Mary Horror

From the moment Andra hears about the mysterious illness spreading the globe, she knows it’s the end. Sheltering in place with her daughter, ex, and his new family, they watch in dread as the world begins to crumble around them, while rumors of survivors turning into monsters spread. When the dust finally settles, all Andra wants to do is keep her daughter safe as they build a new life for themselves. But a fresh horror awaits, and it’s going to take all of them working together to survive the new world they’re facing. And maybe not even then....

He crept forward between the tall narrow aisles created by the shelves. Just before he reached the corner he heard a thump, the sound of a body hitting the floor. He rushed forward into the corner of the room. The desk was empty. The chair was pushed up against it, neatly awaiting its usual occupant. No one was in the corner. No one was there to make the sound. No one...alive.

Nothing about Kess Pedrock’s life is normal. Not her home (she lives in her family’s Unnatural History Museum), not her interests (hunting for megafauna fossils and skeletons), and not her best friend (a talking demon’s head in a jar named Shrunken Jim).

Durante un viaje en Alta Mar, el capitán Walton le escriba cartas a su hermana: en ellas le cuenta sus aventuras, y sobre todo el misterioso encuentro con el doctor Víctor Frankenstein. Escrita por la inglesa Mary Shelley y publicada en 1818, la tenebrosa historia del científico que juega a ser Dios, singnificó un antes y un después en la llamada tradición gótica. La famosa novela explora temas como la moral, la creación y la destrucción de la vida, considerándose el primer texto del género de ciencia ficción.

When sixteen-year-old Cynda goes to stay with her father and his second wife, Susan, at their remote bed-and-breakfast inn in Maine, everything starts off well despite legends about ghosts and a murder at the inn. But Cynda feels like a visitor in Dad's new life, an outsider. Then intense, handsome stranger Vincent Morthanos arrives at the inn and seems to return Cynda's interest. At first, she is blind to the subtle, insistent signs that Vincent is not what he seems—that he is, in fact, a vampire. Can Cynda free herself—and her family—from Vincent's power before it's too late?

With their shelter destroyed and their sense of security shattered, Vivian, Axl and the group set off in search of a safe place. But the group's morale is at an all-time low, and they now know it's not just the dead they have to fear. Weeks of wandering brings sickness, death and loss to the survivors, and Vivian soon finds herself losing hope of ever discovering a safe place to live. To make matters worse, two members of the group go missing, leaving the others to wonder not only what happened to them, but if they will ever see their friends alive again.

Switzerland, 1816. A volcanic eruption in Indonesia envelopes the whole of Europe in ash and cloud. Amid this “year without a summer,” eighteen-year-old Mary Shelley and her lover Percy Bysshe Shelley arrive at Lake Geneva to visit Lord Byron and his companion John Polidori. Anguished by the recent loss of her child, Mary spends her days in strife. But come nightfall, the friends while away rainy wine-soaked evenings gathered around the fireplace, exchanging stories. One famous evening, Byron issues a challenge to write the best ghost story.

Almost always when we think of Ghost Stories, we first think of those written by the Victorians. If you want a really good ghost story to bring that edge of chill, that foreboding of dread, that feeling that in an empty house we are not quite alone and that sometimes the sharp, sheer shock of what just happened is upon us then look no further than ‘The Victorian Ghost Story’ for your reading and listening pleasure.

Classic Tales Of Horror offers up fifteen slices of powerful story-telling from the world's great mystery & classic horror authors. From Henry James and Ambrose Bierce to Bram Stoker and Charles Dickens. Read by John Waite (BBC Radio 4), Sarah Douglas (Superman I & II), Michael Fenton-Stevens (Spitting Image, KYTV, Hitch-Hiker's Guide) and Ben Onwukwe (London's Burning, Othello).

"Mom seems off." Her brother's words echo in Sam Montgomery's ear as she turns onto the quiet North Carolina street where their mother lives alone. She brushes the thought away as she climbs the front steps. Sam's excited for this rare extended visit, and looking forward to nights with just the two of them, drinking boxed wine, watching murder mystery shows, and guessing who the killer is long before the characters figure it out. But stepping inside, she quickly realizes home isn’t what it used to be.

Four horror stories, over 30 hours of audio entertainment. Horror stories are intended to frighten, startle, and even disgust the listener. The tales of blood-sucking vampires, headless horsemen, hideous creatures, and transformed humans will leave you terrified yet compelled to listen to the next.

When Robin Griffiths embarks upon the restoration of a stained-glass window in a thirteenth-century church, little does she comprehend the stakes involved. The more slivers of glass she pieces together, the more she realizes things are not what they appear to be in the seemingly cozy hamlet of Bilbury.

For seven generations, a member of the Gates family has been digging the same hole, drawn to the task by a force none of them can explain. What waits at the bottom of that hole could end the world. Loretta is the latest in the Gates bloodline, and having no children, she will be the last. Rusty Clemmons is home for his twentieth high school reunion. He is rethinking life and trying not to dwell on the past. He notices changes in his hometown of Smithville... strange behaviors, the odd smell. Everything points back to the hole Loretta Gates is digging.

One of the greatest horror stories ever written, Frankenstein comes to spellbinding life once again in this tour-de-force performance by the acclaimed director and star of Henry V, Dead Again, and Much Ado About Nothing. The definitive recording of one of the most haunting tales of all time, Kenneth Branagh's performance of Frankenstein is a true audio classic.

Ante la misteriosa desaparición de un grupo de pasajeros dentro del Expreso de Bering, el cual realiza trayectos rutinarios sobre el visionario puente que cruza el estrecho uniendo Alaska y Rusia, dos agentes del FBI serán enviados como punta de lanza a esa zona septentrional del planeta, para tratar de dar con un grupo terrorista escondido junto a los rehenes en las islas Diómedes, que se encuentran a mitad de camino entre Rusia y EEUU. Llegados a la zona nada será lo que parece y ambos se encontrarán metidos en un problema que los superará en número de individuos con ventajas ...

Black Friday - the official opening of the Holiday Shopping Season - and Patrice Marcum is stuck in the middle of her local superstore with a crying infant, a near hysterical desire to just abandon the diapers and milk she desperately needs, and the snowstorm of the century dumping a half-foot of snow on the parking lot outside. She needs a miracle.

Passionné par les sciences occultes, Victor Frankenstein est persuadé qu'il peut donner la vie. Dans la solitude de son laboratoire, un soir d'orage, son rêve devient réalité... et tourne au cauchemar. Il vient de créer un être monstrueux. Victor fuit, épouvanté. Mais il est trop tard : la créature, rejetée de tous, prépare déjà sa vengeance.

Almost always when we think of Ghost Stories, we first think of those written by the Victorians. If you want a really good ghost story to bring that edge of chill, that foreboding of dread, that feeling that in an empty house we are not quite alone and that sometimes the sharp, sheer shock of what just happened is upon us then look no further than ‘The Victorian Ghost Story’ for your listening pleasure.

Twenty years ago a deadly virus swept the globe, ravaging the population. People died and came back as monsters, and through the tragedy that rocked the world, survivors were born.

Ariel Kimber has settled into life with her family and coven. Everything seems to be as it should, and she finally feels like she's exactly where she needs to be in her life. Her dad is awesome, and she loves getting to know him. Her guys are the best, and she falls deeper in love with them by the day. Her job at Fortunes for the Unfortunate does not suck, and she's more than happy to spend her days there. Her guardians have become family to her, and she finally thinks she's living the good life. But, like everything else in Ariel's life, that goodness does not last.