Memoir Essays

On the Water is a gorgeously written collection of essays that all take place on or near the water and pay tribute to the flora and fauna associated with those ecosystems. There are essays about the finer points of tickling rainbow trout in the streams of Normandy, and of eagles and ospreys fishing for bass while barely breaking the surface of the water. There are stories of droughts and floods, of dogs and boats, of worms and rattlesnakes, and even of catching and cooking soft-shell turtles that taste like osso-bucco.

Between Parentheses collects most of the newspaper columns and articles Bolano wrote during the last five years of his life, as well as the texts of some of his speeches and talks and a few scattered prologues. "Taken together," as the editor Ignacio Echevarra remarks in his introduction, they provide “a personal cartography of the writer: The closest thing, among all his writings, to a kind of fragmented 'autobiography.'"

From her well-remembered New Yorker essays about the financial demands of big-city ambition and the ethereal, strangely old-fashioned allure of cyber relationships to her dazzlingly hilarious riff in Harper's about musical passions that give way to middle-brow paraphernalia, Daum delves into the center of things while closely examining the detritus that spills out along the way. With precision and well-balanced irony, Daum implicates herself as readily as she does the targets that fascinate and horrify her.

A taxonomy of sweetness, a rhapsody of artificial flavors, and a multi-faceted theory of pleasure, Sweet Nothings is made up of one hundred micro essays organized by candy color, from the red of Pop Rocks to the purple Jelly Bonbon in the Whitman’s Sampler. Each entry is a meditation on taste and texture, a memory unlocked. Everyone’s favorites—and least favorites—are carefully considered, including Snickers and Trader Joe’s Peanut Butter Cups, as well as the beloved Good n’ Plenty and Werther’s Originals.

When Seth Kantner's Ordinary Wolves was published, it was a literary revelation of sorts. In a raw, stylized voice, it told the story of a white boy growing up with homesteading parents in Arctic Alaska and trying to reconcile his largely subsistence and Native-style upbringing with the expectations and realities tied to his race. It hit numerous bestseller lists, was critically acclaimed, and won a number of awards.

Shenequa Golding doesn’t aim to speak for all Black women. We’re too vast, too vibrant, and too complicated. As an adult, Golding begins to own her boldness, but growing up, she found herself “kind of in the middle,” fluctuating between not being the fly kid or the overachiever. Her debut collection of essays, A Black Girl in the Middle taps into life’s wins and losses, representing the middle ground for Black girls and women.

From graffiti gangs and Grand Theft Auto to sugar daddies, Schopenhauer, and a deadly game of Russian roulette, in these essays, Chelsea Hodson probes her own desires to examine where the physical and the proprietary collide. She asks what our privacy, our intimacy, and our own bodies are worth in the increasingly digital world of liking, linking, and sharing. Starting with Hodson’s own work experience, which ranges from the mundane to the bizarre - including modeling and working on a NASA Mars mission - Hodson expands outward, looking at the ways in which the human will submits, whether in the marketplace or in a relationship.

When Paul Auster was asked to join NPR's Weekend All Things Considered program to tell stories, he turned the proposition on its head: he would let the stories come to him. He invited listeners to submit brief, true-life anecdotes about events that touched their lives.

The essays in this collection are the work of a group of friends known as the Northwoods Essayists: The Write People. The name comes from a very special place where we first met each other, the Northwoods Unitarian Universalist Church in The Woodlands, Texas. The group began in 2020, and its membership has evolved over time. Our current members include Hallie Moore, Mira Dessy, Dorothy Kennedy, John Hammond, and Ann McAlpin. Our friend and fellow writer Sharon Ossowski passed away while this book was in progress. We know you’ll be delighted by her wonderful essays in this collection. Our ...

From an astonishing blue jay to a lone humpback whale, from the back roads of her home town to the streets of Jerusalem and the Tower of London, debut author Faye Rapoport DesPres examines a modern life marked by a passion for the natural world, unexpected love, and shocking loss, and her search for a place she can finally call home in this beautifully-crafted memoir-in-essays. Readers who love the memoirs and personal essays of such rising contemporary writers as Cheryl Strayed, Joy Castro, and Kim Dana Kupperman, will appreciate Faye's observational eye, her passion for the natural world ...

