Literary Realism

Down on your luck doesn't always mean down and out When an Oklahoma cattle rancher hires P.I. Buck McDivit to investigate a gory murder committed by something not quite human and a rural community populated by pagan women, he has to think fast or end up dead. Though no choir boy, Buck is unprepared for his role as the lone male participant in a spring equinox fertility ceremony. The only thing worse for the paranormal cowboy than having no woman is too many women - or maybe being eaten alive by a supernatural black panther.

What does it mean to be other? What does it mean to love in a world determined to keep us apart? These questions murmur in the heart of each of Brenda Peynado’s strange and singular stories. Threaded with magic, transcending time and place, these stories explore what it means to cross borders and break down walls, personally and politically.

A parallel universe. South Texas. Narcotics are legal, and there’s a new contraband on the market: ancient Olmec artifacts, shrunken indigenous heads, and filtered animals - species of animals brought back from extinction to clothe, feed, and generally amuse the very wealthy. Esteban Bellacosa has lived in the border town of MacArthur long enough to know to keep quiet. But his simple life starts to get complicated when the swashbuckling investigative journalist Paco Herbert invites him to come to an illegal underground dinner serving filtered animals.

Als Santiago, ein andalusischer Hirte, zum zweitenmal von einem Schatz im fernen Ägypten träumt, bricht er auf. Was er findet, kann von keinem Wüstendieb geraubt werden, doch jede Lebensödnis in eine Oase verwandeln. Ein magisches Buch. Ein magischer Erfolg. Weltweit über 8 Millionen verkaufte Exemplare, in über 30 Sprachen übersetzt.

Estos relatos tempranos de quien posteriormente sería premio Nobel fueron escritos y publicados entre 1947 y 1955, aunque, como libro, Ojos de perro azul no aparecería hasta 1974, cuando ya el escritor había publicado otros dos libros de relatos y cuatro novelas, de las que la última, Cien años de soledad, le proporcionaría su primer gran éxito internacional.

A 30-something painter in Tokyo is abandoned by his wife and finds himself holed up in the mountain home of a famous artist. When he discovers a strange painting in the attic, he unintentionally opens a circle of mysterious circumstances. To close it, he must complete a journey that involves a ringing bell, a two-foot-high physical manifestation of an Idea, a dapper businessman who lives across the valley, a precocious 13-year-old girl, a Nazi assassination attempt during World War II in Vienna, a pit in the woods behind the artist’s home and an underworld haunted by Double Metaphors.

In 1980s Yugoslavia, a young Muslim girl is married off to a man she hardly knows, but what was meant to be a happy match goes quickly wrong. Soon thereafter her country is torn apart by war, and she and her family flee. Years later her son, Bekim, grows up a social outcast in present-day Finland, not just an immigrant in a country suspicious of foreigners but a gay man in an unaccepting society.

In a bravura feat of storytelling, Mark Haddon calls upon narratives ancient and modern to tell the story of Angelica, a young woman trapped in an abusive relationship with her father. When a young man named Darius discovers their secret, he is forced to escape on a boat bound for the Mediterranean. To his surprise, he finds himself travelling backward over 2,000 years to a world of pirates and shipwrecks, of plagues and miracles and angry gods.

From Salman Rushdie, one of the great writers of our time, comes a spellbinding work of fiction that blends history, mythology, and a timeless love story. A lush, richly layered novel in which our world has been plunged into an age of unreason, Two Years Eight Months and Twenty-Eight Nights is a breathtaking achievement and an enduring testament to the power of storytelling.

Cursed. Maisie Cothay has never known the feel of human flesh: born with the power to kill or resurrect at her slightest touch, she has spent her childhood sequestered in her family’s manor at the edge of a mysterious forest. Maisie’s father, an anthropologist who sees her as more experiment than daughter, has warned Maisie not to venture into the wood. Locals talk of men disappearing within, emerging with addled minds and strange stories.

The regulars at the magical Cafe Funiculi Funicula are well acquainted with its famous legend and extraordinary, secret menu time travel offering. Many patrons have reunited with old flames, made amends with estranged family, and visited loved ones. But the journey is not without risks and there are rules to follow. Travellers must have visited the cafe previously and most importantly, must return to the present in the time it takes for their coffee to go cold.

Though published second after Altmann's Tongue, The Din of Celestial Birds (1997) consists of the best of Evenson's early stories. They take place in a country (perhaps several countries) that seems at once everywhere and nowhere, haunted by birds, ghosts, poverty, tyranny, and the permeability of the line between the living and the dead. These stories offer a heady mix of absurdity and bleakness on the one hand and exuberant magic realism on the other.

In Before the Coffee Gets Cold, we meet four visitors, each of whom is hoping to make use of the café’s time-travelling offer, in order to: confront the man who left them, receive a letter from their husband whose memory has been taken by early onset Alzheimer's, to see their sister one last time, and to meet the daughter they never got the chance to know.

In northern Japan, overlooking the spectacular view Hakodate Port has to offer, Cafe Donna Donna has been serving carefully brewed coffee for more than 100 years. But this coffee shop offers its customers a unique experience: the chance to travel back in time. Translated from Japanese by Geoffrey Trousselot and featuring signature heart-warming characters and wistful storytelling, in Before Your Memory Fades, Kawaguchi once again invites the listener to ask themselves: what would you change if you could travel back in time?

What if, one day, Europe was to crack along the length of the Pyrenees, separating the Iberian peninsula? In Saramago's lovely fable, the new island is sent spinning, like a great stone raft, towards the Azores. While the authorities panic and tourists and investors flee, three men, two women and a dog are drawn together by portents that burden them with a bemusing sense of responsibility.

A nameless narrator awakens to the muddle of middle age, no longer certain who or what he is. He finds himself at a party talking to a woman he doesn't know who proves to be his wife. Soon separated but still living in the same apartment, he is threatened by a litigious dachshund and saddled with a stubborn case of erectile dysfunction in a world that seems held together by increasingly mercurial laws and elusive boundaries.

When Theo Potiris performed his stand-up comedy act on Conan at 25, he thought he'd hit it big. But 10 years later, he's still spending his days working at his parents' grocery store, bicycling to the local open mic, and writing letters to a girlfriend who lives halfway around the world. Theo's desperate for a break. But when he brings his 13-year-old niece to the horse track to place a birthday bet - a Potiris family tradition - the goddess of good luck strikes her instead, in the form of a small fortune.

J. Sutter is a bonafide junketeer - a freelance writer, travelling from city to city, hungry for free meals and the discarded sales receipts of others to claim on his expense account. Travelling into the backwoods of West Virginia to write a piece on the unveiling of the new John Henry postage stamp and the ensuing John Henry Days festival, J. continues his nearly record-setting, three-month junket binge.

On a languid midsummer's day in the countryside, old Adam Godley, a renowned theoretical mathematician, is dying. His family gathers at his bedside: his son, young Adam, struggling to maintain his marriage to a radiantly beautiful actress; his 19-year-old daughter, Petra, filled with voices and visions as she waits for the inevitable; their mother, Ursula, whose relations with the Godley children are strained at best; and Petra's "young man" - very likely more interested in the father than the daughter - who has arrived for a superbly ill-timed visit.

Only very special people are chosen by children's author Laura White to join 'The Society', an elite group of writers in the small town of Rabbit Back. Now a 10th member has been selected: Ella, literature teacher and possessor of beautifully curving lips. But soon Ella discovers that the Society is not what it seems. What is its mysterious ritual, 'The Game'? What explains the strange disappearance that occurs at Laura's winter party, in a whirlwind of snow? Why are the words inside books starting to rearrange themselves?