Magical Realism Fiction

En el prólogo de estos Doce cuentos peregrinos, García Márquez nos regala su explicación de por qué doce, por qué cuentos y por qué peregrinos. En Barcelona, una prostituta que va entrando en la vejez entrena a su perro para llorar ante la tumba que ha escogido para sí misma. En Viena, una mujer se vale de su don de ver el futuro para convertirse en la adivina de una familia rica.

García Márquez retrata con pulso magistral la figura de Simón Bolívar, que transmutó el destino de América. Aclamado por el pueblo como Libertador, blanco de numerosas conjuras políticas y militares, héroe romántico y hasta libertino para sus detractores y sus partidarios, idealista íntegro y abandonado que contempla las ruinas de su sueño de unidad de los pueblos americanos, tras la independencia del dominio español Simón Bolívar emprende - enfermo, con un menguado séquito - el que será su viaje final. Parte desde Bogotá para seguir el curso del río Magdalena.

Imagine that there are American MIAs who chose to remain missing after the Vietnam War. Imagine that there is a family in which four generations of strong, alluring women have shared a mysterious connection to an outlandish figure from Japanese folklore. Imagine just those things (don’t even try to imagine the love story) and you’ll have a foretaste of Tom Robbins’s eighth and perhaps most beautifully crafted novel--a work as timeless as myth yet as topical as the latest international threat.

Florrie Buckley is an orphan living on the wind-blasted moors of Cornwall. It's a hard existence, but Florrie is content; she runs wild in the mysterious landscape. She thinks her destiny is set in stone. But when Florrie is 14, she inherits a never-imagined secret. She is related to a wealthy and notorious London family: the Graces.

After her mother dies, Hannah doesn’t know how to exist without her. Literally. In fact, Hannah’s not even certain that she does exist. No one seems to see or hear her, and she finds herself utterly alone. Grief-stricken and confused, her sense of self slowly slipping away, Hannah sets out to find new purpose in life—and answers about who (and what) she really is.

After failing to save the enslaved magical creatures, Lesti and Astria redouble their training efforts. Now, joined by Aurelia and Fang, they continue to unlock new ways of using magic. However, a critical challenge lies just around the corner: the spring tournament. Lesti will have to win if she is to have any chance of taking the lordship of her homeland. At the same time, Astria spots a girl with unique powers at the academy. But she runs away screaming before she can even learn her name.

Sadie Way Scott has been avoiding her family and hometown of Sugarberry Cove, Alabama, since she nearly drowned in the lake just outside her mother’s B&B. Eight years later, Sadie is the host of a much-loved show about Southern cooking and family, but despite her success, she wonders why she was saved. What is she supposed to do? Sadie’s sister, Leala Clare, is still haunted by the guilt she feels over the night her sister almost died. Now, at a crossroads in her marriage, Leala has everything she ever thought she wanted - so why is she so unhappy?

If Tipsy Collins learned one thing from her divorce, it’s that everyone in Charleston is a little crazy - even if they’re already dead. Tipsy, a gifted artist, cannot ignore her nutty friends or her vindictive ex-husband, but as a lifelong reluctant clairvoyant, she has always avoided dead people. When Tipsy and her three children move into the house on Bennett Street, she realizes that some ghosts won’t be ignored. Till death do us part didn’t pan out for Jane and Henry Mott, who have haunted the house for nearly a century.

Nephthys Kinwell is a taxi driver of sorts in Washington, DC, ferrying passengers in a 1967 Plymouth Belvedere with a ghost in the trunk. Endless rides and alcohol help her manage her grief over the death of her twin brother, Osiris, who was murdered and dumped in the Anacostia River. Unknown to Nephthys when the novel opens in 1977, her estranged great-nephew, 10-year-old Dash, is finding himself drawn to the banks of that very same river. It is there that Dash has charmed conversations with a mysterious figure he calls the "River Man".

Marvin Deitz has some serious problems. His mob-connected landlord is strong-arming him out of his storefront. His therapist has concerns about his stability. He's compelled to volunteer at the local Children's Hospital even though it breaks his heart every week. Oh, and he's also the guilt-ridden reincarnation of Geoffroy Thérage, the French executioner who lit Joan of Arc's pyre in 1431. He's just seen a woman on a Los Angeles talk show claiming to be Joan, and absolution seems closer than it's ever been . . . but how will he find her?

