Memoir Dysfunctional

Fugitives from a man as alluring as he is violent, Andrea Jarrell and her mother develop a powerful, unusual bond. Once grown, Jarrell thinks she's put that chapter of her life behind her - until a woman she knows is murdered, and she suddenly sees that it's her mother's choices she's been trying to escape all along. Without preaching or prescribing, I'm the One Who Got Away is a life-affirming story of having the courage to become both safe enough and vulnerable enough to love and be loved.

This powerful and haunting memoir details the years Paula McLain and her two sisters spent as foster children after being abandoned by both parents in California in the early 1970s. As wards of the State, the sisters spent the next 14 years moving from foster home to foster home. The dislocations, confusions, and odd pleasures of an unrooted life form the basis of one of the most compelling memoirs in recent years - a book in the tradition of Jo Ann Beard's The Boys of My Youth and Mary Karr's The Liars' Club.

*This book was originally released as "His Mother's Son." For additional reader reviews, please visit the book page for "His Mother's Son." In place of his mother's love, her bitter grudge. Instead of a real life, an accidental one. Forced to live a lie, Paul feels trapped behind a wall of blame. Determined to escape the past, he mounts a quest to find the truth. It brings adventures around the world and deep within his soul. In time it even takes him past the point of no return. But when this search reveals the path to what he has pursued, will he have the strength to follow it?

Robert Ragland toiled every day on his family’s Appalachian tobacco farm as a young boy. His father, an impoverished and illiterate sharecropper, spent his earnings on alcohol and beat his children and wife constantly. And Robert couldn’t take one more strike. Meanwhile, Mennonite families had moved to town, providing food and comfort when Robert’s mother broke her leg. Witnessing compassion from these people, Robert wondered: What would it feel like to belong to a group where I was wanted, loved, and appreciated?

The fifth of eight children, Chris Forhan was born into a family of silence. He and his siblings learned, without being told, that certain thoughts and feelings were not to be shared. On the evenings his father didn't come home, the rest of the family would eat dinner without him, his whereabouts unknown, his absence pronounced but not mentioned. And on a cold night in 1973, just before Christmas, Forhan's father killed himself in the carport. Forty years later Forhan "bravely considers the way he is and is not his father's son" (Larry Watson).

If Only You People Could Follow Directions is a spellbinding debut by Jessica Hendry Nelson. In linked autobiographical essays, Nelson has reimagined the memoir with her thoroughly original voice, fearless writing, and hypnotic storytelling. At its center, the book is the story of three people: Nelson’s mother Susan, her brother Eric, and Jessica herself.

Meet Dan Marshall - 25, good job, great girlfriend, and living the dream life in sunny Los Angeles without a care in the world. Until his mother calls. And he ignores it, as you usually do when Mom calls. Then she calls again. And again. Dan thought things were going great at home. But it turns out his mom's cancer, which she had battled throughout his childhood with tenacity and a mouth foul enough to make a sailor blush, is back.

In the years just before the Santa Clara Valley morphed into Silicon Valley, it was a sleepy agricultural basin dotted with cherry orchards. Carol Sveilich’s youth in San Jose was a combo platter of glass walls, cool music, useless gadgets, groovy neighbors, and worry. And, oh yes—sex, drugs, and rock ‘n’ roll. In Reflections from a Glass House, the indelible memories of fumbling through school and the passage through adolescence near the “City of Love” are masterfully awash with comedic prose, amusing storytelling, and gut-wrenching recollections.

After a tumor bursts in Mike Scalise's brain, leaving him with a hole in the head and malfunctioning hormones, he must navigate a new alien world of illness maintenance. His mother, who has a chronic heart condition and a flair for drama, becomes a complicated model as she competes with him for the status of "best sick person". The Brand New Catastrophe is a moving, funny exploration of how we define ourselves by the stories we choose to tell.

Jeri takes the listener on a deeply personal story of her experience being the daughter of a notorious drug-trafficking kingpin serving a life sentence in maximum security federal prison. With candor and courage, Jeri writes about how her childhood trauma of witnessing domestic violence and finding out at the age of 10 that her dad was in prison instead of away at school broke her in ways she didn’t fully understand. Hers is the story shared by millions of sons and daughters of the incarcerated across the country.

