mostly carefree life, but when she becomes pregnant, she chooses to end her pregnancy rather than marry a man she doesn’t love - a decision with grave consequences in conservative 1950s New Orleans.

Pregnant and secretly married, Cheryl Anway scribbles what becomes her last will and testament on a school binder shortly before a rampaging trio of misfit classmates gun her down in a high school cafeteria. For a handful of people still reeling from that horrific day, life remains derailed.

Highliners are the elite of the fishing world, the skippers and crews who make the biggest catches—salmon, king crab, halibut, shrimp—and deliver them first to the bustling canneries of Kodiak and Dutch Harbor. For these men—and for their women—the safe eight-hour day does not exist. It never will. Some fishermen get rich, many die broke. But they find a special joy in their work that can never be matched by the easier world of the landsman.

For Baba Segi, his collection of wives and gaggle of children are a symbol of prosperity, success, and a validation of his manhood. All is well in this patriarchal home, until Baba arrives with wife number four, a quiet, college-educated, young woman named Bolanle. Jealous and resentful of this interloper who is stealing their husband’s attention, Baba’s three wives begin to plan her downfall. How dare she not know her place, they whisper. How dare she offer to teach them to read. They will teach her instead, they vow, and open their husband's eyes to this wicked wind.

In Trinidad, in 1796, teenage Rosa Rendon quietly but purposefully rebels against typical female roles and behavior. Bright, competitive, and opinionated, Rosa sees no reason she should learn to cook and keep house - it is obvious her talents lie in running the farm she expects to be her birthright, despite her two older siblings. But as her homeland goes from Spanish to British rule, it becomes increasingly unclear whether its free black property owners - Rosa's family among them - will be allowed to keep their assets, their land, and ultimately, their freedom.

The history of European philosophy is usually constructed from the work of men. In Metaphysical Animals, a pioneering group biography, Clare Mac Cumhaill and Rachael Wiseman offer a compelling alternative. In the mid-twentieth century Elizabeth Anscombe, Mary Midgley, Philippa Foot, and Iris Murdoch were philosophy students at Oxford when most male undergraduates and many tutors were conscripted away to fight in the Second World War. Together, these young women, all friends, developed a philosophy that could respond to the war’s darkest revelations.

Born a generation apart and with very different ideas about love and family, Mariam and Laila are two women brought jarringly together by war, by loss, and by fate. As they endure the ever escalating dangers around them, in their home as well as in the streets of Kabul, they come to form a bond that makes them both sisters and mother-daughter to each other, and that will ultimately alter the course not just of their own lives but of the next generation.

A.J. Fikry, the grumpy owner of Island Books, is going through a hard time: his bookshop is failing, he has lost his beloved wife, and his prized possession - a rare first edition book has been stolen. Over time, he has given up on people, and even the books in his store, instead of offering solace, are yet another reminder of a world that is changing too rapidly. But one day A.J. finds two-year-old Maya sitting on the bookshop floor, with a note attached to her asking the owner to look after her. His life - and Maya's - is changed forever.

Joy Williams has been celebrated as a master of the short story for four decades, her renown passing from one generation to the next even in the shifting landscape of contemporary writing. And at long last the incredible scope of her singular achievement is put on display: 33 stories drawn from three much-lauded collections and another 13 appearing here for the first time in book form.

With her husband Bernard two years in the grave, seventy-nine-year-old Harriet Chance sets sail on an ill-conceived Alaskan cruise only to discover through a series of revelations that she's been living the past sixty years of her life under entirely false pretenses. There, amid the buffets and lounge singers, between the imagined appearance of her late husband and the very real arrival of her estranged daughter midway through the cruise, Harriet is forced to take a long look back, confronting the truth about pivotal events that changed the course of her life.

Alexander Porter is on the phone with his six-year-old son when he is struck by lightning and killed. It is a freak accident, without meaning or justice. Alex’s sudden death disintegrates his family. His mother takes off for a new life in California. His father descends into kleptomania. His ex-wife begins selling makeup door to door. His sister mourns by taking Sam, Alex’s son, on a journey into the family’s past, putting her own life on hold. Young Sam, who heard his own father die, has gone silent.

Abandoned as an infant by his actress mother in her theater dressing room, August March was raised by an ancient laundress. Highly intelligent, a tad feral, August is a true child of the theater - able to recite Shakespeare before he knew the alphabet. But like all productions, August’s wondrous time inside the theater comes to a close, and he finds himself in the wilds of postwar New York City, where he quickly rises from pickpocket street urchin to star student at the stuffiest boarding school in the nation.

Faye Martin never expected her husband to abandon her and their three children...or that she'd have to struggle every day to make ends meet. So when her 4-year-old daughter is discovered through a YouTube video and offered a starring role on a television series, it seems like her prayers have been answered. But when the reality of their new life settles in, Faye realizes that fame and fortune don't come without a price.

Two strangers in a foreign city, Thora and Santi meet in a chance encounter. At once, they recognize in each other a kindred spirit - someone who is longing for more in life than the cards they’ve been dealt. Before their friendship can blossom, though, a tragic accident cuts their story short.

In the Deep South, where love and hatred run deep and close, dissension often summers just beneath the surface. When a family gathers for a funeral as its old homestead above the waters of Mobile Bay, it must carry out the last wish of the aunt and sister whom it has come to mourn. It is a wish that will unearth a terrible secret, one that will either tear her siblings and their offspring apart or allow them to accept buried memories, wounds, and love.

In his three novellas, In Short Measures, Strong Conspirators, and Sally Forth, Michael Ruhlman delves deeply into the nuanced complexity of romantic and sexual love - and the inevitable evolution of the heart over the span of years and decades. Each novella asks questions about the nature of love in terms of loyalty and fidelity - what are one's obligations toward one's spouse, one's family, and one's heart?

At the end of the Second World War, Cyril Conroy combines luck and a single canny investment to begin an enormous real estate empire, propelling his family from poverty to enormous wealth. His first order of business is to buy the Dutch House, a lavish estate in the suburbs outside of Philadelphia. Meant as a surprise for his wife, the house sets in motion the undoing of everyone he loves. The story is told by Cyril’s son Danny, as he and his older sister, the brilliantly acerbic and self-assured Maeve, are exiled from the house where they grew up by their stepmother.

When The Risk of Us opens, we meet a 40-something woman who deeply wants to become a mother. The path that opens up to her and her husband takes them through the foster care system, with the goal of adoption. And when seven-year-old Maresa - with inch-deep dimples and a voice that can beam to the moon - comes into their lives, their hearts fill with love. But her rages and troubles threaten to crack open their marriage. Over the course of a year, the couple must decide if they can be the parents this child needs and finalize the adoption - or give her up.