After a bad breakup, Helene Janssen runs away to Alaska to find some peace and quiet. She’s been dreaming up bits and pieces of a novel for years and hopes to finally have time to write it. On her first night there, Helene meets Sebastien Montague, a crab fisherman who looks exactly like the hero in the book she’s working on. But how is that even possible? Sebastien seems to recognize Helene, too, but he lies about it and brushes her off, even though their chemistry is immediate and undeniable.

In isolated British Columbia, girls, mostly native, are vanishing from the sides of a notorious highway. Leo Kreutzer and his four friends are barely touched by these disappearances-until a series of mysterious and troublesome outsiders come to town. Then it seems as if the devil himself has appeared among them.

It's been a year since Penny first walked through the doors of the Dallergut Dream Department Store, and surviving a year at the store means one thing… She is now an official employee of the dream industry! She can finally take the express commuter train to the Company District, where all the dream-production companies are located, and discover how all raw dream materials and testing equipment are produced. But the Company District is not quite what she expected. Instead it hides a secret underbelly of the magical industry that Penny thought she was a part of.

A fifteen-year-old teenager is the backbone of her small Midwestern family, budgeting the household finances and raising her younger brother while her mom, a talented artist, weaves beautiful tapestries. For six years, it’s been just the three of them—her mom has brought home guests at times, but none have ever stayed. Yet when her mom brings home a six-foot tall crane with a menacing air, the girl is powerless to prevent her mom letting the intruder into her heart, and her children’s lives.

A dazzlingly accomplished debut collection explores the ties that bind parents and children, husbands and wives, lovers and friends to one another and to the places they call home. In “Who Will Greet You at Home”, a National Magazine Award finalist for The New Yorker, a woman desperate for a child weaves one out of hair, with unsettling results. In “Wild”, a disastrous night out shifts a teenager and her Nigerian cousin onto uneasy common ground. In "The Future Looks Good", three generations of women are haunted by the ghosts of war.

London, 1927. On the morning of Friday 5th February, 1927, Miss Agnes Humphries – the landlady of the attractive, if-slightly shabby, white-fronted townhouse at Number 23 Burlington Square – has a decision to make. The rooms of the second floor lie empty, since poor Mr Blandford’s unfortunate demise, God rest his soul. And Agnes must make up her mind as to who will be her new lodger. Agnes must choose between them. But what will her decision lead to? One of the choices could result in scandal, one in devastation, and one could even lead to happiness. If only she gets it right.

Jeanie Masterson has a gift: She can hear the recently dead and give voice to their final wishes and revelations. Inherited from her father, this gift has enabled the family undertakers to flourish in their small Irish town. Yet she has always been uneasy about censoring some of the dead's last messages to the living. Unsure, too, about the choice she made when she left school seventeen years ago: to stay or leave for a new life in London with her charismatic teenage sweetheart.

It's been one year since graduation, and Beatrice Hartley has mixed feelings about joining her friends a weekend reunion. She's right to be worried. After a night out, they narrowly avoid a collision with a car on a deserted road. Or so they believe... Back at the mansion where they are staying, a mysterious man knocks on the door during a raging storm. He tells them that they must make a choice: one of them will live, and the rest will die. And the decision must be unanimous.

Laila desperately wants to become a mother, but each of her previous pregnancies has ended in heartbreak. This time has to be different, so she turns to the Melancons, an old and powerful Harlem family known for their caul, a precious layer of skin that is the secret source of their healing power. When a deal for Laila to acquire a piece of caul falls through, she is heartbroken, but when the child is stillborn, she is overcome with grief and rage. What she doesn't know is that a baby will soon be delivered—by her niece, Amara—and delivered to the Melancons to raise as their own.

When Harlow Estrada is abruptly fired from her dream job and her boyfriend proves to be a jerk, her world turns upside down. She flees New York City to the one place she can always call home—the enchanted Hacienda Estrada. The Estrada family farm in Mexico houses an abundance of charmed flowers cultivated by Harlow’s mother, sisters, aunt, and cousins. By harnessing the magic in these flowers, they can heal hearts, erase memories, interpret dreams—but not Harlow.