Bowing to Elephants is a travel memoir with a twist—the story of an unloved rich girl from San Francisco who becomes a travel junkie, searching for herself in the world to avoid the tragic fate of her narcissistic, alcoholic mother. Haunted by images of childhood loneliness and the need to learn about her world, Dimond journeys to far-flung places—into the perfumed chaos of India; the nostalgic, damp streets of Paris; the gray, watery world of Venice in the winter; the reverent and silent mountains of Bhutan; and the gold temples of Burma.

From their first kiss, 27-year-old writer Danielle Trussoni is spellbound by a novelist from Bulgaria. The two share a love of jazz and books and travel, passions that intensify their whirlwind romance. Eight years later, hopeful to renew their marriage, Danielle and her husband move to the south of France, to a picturesque medieval village in the Languedoc. It is here, in a haunted stone fortress built by the Knights Templar, that she comes to understand the dark, subterranean forces that have been following her all along.

Don’t Let Me Down is about a brave girl trying to navigate family secrets and tragedies and escape from small-town small-mindedness. It is a searing and often funny exploration of how women first see themselves through the lens of a parent’s love and of the ties that bind us to our childhood heroes, who ultimately lead us to ask that most profound of questions: Is love really all you need?

Zoe Zolbrod remained silent about her early childhood molestation for nearly a decade. When she finally decided to tell, she wasn't sure what to expect or what to say. Through a series of experiences - Zolbrod hitchhikes with a boyfriend from one coast to another, hangs out in a strip club in Philadelphia, meets and marries her husband, and gives birth to her children - she traces the development of her sexuality, her relationships with men, and the cultivation of her motherhood in the shadow of her childhood sexual abuse.

Kate Russell's third memoir explores the effects of child abuse. Beginning with her parent's upbringing, chronicling her life, ending in present day, Kate reveals traits, habits and mindsets that developed as the result of early childhood trauma. Long estranged from her abusers, Kate examines choices she made, masks she donned, and the outcome of her efforts through the lens of a survivor in recovery. For anyone who was physically, emotionally, spiritually, intellectually or psychologically abused. Especially those who cope by sweeping their past under the rug.

On November 29, 1909, police were called to a ramshackle home in East Orange, New Jersey, where they found the emaciated body of 24-year-old Oceana "Ocey" Snead facedown in the bathtub - dead of an apparent suicide by drowning. There was even a note left behind. But it would not take authorities long to discover that Ocey's death was no suicide. And Ocey's own mother and two aunts were far from the sorrowful caretakers they appeared to be.

To outsiders, Jessica Berger Gross's childhood - growing up in a "nice" Jewish family in middle class Long Island - seemed as wholesomely American as any other. But behind closed doors, Jessica suffered years of physical and emotional abuse at the hands of her father, whose mood would veer unexpectedly from loving to violent. At the age of 28, still reeling from the trauma but emotionally dependent on her dysfunctional family, Jessica made the anguished decision to cut ties with them entirely.

Moving from the glamour and dysfunction of 1970s Brooklyn, to the sybaritic materialism of Reagan’s 1980s to post-9/11 New York, Lot Six offers a quintessentially American tale of an outsider striving to reshape himself in the funhouse mirror of American culture. Adjmi’s memoir is a genre-bending Künstlerroman in the spirit of Charles Dickens and Alison Bechdel, a portrait of the artist in the throes of a life and death crisis of identity.

When her elderly mother is hospitalized unexpectedly, Vicki Laveau-Harvie and her sister travel to their parents' ranch home in Alberta, Canada, to help their father. Estranged from their parents for many years, they are horrified by what they discover on their arrival. For years their mother has camouflaged her manic delusions and savage unpredictability, and over the decades she has managed to shut herself and her husband away from the outside world, systematically starving him and making him a virtual prisoner in his own home.

An only child, Deborah Burns grew up in prim 1950s America in the shadow of her beautiful, unconventional, rule-breaking mother Dorothy, a red-haired beauty who looked like Rita Hayworth and skirted norms with a style and flare that made her the darling of men and women alike. Married to the son of a renowned Italian family with ties to the underworld, Dorothy fervently eschewed motherhood and domesticity, turning Deborah over to her spinster aunts to raise while she was the star of a vibrant social life.