A powerful meditation on identity and belonging, Sejal Shah explores the tension of being both invisible and hyper-visible in a country that struggles with race. The daughter of immigrants from India and Kenya, Shah wrestles with her experiences growing up in—and returning to—western New York, an area of stark racial and socioeconomic segregation. Her work illuminates how we are all marked by family and place; by the limits of our bodies; by our losses and regrets; by who and what we love; by our ambivalences and our silences.

Filled with empathy and wisdom, instruction and inspiration, this book encourages us to reevaluate the codes and conventions that have shaped our assumptions about how fiction should be written, and also challenges us to apply its lessons to both what we read and how we read. The start of a more inclusive conversation about storytelling, Letters to a Writer of Color will be a touchstone for aspiring and working writers and for curious readers everywhere.

Esmé Weijun Wang was officially diagnosed with schizoaffective disorder in 2013, although the hallucinations and psychotic episodes had started years before that. In the midst of a high functioning life at Yale, Stanford and the literary world, she would find herself floored by an overwhelming terror that 'spread like blood', or convinced that she was dead, or that her friends were robots, or spiders were eating holes in her brain.

The international sensation that illuminates the experiences women are supposed to hide - from addiction, anger, sexual assault, and infertility to joy, sensuality, and love. In this dazzling debut, Emilie Pine speaks to the events that have marked her life - those emotional disruptions for which our society has no adequate language, at once bittersweet, clandestine, and ordinary. She writes with radical honesty on the unspeakable grief of infertility, on caring for an alcoholic parent, on taboos around female bodies and female pain, on sexual violence and violence against the self.

In Robyn’s 2010 track Dancing on My Own, the Swedish pop-singer chronicles a night on the dance floor in the shadow of a former lover. She is bitter, angry, and at times desperate, and yet by the time the chorus arrives her frustration has melted away. She decides to dance on her own, and in this way, she transforms her solitude into a more complex joy. Taking inspiration from Robyn’s seminal track, emerging art critic and curator Simon Wu dances through the institutions of art, capitalism, and identity in these expertly researched, beautifully rendered essays.

With In a Flight of Starlings, celebrated physicist Giorgio Parisi guides us through his unorthodox yet exhilarating work, starting with investigating the principles of physics by observing the flight of flocks of birds. Studying the movements of these communities, he has realized, proves an illuminating way into understanding complex systems of all kinds—collections of everything from atoms and planets to other animals, such as ourselves. Along the way, he reflects on the lessons he has taken from a life in pursuit of scientific truth.

La cocaina: la merce più usata, trafficata, desiderata del nostro tempo. Le infinite vie del narcotraffico, dal Messico alle spiagge di Miami, dalla Colombia alla Russia, dall'Africa alle strade di Milano, New York, Parigi. Il viaggio di un grande scrittore nei gironi infernali del mondo contemporaneo, dove la ferocia dilaga incontrastata ma i boss hanno imparato tutte le regole più sofisticate del business. Uno straordinario romanzo-verità.

Rising literary star and Los Angeles Times First Fiction Award finalist Sarah Gerard uses her experiences growing up along Florida's Gulf Coast to illuminate the struggles of modern human survival - physical, emotional, environmental - through a collection of essays exploring intimacy, addiction, obsession, religion, homelessness, and incarceration.

Of all the essentials for survival: oxygen, water, sleep, and food, only food is a vast treasure trove of memory and of sensory experience. Food is a portal to culture, to times past, to disgust, to comfort, to love: no matter one's feelings about a particular dish, they are hardly ever neutral.

We treat the body as an afterthought, until it no longer can be. Until the pain or the pleasure is too great. Sinéad Gleeson's life has been marked by terrible illness, including leukemia and debilitating arthritis. As a child, she bathed in the springs of Lourdes, ever hopeful that her body would cooperate, ever looking forward to the day when she could take her body for granted. But just as she turns inward to explore her own pain, and then the marvel of recovery, and then the arrival of her greatest joys—falling in love, becoming a mother—she turns her gaze outward.