Medieval Poetry

Award-winning narrator Mike Vendetti recites Shakespeare’s "Sonnet 12".

This poetic exploration of the subject of love was composed in Italy 1821, and published anonymously, as the poet wished its circulation to be restricted to the "esoteric few." The title means "concerning or about a little soul", the subject, in this case, being Shelley's inamorata of the time, Countess Teresa (designated "Emily" in the poem) Viviani, a young woman who was immured in the Convent of Saint Anna by her father. Shelley had had a number of contacts with her by letter and in person.

The office of Poet Laureate goes back many centuries - informally to the time of Geoffrey Chaucer in 1389 and followed thereafter by a number of ‘volunteer laureates’. It was formally assigned to Ben Jonson in 1617 and, as a Royal office by letters patent in 1670, to John Dryden. It is a rich, rewarding history that bursts with the words, themes and visions of many great poets that has bound poetry and poets to a nation's soul.

This poem was composed in 1875 and 1876, but was not published until 1918. It is considered by many to be Hopkins' masterpiece. One hundred and sixty-eight passengers and crew died when the steamship Deutschland ran aground on the Kentish Knock. Hopkins weaves many Christian themes into his poetic retelling of the tragedy, including the inevitability of suffering, divine providence, salvation, and the hiddenness of God.

This educational drama captures the experiences of a young World War I soldier who was touched, inspired, and changed forever by war poetry. Through vivid readings and recollections, we examine the work of 16 poets.

Œdipe... Aussi orgueilleux qu'opiniâtre, sa clairvoyance, son intelligence ont jadis eu raison de la cruelle Sphinge et de ses énigmes. Porté sur le trône par le peuple libéré pour avoir levé la terreur qui étouffait la ville de Thèbes, il doit encore prouver sa valeur : une malédiction incurable semble frapper sans distinction récoltes, troupeaux et habitants.

Dating to the ninth century B.C., Homer's timeless poem still vividly conveys the horror and heroism of men and gods wrestling with towering emotions and battling amidst devastation and destruction, as it moves inexorably to the wrenching, tragic conclusion of the Trojan War. Renowned classicist Bernard Knox observes in his superb introduction that although the violence of the Iliad is grim and relentless, it coexists with both images of civilized life and a poignant yearning for peace.

Abou Ben Adhem awakens to find an angel within his room writing the names of those who love The Lord inside a book of gold. To his shock, he discovers his is name will not be added and learns of the fate awaiting him.

Richard Le Gallienne was a notable example of the Bohemian literary figure. He travelled widely, had many acquaintances among notable figures of his day, including Oscar Wilde, Rupert Brooke, and John Cowper Powys, and worked through a long series of romantic relationships. However, his poetic verbiage is economical and disciplined, and free from rhetorical affectation. This collection was published in 1895, and reflects the mature style of the poet.

John Milton's On the Morning of Christ's Nativity is no ordinary Christmas poem. Written when he was just twenty-one, it reveals an early glimpse of the depth and ambition that would later shape Paradise Lost. Here, the nativity is not sentimental but cosmic: a quiet moment that echoes across heaven, earth, and myth. This is poetry as vision—blending classical imagery, biblical themes, and rich musical language. Angels descend, stars pause in wonder, and the natural world falls into a hush. Pagan gods retreat into silence, as if even they recognize the shift in power.

Pegasus, du alter Renner,

Trag mich mal nach Afrika,

Alldieweil so schwarze Männer

Und so bunte Vögel da.

Kleider sind da wenig Sitte;

Höchstens trägt man einen Hut,

Auch wohl einen Schurz der Mitte;

Man ist schwarz und damit gut.

Frederick Lazarus Light's resolve to write a greater Iliad in English than Homer composed in Greek is manifest. This translation impersonates Homeric Greek. It runs with Achilleus and like man-shattering Hector in the shock of arms is resolutely sharp. As unrelenting as sublimity, not yielding lyrically, unprosaically vindicating Homer's vision, the brightest labor has been attempted and is brought over as a consummate attempt.

Arthur Rimbaud est une fulgurance dans le paysage de la poésie moderne. Né le 20 octobre 1854, mort le 10 novembre 1891, il écrivit ses premiers poèmes à quinze ans et demi et ses derniers à 20 ans. Poète maudit, tourmenté et aux idées marginales, il laisse une œuvre dont la densité fait de lui une figure majeure de la littérature française. Plongez dans la poésie de Rimbaud, le poète "voyant", pour découvrir sa sensualité lumineuse au travers d'une interprétation juste et limpide.

A man seduces another's wife then kidnaps her. The husband and his brother get a gang together to steal her back and take revenge. The woman regrets being seduced and wants to escape whilst the man's entourage resent the position they have been placed in. Yet the battle lines have been drawn and there is no going back... Not the plot of the latest Hollywood thriller, but the basis of The Iliad - the Greek classic that details the war between the Greeks and the Trojans after the kidnapping of Helen of Sparta.

Universally admired and quoted, Shakespeare’s Sonnets have love, beauty and the passing of time at their heart. Featuring some of the best-known and best-loved lines in the history of poetry (‘Shall I compare thee to a summer’s day?’, ‘Love is not love which alters when it alteration finds’), these evocative sonnets explore passion, the fleeting nature of beauty and the essence of true and everlasting love.

Nearly all Michael Angelo's sonnets express personal feelings, and by far the greater number of them were composed after his 60th year. To whom they were addressed, we only know in a few instances. Nothing is more clear than that Michael Angelo worshiped Beauty in the Platonic spirit, passing beyond its personal and specific manifestations to the universal and impersonal.

Récité et commenté par Albert Millaire, apparié aux musiques de Couperin, Duphly ou Balbastre, et interprété au clavecin par Hélène Panneton...

Ce livre audio est composé des 50 plus beaux poèmes de la langue française.

Khwāja Shams-ud-Dīn Muḥammad Ḥāfeẓ-e Shīrāzī is commonly known to us as Hafiz, the Persian poet who was born in Shiraz, Iran, in either 1315 or 1317. The facts of much of his early life are unknown to us but it is said that, at an early age, he memorised many passages of the Quran and was therefore given the title of Hafiz, which means 'the memoriser or the safe keeper'. Hafiz mainly wrote lyric poetry or ghazals - an ideal form for expressing the ecstasy of the divine and the intoxicating mystical union with God.

Together with Omar Khayyam and Jalāl ud-Din Mohammad Rumi, Khwaja Shams-ud-din Mohammed Hafiz-e Shirazi, more commonly known just as Háfiz, is considered one of the major figures of classical Persian literature. Gertrude Lothian Bell (1868 - 1926) was a traveler, archeologist, political advisor, and authority on Middle Eastern history and literature.