Medieval Women

In the year of 1413, two women meet for the first time in the city of Norwich. Margery has left her fourteen children and husband behind to make her journey. Her visions of Christ – which have long alienated her from her family and neighbours, and incurred her husband’s abuse – have placed her in danger with the men of the Church, who have begun to hound her as a heretic. Julian, an anchoress, has not left Norwich, nor the cell to which she has been confined, for twenty-­three years. She has told no one of her own visions – and knows that time is running out for her to do so.

Hildegard von Bingen was never meant to be remembered by history. The 10th child of one of the Graf von Sponheim’s knights, she was given to Disibodenberg monastery partly out of gratitude to God, but also partly because her visions made her too odd to make a suitable wife. When she succeeded Jutta von Sponheim as magistra and prioress of Disibodenberg monastery, she found herself unable to keep her visions secret any longer. What happened next led her to revolutionize not only monastic life for women, but the whole world too.

A Woman of No Importance takes place in a 24-hour period during a house party hosted by Lady Hunstanton at her country estate. The upper echelons of English society mix, mingle and flirt, including Lady Caroline Pontefract (who is on her fourth husband), the witty and ironic Mrs. Allonby and the dandyish Lord Illingworth. Wilde balances these worldly characters with a visiting young American woman, Hester Worsley.

Aoife MacMurchada is just 14 years old when her father Diarmit, King of Leinster, is brutally deposed, and her family is forced to flee Southern Ireland into English exile. Diarmit seeks help from King Henry II, an alliance that leads him to the charismatic Richard de Clare, lord of Striguil, a man dissatisfied with his lot and open to new horizons. Diarmit promises Richard wealth, lands, and Aoife's hand in marriage in return for his aid, but Aoife, has her own thoughts on the matter. She may be a prize, but she is not a pawn and she will play the game to her own advantage.

The summer of 1276 at Tyndal Priory is peaceful - until Kenelm’s corpse is found floating in the millpond. When Brother Thomas concludes that the murder occurred on priory grounds, Prioress Eleanor and Crowner Ralf swiftly agree to help each other solve the crime. The murder victim, a newcomer, was disliked in Tyndal village, and no one there wants one of their own hanged for the deed. Fingers quickly point to a Jewish family, refugees under the relocation provisions of King Edward’s Statute of Jewry. As riots loom and threats mount against the family, Eleanor and Ralf have little time before popular opinion rules the murder solved.

Losing her mother to the witch’s noose and her father to those who placed her there, Lady Edyth DeVries flees for her life into the wilds of Scotland. With all her hopes pinned upon reuniting with the only family left to her, Edyth is tormented as a keeper of a dangerous secret, one that she is only just beginning to unravel.

Princess Rosalynn is pretty, spoiled, and childish. She gives no thought to the men and women that protect her father's throne. Then one day, invaders from the enormous kingdom across the river storm across the Bridge and conquer the royal castle. Alone and in danger, Rosalynn sets out on foot to find her father. Driven by fear, she finds the Bridge and crosses it. In the enemy kingdom, she meets an unexpected friend--a woman who has discovered a secret way to save Rosalynn's kingdom. Together Rosalynn and the wise woman face enemy soldiers, wicked outlaws, and the wilds of the river on ...

Three men are trapped in time. One woman could save them all. Historian Lia Carrer has finally returned to southern France, determined to rebuild her life after the death of her husband. But instead of finding solace in the region's quiet hills and medieval ruins, she falls in love with Raoul, a man whose very existence challenges everything she knows about life - and about her husband's death.

Worms 1414: Sie sind die bekanntesten Medici ihrer Zeit: Madlen und Franz von Beyenburg kümmern sich hingebungsvoll um ihre Patienten und können deren Leid oft lindern, auch wenn gegen viele Krankheiten ihrer Zeit noch kein Kraut gewachsen ist. Nur mit dem Neubau ihres Hospitals geht es zu langsam voran und die beengten Verhältnisse für die Patienten und die Familie kosten Madlen viel Kraft. Da schickt der Erzbischof von Köln nach ihr. Über ein Vierteljahrhundert ist er Madlen ein kluger und warmherziger Freund gewesen, doch der alte Mann spürt, dass seine Zeit gekommen ist.

La guerra non è faccenda da donne, eppure nel sanguinoso scacchiere dell’Italia del Quattrocento può accadere di tutto, anche che una fanciulla venga addestrata a combattere come un uomo. Il suo nome è Bona Lombardi, ma fra i mercenari della Banda Rossa agli ordini del generale Francesco Sforza tutti la conoscono con il nome di Gabrio. Cuore puro e occhi verdi come pietre di fiume, nel suo sangue scorre la ribellione: contro il destino che spetta alle donne, contro i soprusi degli uomini, contro chi ti attende nell’ombra per strapparti la vita o la dignità.

Lux has lost everything when Else finds her, alone in the woods. Her family, her lover, her home—all burned. The world is suspicious of women like her, neither maiden nor mother. But Lux is cunning; she knows how to exploit people's expectations, how to blend into the background. And she knows a lot about poisons. Else has not found Lux by accident. She needs her help to seek revenge against the man who wronged her, and together they pursue him north. But on their hunt they will uncover dark secrets that entangle them with dangerous adversaries.

Siglo XIII. Época de la persecución de los cátaros, de las Cruzadas y del comienzo de la Inquisición. Ante la masacre que está sufriendo su pueblo, Braira de Fanjau, una joven cátara occitana, viaja a Zaragoza para escapar del exterminio, ocultando el secreto de su fe. Allí conocerá a la reina Constanza de Aragón, casada en segundas nupcias con Federico II de Hohenstaufen, rey de Sicilia y emperador del Sacro Imperio Romano-Germánico, que la tomará bajo su protección tras descubrir el gran talento que atesora: la interpretación de las cartas de Tarot.

In London, journalist Jo Clifford plans to debunk the belief in past lives in a hard-hitting magazine piece. But her scepticism is shaken when a hypnotist forces her to relive the experiences of Matilda, Lady of Hay, a noblewoman during the reign of King John. She learns of Matilda's unhappy marriage, her love for the handsome Richard de Clare and the brutal death threats handed out by King John, before it becomes clear that Jo’s past and present are inevitably entwined.

In The Lantern: A Renaissance Mystery, a 21st century American woman searches to learn the truth about the 15th century mysterious Italian girl who dared to compete with the most famous artists of the Renaissance. Across time and space, their lives collide as they battle abuse, disease, fear and prejudice in pursuit of their dreams. Along the way, they intersect with some of the most famous figures of the Renaissance.

Köln 1351: Elisabeth und Stephen Hardenstein sind Zwillinge, könnten jedoch unterschiedlicher nicht sein. Während Elisabeth mit Begeisterung schon als Kind alles aufsaugt, was den Tuchhandel ihres Vaters betrifft, liegt es Stephen mehr, ein leichtes Leben zu führen. Die Händlerstochter geht ihrem Vater bei der Prüfung der Waren und bei der Buchhaltung zur Hand. Sie fühlt ihre Berufung zur Händlerin. Als der Vater einen Schlaganfall erleidet, ändert sich die Situation dramatisch. Stephen übernimmt das Ruder im elterlichen Betrieb.

1431 is a dangerous time for a woman to be defiant. England has been fighting France for 100 years. At home, power-hungry men within a corrupt government manipulate a weak king - and name Cecily's husband, York's loyal duke, an enemy. As the king's grasp on sanity weakens, plots to destroy York take root. It will take all of Cecily's courage and cunning to save her family. But when the will to survive becomes ambition for a crown, will she risk treason to secure it?

The thirty-fourth mystery in Peter Tremayne's long-standing and much-loved series, Revenge of the Stormbringer features 7th-century Irish super-sleuth Sister Fidelma.

Set in medieval times, Lourin ran away from a life of wealth and luxury suffocated by formalities and responsibilities. She then lived the simple life she desired with a husband who loved her beyond measure and two amazing daughters. Lourin’s evil in-laws colluded with a corrupt bishop to get rid of her and hired bandits who ripped her true love from her life; then mercenaries kidnapped her daughters and captured her. She experienced despair being taken halfway across the world and thrown over a waterfall.

"Sa robe caresse le sol. À cet instant, nous sommes comme les pierres des voûtes, immobiles et sans souffle. Mais ce qui raidit mes frères, ce n'est pas l'indifférence, car ils sont habitués à ne pas être regardés ; ni non plus la solennité de l'entretien - tout ce qui touche à Aliénor est solennel. Non, ce qui nous fige, à cet instant-là, c'est sa voix. Car c'est d'une voix douce, pleine de menaces, que ma mère ordonne d'aller renverser notre père." Aliénor d'Aquitaine racontée par son fils Richard Cœur de Lion.

In one tragic moment, Celeste Gabriele loses all it has taken a lifetime to create. Surrounded by political upheaval and personal turmoil in 1497 Florence, she feels betrayed and utterly alone. Can she summon the courage and strength to conquer her demons and find the love she so desperately craves? Political tensions are high in Florence under the fanatical rule of Prior Girolamo Savonarola, but Celeste is content. She and her husband, Luciano, share a loving marriage, thriving art careers, and five wonderful children.